P: Beginning from the early 1920s composers of both contemporary and popular music wrote for the musical saw. Probably the first was Dmitri Shostakovich.  He included the musical saw, e.g., in the film music for The New Babylon (1929), in The Nose (opera) (1928), and in Lady Macbeth of the Mtsensk District (opera) (1934). Shostakovich and other composers of his time used the term "Flexaton" to mark the musical saw. "Flexaton" just means "to flex a tone"—the saw is flexed to change the pitch. Unfortunately, there exists another instrument called Flexatone, so there has been confusion for a long time. Aram Khachaturian, who knew Shostakovichs music included the musical saw in his Piano Concerto (Khachaturian) (1936) in the second movement. Another composer was the Swiss Arthur Honegger, who included the saw in his opera Antigone (Honegger) in 1924 . The Romanian composer George Enescu used the musical saw at the end of the second act of his opera Œdipe (opera) (1931) to show in an extensive glissando—which begins with the mezzo-soprano and is continued by the saw—the death and ascension of the sphinx killed by Oedipus. The Italian composer Giacinto Scelsi wrote a part for the saw in his quarter-tone piece Quattro pezzi per orchestra (1959). German composer Hans Werner Henze took the saw to characterize the mean hero of his tragical opera Elegy for young lovers (1961). Other composers were Krysztof Penderecki with Fluorescences (1961), De natura sonoris Nr. 2 (1971) and the opera Ubu Rex (1990), Bernd Alois Zimmermann with Stille und Umkehr (1970), George Crumb with Ancient voices of children (1970), John Corigliano with The Mannheim Rocket (2001). Chaya Czernowin used the saw in her opera "PNIMA...Ins Innere" (2000) to represent the character of the grandfather, who is traumatized by the Holocaust. There are Further Leif Segerstam, Hans Zender (orchestration of "5 préludes" by Claude Debussy), Franz Schreker (opera Christophorus) and Oscar Strasnoy (opera Le bal). Russian composer Lera Auerbach wrote for the saw in her ballet The Little Mermaid (2005), in her symphonic poem Dreams and Whispers of Poseidon (2005), in her oratorio "Requiem Dresden – Ode to Peace" (2012), in her Piano Concerto No.1 (2015), in her comic oratorio The Infant Minstrel and His Peculiar Menagerie (2016) and in her violin concerto Nr.4 "NyX – Fractured dreams" (2017).
Answer this: What was the first opera the musical saw was likely included in?

A: Antigone


P: After a tough loss, the Steelers went home to take on the 49ers.  They struck first in the first quarter when Ben Roethlisberger found Heath Miller on a 2-yard TD pass (with a successful 2-point conversion) for an 8-0 lead.  The Niners were able to get on the board in the second quarter when Phil Dawson kicked a 47-yard field goal shortening the lead to 8-3.  The Steelers however pulled away later on as De'Angelo Williams ran for a 2-yard TD (with another successful 2-point conversion) for a 16-3 lead followed up by Roethlisberger finding Darrius Heyward-Bay on a 35-yard TD pass (with a failed PAT) for a 22-3 lead and finally Williams rushing for another 2-yard TD before halftime to take a 29-3 lead.  After a scoreless third quarter, the Niners went to work in the fourth when Colin Kaepernick found Anquan Boldin on a 14-yard TD pass to move behind 29-10.  The Steelers however pulled away when Williams ran for a 1-yard TD to move on up 36-10.  The Niners drew closer when Kaepernick found Torrey Smith on a 75-yard TD pass (with a successful 2-point conversion) to make the score 36-18.  The Steelers however wrapped up the scoring of the game when Roethlisberger found Antonio Brown on a 7-yard TD pass for the final score 43-18. The defense had a field day on Kaepernick by sacking him 5 times and forcing a fumble which they recovered.
Answer this: Which QB had the most sacks?

A: Kaepernick


P: Armenians have had a continuous documented presence in Cyprus since 578 AD: according to historian Theophylact Simocatta, during his campaign against the Persian King Chosroes I, Byzantine General Maurice the Cappadocian captured 10,090 Armenians as prisoners in Arzanene, of whom about 3,350 were deported to Cyprus. More Armenians arrived during the reign of Armenian-descended Emperor Heraclius for political reasons and also during the pontificate of Catholicos Hovhannes III Odznetsi for commercial reasons. Flowing on, after the end of Arab raids in Cyprus, more arrived by the patrician Niketas Chalkoutzes for military reasons, when Armenian mercenaries were transferred to Cyprus to protect it. In the middle Byzantine period, Armenian generals and governors served in Cyprus, like Alexios Mousele or Mousere who undertook the construction of Saint Lazarus' basilica in Larnaca. It appears that Saint Lazarus' church had been an Armenian Apostolic church in the 10th century and was used by Armenian-Catholics during the Latin Era as well. The numerous Armenians required an analogous spiritual pastorate, and so in 973 Catholicos Khatchig I established the Armenian Bishopric in Nicosia. Relations between Cyprus and the Armenians became closer when the Kingdom of Cilicia was established. Between 1136-1138, Byzantine Emperor John II Comnenus moved the entire population of the Armenian city of Tell Hamdun to Cyprus. After Isaac Comnenus' wedding to the daughter of the Armenian prince Thoros II in 1185, Armenian nobles and warriors came with him to Cyprus, many of whom defended the island against Richard the Lionheart, when he landed in Limassol.
Answer this: How many years did it take for John II Comnenus to move all the Armenians in Tell Hamdun to Cyprus?

A:
2