The Falcons began their season at home in an inter-conference battle with the Miami Dolphins.  After a scoreless first quarter, Atlanta took off in the second quarter as quarterback Matt Ryan completed a 1-yard touchdown pass to fullback Ovie Mughelli, followed by kicker Jason Elam making a 36-yard field goal.  In the third quarter, the Falcons continued their stellar play as Ryan completed a 20-yard touchdown pass to tight end Tony Gonzalez (with a failed PAT).  Atlanta would conclude its well-performed game in the fourth quarter as Elam nailed a 50-yard field goal.  Afterwards, the Dolphins would get their only score of the game as quarterback Chad Pennington completed a 9-yard touchdown pass to running back Ricky Williams. Tony Gonzalez (5 receptions, 73 yards, and a TD) would become the 21st player in NFL history to collect 11,000 career receiving yards.

How many total field goal yards did Jason Elam make?
A: 86

Trying to snap a two-game losing skid, the Saints flew to Bank of America Stadium for a Week 12 NFC South rematch against the Carolina Panthers with second place on the line. In the first quarter, New Orleans trailed early as Panthers kicker John Kasay managed to get a 45-yard field goal for the only score of the period.  In the second quarter, the Saints took the lead with QB Drew Brees completing a 1-yard TD pass to TE Lance Moore, along with kicker Olindo Mare kicking a 46-yard field goal.  Carolina ended the half as Kasay nailing a 29-yard field goal. In the third quarter, New Orleans ran away with the game as Brees completed a 1-yard TD pass to WR Billy Miller, got an 8-yard TD run, and completed a 4-yard TD pass to WR Marques Colston. For Marques Colston, this marked his fifth-straight game of having at least 65 reception yards in one game.

What are the top two longest field goals made?
A: 46-yard

Digital distribution of movies has the potential to save money for film distributors.  To print an 80-minute feature film can cost US$1,500 to $2,500, so making thousands of prints for a wide-release movie can cost millions of dollars. In contrast, at the maximum 250 megabit-per-second data rate (as defined by Digital Cinema Initiatives for digital cinema), a feature-length movie can be stored on an Commercial off-the-shelf 300 Gigabyte hard drive for $50 and a broad release of 4000 digital prints might cost $200,000. In addition hard drives can be returned to distributors for reuse. With several hundred movies distributed every year, the industry saves billions of dollars. The digital-cinema roll-out was stalled by the slow pace at which exhibitors acquired digital projectors, since the savings would be seen not by themselves but by distribution companies. The Virtual Print Fee model was created to address this by passing some of the saving on to the cinemas. As a consequence of the rapid conversion to digital projection, the number of theatrical releases exhibited on film is dwindling. As of 4 May 2014, 37,711 screens (out of a total of 40,048 screens) in the United States have been converted to digital, 3,013 screens in Canada have been converted, and 79,043 screens internationally have been converted.

How many more dollars does it cost to make a print of a film compared to a digital copy (assuming 2500 for the cost of printing)?
A:
2450