Problem: Coming off their shutout home win over the Rams, the Seahawks flew to Candlestick Park for a Week 2 NFC West showdown with the San Francisco 49ers. Seattle would trail early in the first quarter as 49ers kicker Joe Nedney got a 37-yard field goal, along with running back Frank Gore getting a 79-yard touchdown run. The Seahawks would respond in the second quarter as kicker Olindo Mare made a 36-yard field goal. San Francisco would reply with Nedney making a 42-yard field goal. As the Seahawks looked to bounced back from the deficit, quarterback Matt Hasselbeck received an injury as he was hit on the ground by 49ers linebacker Patrick Willis. Hasselbeck would leave the game with cracked ribs, yet Seattle closed out the half with backup Seneca Wallace completing a 1-yard touchdown pass to running back Julius Jones. In the third quarter, the Seahawks deficit quickly increased as on the 49ers' first offensive play of the second half, Gore would explode for an 80-yard touchdown run. San Francisco would close the game out in the fourth quarter as Nedney nailed a 39-yard field goal.

How many yards was the longest touchdown play?
Answer: 80
Q: The Seattle Seahawks kicked off their 2013 campaign with a hard-fought, ugly win over the Carolina Panthers, 12-7. This game marked Russell Wilson's first 300-yard passing game, and Cam Newton's worst career performance, posting 125 yards through the air, a career low. The first quarter ended equal for both teams, as both sides exchanged a couple of punts. Seattle took their third drive of the game in the second quarter, and drove into the red zone, capping it with a Steven Hauschka 27-yard field goal. Carolina responded immediately, and taking advantage of a couple of Seattle penalties, and some big runs by DeAngelo Williams, with Cam Newton hitting Steve Smith for a 3-yard TD. Seattle responded with a drive to around the Carolina 27 yard line, but Charles Godfrey sacked Russell Wilson and stripped the football, which Carolina recovered. So the first half ended 7-3, Carolina. The second half began with a defensive battle between both sides. Seattle then broke the deadlock with a Steven Hauschka 40-yard field goal, on a drive that lasted over 4 minutes, cutting the lead to 7-6. After forcing Carolina to punt midway through the fourth quarter, Seattle's offense produced its finest drive of the day. A couple of Russell Wilson passes, followed by a Robert Turbin 15-yard scamper, set up Seattle at the Panthers' 43 yard line. Russell Wilson overthrew receiver Stephen Williams on first down, but on second down and 10, by using exactly the same play, Wilson connected with second-year man Jermaine Kearse for a 43-yard score, with 10 minutes left to play. They failed the two-point conversion however, so Seattle had a 12-7 lead. Carolina responded by using DeAngelo Williams on some big runs. Inside the Seattle 35 yard line, Williams took off for a 24-yard scamper, and looked like he was going to score, however at the last possible moment, Earl Thomas forced Williams to fumble inside the 10 yard line.
Who scored the most points, the Seahawks or the Panthers?
A: Seahawks
Problem: The Protestant lands at the beginning of the 17th century were concentrated in Northern Europe, with territories in Germany, Scandinavia, England, Scotland, and areas of France, the Low Countries, Switzerland, Kingdom of Hungary and Poland. Heavy fighting, in some cases a continuation of the religious conflicts of the previous centuries, was seen, particularly in the Low Countries and the Electorate of the Palatinate . In Ireland there was a concerted attempt to create "plantations" of Protestant settlers in what was a predominantly Catholic country, and fighting with a religious dimension was serious in the 1640s and 1680s. In France the settlement proposed by the Edict of Nantes was whittled away, to the disadvantage of the Huguenot population, and the edict was revoked in 1685. Protestant Europe was largely divided into Lutheran and Reformed  areas, with the Church of England maintaining a separate position. Efforts to unify Lutherans and Calvinists had little success; and the ecumenical ambition to overcome the schism of the Protestant Reformation remained almost entirely theoretical. The Church of England under William Laud made serious approaches to figures in the Orthodox Church, looking for common ground. Within Calvinism an important split occurred with the rise of Arminianism; the Synod of Dort of 1618-19 was a national gathering but with international repercussions, as the teaching of Arminius was firmly rejected at a meeting to which Protestant theologians from outside the Netherlands were invited. The Westminster Assembly of the 1640s was another major council dealing with Reformed theology, and some of its works continue to be important to Protestant denominations.
Answer this question based on the article: Which occurred first, the Westminster Assembly of the 1640's or the Synod of Dort?
A: Synod of Dort
question: Beginning from the early 1920s composers of both contemporary and popular music wrote for the musical saw. Probably the first was Dmitri Shostakovich.  He included the musical saw, e.g., in the film music for The New Babylon (1929), in The Nose (opera) (1928), and in Lady Macbeth of the Mtsensk District (opera) (1934). Shostakovich and other composers of his time used the term "Flexaton" to mark the musical saw. "Flexaton" just means "to flex a tone"—the saw is flexed to change the pitch. Unfortunately, there exists another instrument called Flexatone, so there has been confusion for a long time. Aram Khachaturian, who knew Shostakovichs music included the musical saw in his Piano Concerto (Khachaturian) (1936) in the second movement. Another composer was the Swiss Arthur Honegger, who included the saw in his opera Antigone (Honegger) in 1924 . The Romanian composer George Enescu used the musical saw at the end of the second act of his opera Œdipe (opera) (1931) to show in an extensive glissando—which begins with the mezzo-soprano and is continued by the saw—the death and ascension of the sphinx killed by Oedipus. The Italian composer Giacinto Scelsi wrote a part for the saw in his quarter-tone piece Quattro pezzi per orchestra (1959). German composer Hans Werner Henze took the saw to characterize the mean hero of his tragical opera Elegy for young lovers (1961). Other composers were Krysztof Penderecki with Fluorescences (1961), De natura sonoris Nr. 2 (1971) and the opera Ubu Rex (1990), Bernd Alois Zimmermann with Stille und Umkehr (1970), George Crumb with Ancient voices of children (1970), John Corigliano with The Mannheim Rocket (2001). Chaya Czernowin used the saw in her opera "PNIMA...Ins Innere" (2000) to represent the character of the grandfather, who is traumatized by the Holocaust. There are Further Leif Segerstam, Hans Zender (orchestration of "5 préludes" by Claude Debussy), Franz Schreker (opera Christophorus) and Oscar Strasnoy (opera Le bal). Russian composer Lera Auerbach wrote for the saw in her ballet The Little Mermaid (2005), in her symphonic poem Dreams and Whispers of Poseidon (2005), in her oratorio "Requiem Dresden – Ode to Peace" (2012), in her Piano Concerto No.1 (2015), in her comic oratorio The Infant Minstrel and His Peculiar Menagerie (2016) and in her violin concerto Nr.4 "NyX – Fractured dreams" (2017).
Answer this question: What was the last year that the saw was used in something?
answer: