Problem: For the third straight season, the Packers started off with a 1-2 record. The Lions' defense dominated the game as the Packers failed to score any points in the second, third, or fourth quarter. The Packers crossed midfield on only three drives, and they had only one such drive in the second half. The Packers' 7 points represented the lowest total that the team scored in a game that Rodgers finished. Rodgers 162 passing yards was his lowest since the 2008 season.

How many points did packers score in the second half?
Answer: 0

Problem: Coming off a humiliating road loss to the Patriots, the Redskins traveled to The Meadowlands for a Week 9 inter-conference duel with the New York Jets. In the first quarter, Washington immediately trailed as Jets running back/return specialist Leon Washington returned the opening kickoff 86 yards for a touchdown. The Redskins managed to respond with kicker Shaun Suisham's successful try at a 46-yard field goal, yet the Jets answered with their kicker Mike Nugent getting a 29-yard field goal. In the second quarter, the Jets increased their lead with quarterback Kellen Clemens completing a 1-yard touchdown pass to tight end Joe Kowalewski. The Redskins ended the half with Suisham getting a 40-yard and a 22-yard field goal. In the third quarter, the Redskins drew closer with Suisham kicking a 40-yard field goal for the only score of the quarter. In the fourth quarter, the Redskins took the lead with running back Clinton Portis getting a 1-yard touchdown run, along with quarterback Jason Campbell's 2-point conversion pass to wide receiver Antwaan Randle El. The Jets managed to force an overtime with Nugent getting a 30-yard field goal. In overtime, the Redskins managed to come out on top as Suisham nailed the game-winning 46-yard field goal. With the win, the Redskins improved to 5-3. The victory also improved Head Coach Joe Gibbs's overtime record to 10-3.

Which team scored more points in the first quarter?
Answer: Jets

Problem: The Ravens traveled to their division rival Cleveland Browns for their road opener. After Browns' starting quarterback Robert Griffin III was injured in week 1, the Ravens faced Josh McCown who passed for 457 yards against them last season. After a dismal start in which the defense allowed 20 points in the first quarter, they bounced back with a blocked extra point for a safety, after which Joe Flacco and the offense finally returned with full strength, with two touchdown passes to Mike Wallace and three Justin Tucker field goals, shutting out the Browns 25-0 in the final three quarters.

Who scored more points through the final three quarters, Browns or Ravens?
Answer: Ravens

Problem: Beginning from the early 1920s composers of both contemporary and popular music wrote for the musical saw. Probably the first was Dmitri Shostakovich.  He included the musical saw, e.g., in the film music for The New Babylon (1929), in The Nose (opera) (1928), and in Lady Macbeth of the Mtsensk District (opera) (1934). Shostakovich and other composers of his time used the term "Flexaton" to mark the musical saw. "Flexaton" just means "to flex a tone"—the saw is flexed to change the pitch. Unfortunately, there exists another instrument called Flexatone, so there has been confusion for a long time. Aram Khachaturian, who knew Shostakovichs music included the musical saw in his Piano Concerto (Khachaturian) (1936) in the second movement. Another composer was the Swiss Arthur Honegger, who included the saw in his opera Antigone (Honegger) in 1924 . The Romanian composer George Enescu used the musical saw at the end of the second act of his opera Œdipe (opera) (1931) to show in an extensive glissando—which begins with the mezzo-soprano and is continued by the saw—the death and ascension of the sphinx killed by Oedipus. The Italian composer Giacinto Scelsi wrote a part for the saw in his quarter-tone piece Quattro pezzi per orchestra (1959). German composer Hans Werner Henze took the saw to characterize the mean hero of his tragical opera Elegy for young lovers (1961). Other composers were Krysztof Penderecki with Fluorescences (1961), De natura sonoris Nr. 2 (1971) and the opera Ubu Rex (1990), Bernd Alois Zimmermann with Stille und Umkehr (1970), George Crumb with Ancient voices of children (1970), John Corigliano with The Mannheim Rocket (2001). Chaya Czernowin used the saw in her opera "PNIMA...Ins Innere" (2000) to represent the character of the grandfather, who is traumatized by the Holocaust. There are Further Leif Segerstam, Hans Zender (orchestration of "5 préludes" by Claude Debussy), Franz Schreker (opera Christophorus) and Oscar Strasnoy (opera Le bal). Russian composer Lera Auerbach wrote for the saw in her ballet The Little Mermaid (2005), in her symphonic poem Dreams and Whispers of Poseidon (2005), in her oratorio "Requiem Dresden – Ode to Peace" (2012), in her Piano Concerto No.1 (2015), in her comic oratorio The Infant Minstrel and His Peculiar Menagerie (2016) and in her violin concerto Nr.4 "NyX – Fractured dreams" (2017).

How many films did Dmitri Shostakovich include the musical saw in?
Answer:
3