Q: Steigers early roles, although minor, were numerous, especially in television series during the early 1950s, when he appeared in more than 250 live television productions over a five-year period. He was spotted by Fred Coe, NBCs manager of program development, who increasingly gave him bigger parts. Steiger considered television to be what repertory theatre had been for an earlier generation, and saw it as a place where he could test his talent with a plethora of different roles. Soon afterward he began receiving positive reviews from critics such as John Crosby (media critic), who noted that Steiger regularly gave "effortless persuasive performances". Among Steigers credits were Danger (TV series) (1950-53), Lux Video Theatre (1951), Out There (1951 TV series) (1951), Tales of Tomorrow (1952-53), The Gulf Playhouse (1953), Medallion Theatre (1953), Goodyear Television Playhouse (1953), and as Shakespeares Romeo in "The First Command Performance of Romeo and Juliet (1957)" episode of You Are There (series) in 1954, under director Sidney Lumet. He continued to make appearances in various playhouse television productions, appearing in five episodes of Kraft Theatre (1952-54), which earned him praise from critics, six episodes of The Philco Television Playhouse (1951-55) and two episodes of Schlitz Playhouse of Stars (1957-58). Steiger made his big screen debut in 1953, with a small role in Fred Zinnemanns Teresa (film), shot in 1951. Steiger, who described himself as "cocky", won over Zinnemann by praising his direction. Zinnemann recalled that Steiger was "very popular, extremely articulate and full of remarkable memories", and the two remained highly respectful of each other for life.
How many years did Danger TV series run?
A: 3

Q: In 2010, there were 340,523 family households, out of which 33.5% had children under the age of 18 living with them, 60.0% were Marriage living together, 11.7% had a female householder with no husband present, and 24.1% were non-families. 20.1% of all households were made up of individuals and 15.1% had someone living alone who was 65 years of age or older.  The average household size was 2.94 and the average family size was 3.38. The population was 23.3% under the age of 18, and 18.7% who were 62 years of age or older.  The median age was 41.1 years. For every 100 females, there were 93.7 males.  For every 100 females age 18 and over, there were 90.4 males.
How many percent are not  female householder with no husband present?
A: 88.3

Q: According to the 2010 United States Census, the City and County of Denver contained 600,158 people and 285,797 households. The population density was 3,698 inhabitants per square mile (1,428/km²) including the airport. There were 285,797 housing units at an average density of 1,751 per square mile (676/km²). However, the average density throughout most Denver neighborhoods tends to be higher. Without the 80249 zip code (47.3 sq mi, 8,407 residents) near the airport, the average density increases to around 5,470 per square mile.Age distribution was 22.0% under the age of 18, 10.7% from 18 to 24, 36.1% from 25 to 44, 20.0% from 45 to 64, and 11.3% who were 65 years of age or older. The median age is 33 years. Overall there were 102.1 males for every 100 females, but in 2015 for the category of never-married ages 25 to 34, there were 121.4 males for every 100 females. Due to a skewed sex ratio wherein single men outnumber single women, some protologists have nicknamed the city as Menver.
How many people are there per 2 square miles?
A: 7396

Q: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
How many of the 38,719 screens in the United States are not 3D capable?
A:
23076