In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Example Input: Question: How well rated was the episode where the ninth doctor morphed into the tenth? Passage 1:In 1902 Vice President Theodore Roosevelt requested that Marshall Bond assist Roosevelt's cousin Leila's husband Edward Reeve Merritt, a Bond friend, to help a group of Boer refugees purchase ranchland and establish a colony in Mexico. Judge Hiram Bond's cattle dealing at Villa Park Ranch near Denver had included some previous experience with purchases from and sales to ranchers in Mexico. After Marshall Bond and Edward Reeve Merritt met and negotiated with José Yves Limantour and other federal officials in Mexico City and visited various potential sites, they bought a large ranch Hacienda Humboldt from Governor Luis Terrazas on the Rio Conchos in the municipality of Julimes near Delicias, Chihuahua. For more, see Creel-Terrazas Family. The Boers managed to farm there for about fifteen years, until they were displaced as farmers and managers by native Mexicans who were supported by populist labor agitators.
 Passage 2:The regeneration of the Ninth Doctor into the Tenth at the end of "The Parting of the Ways" (2005) used computer effects to morph Christopher Eccleston into David Tennant. In the episode of Doctor Who Confidential accompanying the episode "Utopia" (2007), where the same effect is used for the Master's regeneration, it is stated that the production team decided that this would be a common effect for all future Time Lord regenerations, rather than each regeneration being designed uniquely at the whim of the individual director. This style of transition is seen again in "The Stolen Earth"/"Journey's End" (2008) both when the Doctor undergoes an aborted regeneration, and when his hand spawns a clone in the second part; in The End of Time (2010) during which Matt Smith took over the role as the Eleventh Doctor; in "The Impossible Astronaut" when the Doctor is shot twice and seemingly killed; in "Day of the Moon" when a young girl regenerates; and in "Let's Kill Hitler" when Mels (Nina Toussaint-White) is shot and regenerates into River Song (Alex Kingston). "The Night of the Doctor" and "The Day of the Doctor" subsequently use the effect to show the Eighth Doctor and War Doctor's regenerations respectively. The Eighth Doctor's regeneration into the War Doctor uses steady beams of light as opposed to the flame effect used for other revived series regenerations. In the Series 10 episode "The Lie of the Land", the Twelfth Doctor fakes a regeneration as part of a plan to test if Bill still has free will. The effect used is consistent with the one used in the modern series, with the Doctor's hands glowing and emitting regeneration energy before he enters full regeneration. However, as the regeneration was not real, it did not use up a regeneration and the Doctor did not change bodies.
 Passage 3:Cross began his career at Walsall, who finished 12th in the Third Division in 1966–67 under the stewardship of Ray Shaw. New boss Ron Lewin then took the "Saddlers" to a seventh-place finish in 1967–68. After a 13th-place finish in 1968–69, Bill Moore returned to lead Walsall to 12th place in 1969–70. Cross played just 12 league games in his four years at Fellows Park. He joined Gordon Lee's Port Vale in July 1970. He made his debut on 5 September, in a 1–0 win over Preston North End at Vale Park. He played 42 Third Division games in the 1970–71 season, and scored his first goal in the Football League on 2 January, in a 2–1 win over Doncaster Rovers at Belle Vue. He was an ever-present in the 1971–72 season, playing all 46 league and five cup games. He made 40 appearances in the 1972–73 season, and ended a series of 134 consecutive appearances from his debut in March 1973 when he wrenched his left knee. He recovered from this injury to play just two games in the 1973–74 campaign, but then he injured his knee ligaments in October 1973 and was out of action for 17 months. He managed to play just two games in the 1974–75 season, and was handed a free transfer in May 1975 by new manager Roy Sproson. He went on to play for Southern League side Nuneaton Borough. Upon his retirement as a player, he became a School of Excellence coach at Stoke City. He later went on to become a teacher for 25 years.

Example Output: 2

Example Input: Question: When was the university that Doe got his Bachelor of Arts from founded? Passage 1:"Born This Way" was written by Gaga and Jeppe Laursen (formerly of the band Junior Senior), and produced with Paul Blair (a.k.a. DJ White Shadow) and Fernando Garibay, while it was mixed at Abbey Road Studios in London and Germano Studios in New York. The electropop song begins with Gaga's voice uttering the line "It doesn't matter if you love him or capital H-I-M" on a loop, backed by a rumbling synth sound and a humming bass. As the synths change into a beat, Gaga belts out the song's first verse, followed by the bass dropping off and the percussion-backed chorus, "I'm beautiful in my way, 'cause God makes no mistakes; I'm on the right track, baby, I was born this way", which Jocelyn Vena from MTV likened as being "meant to be heard in a big space. It's fast and hard-hitting." After the chorus she chants the line "Don't be a drag, Just be a queen" a number of times on top of handclaps, before moving to the second verse. After the second chorus an interlude follows, where Gaga chants the names of various communities. Sal Cinquemani from Slant Magazine felt that the interlude is a mixture of the music from American television show, Glee, and the song "There But For the Grace of God Go I" by Machine. The music fades out for a moment as Gaga continues to sing, before the addition of an organ and Gaga closes the song. According to the sheet music published at Musicnotes.com by Sony/ATV Music Publishing, "Born This Way" is written in the time signature of common time, with a moderate dance beat tempo of 124 beats per minute. It is composed in the key of B major (in the F Mixolydian mode) as Gaga's voice spans the tonal nodes of F to C. "Born This Way" follows a chord progression of F–F–E–B–F in the chorus.
 Passage 2:He progressed through the youth system at Plymouth Argyle to make his first team debut in November 1979 against Colchester United. Having established himself as a regular on the left side of midfield, he scored his first of 18 goals for the club in January 1981 against Millwall. Cooper became one of the youngest players to captain a side in the Football League, at the age of 22, when he was given the armband by Johnny Hore, the club's manager and a former Argyle player. He helped the club reach the semi-finals of the FA Cup in 1984, leading the side out against Watford at Villa Park, but his stray pass led to the winning goal for their opponents. He lost his place in the side the following year before being converted into a full back, and he was a key member of Dave Smith's team that gained promotion to the Second Division in 1986.
 Passage 3:Doe grew up on the Highfield Council Estate in Pennington, Hants, and attended Brockenhurst Grammar School. He went on to Durham University (Bachelor of Arts {BA(Hons)}). After studying at Ripon Hall, Oxford, he was ordained priest in 1973. He was a curate on the St Helier Estate in South London, after which he was Youth Secretary of the British Council of Churches. He moved to Oxford in 1981 to be Priest Missioner in the Blackbird Leys Ecumenical Partnership, and also served as Rural Dean of Cowley from 1987-1989. During this time he co-presented the weekly religious affairs programme on BBC Radio Oxford: "Spirit Level". He was then Social Responsibility Advisor to the Diocese of Portsmouth and a canon residentiary at Portsmouth Cathedral, before his ordination to the episcopate as suffragan bishop of Swindon in the Diocese of Bristol in 1994. After ten years in this post when he was appointed, in 2004, the General Secretary of the mission agency United Society for the Propagation of the Gospel On retirement in 2011 he became Preacher to Gray's Inn, one of the four Inns of Court in London. He is an Assistant Bishop in the Diocese of Southwark, and chaired the Ecumenical Council for Corporate Responsibility from 2012 to 2015. In 2002 he was awarded an honorary doctorate from the University of Bath. His publications include "Seeking the Truth in Love - the Church and Homosexuality" (DLT 2000), "Today!" (USPG 2009), and "Saving Power - the Mission of God and the Anglican Communion" (SPCK 2011).

Example Output: 3

Example Input: Question: Was the critic who described the film as "kind of sweet" born in the same country as the man who praised Tomei's performance? Passage 1:Lyell's wife died in 1873, and two years later (in 1875) Lyell himself died as he was revising the twelfth edition of Principles. He is buried in Westminster Abbey. Lyell was knighted (Kt) in 1848, and later, in 1864, made a baronet (Bt), which is an hereditary honour. He was awarded the Copley Medal of the Royal Society in 1858 and the Wollaston Medal of the Geological Society in 1866. Mount Lyell, the highest peak in Yosemite National Park, is named after him; the crater Lyell on the Moon and a crater on Mars were named in his honour; Mount Lyell in western Tasmania, Australia, located in a profitable mining area, bears Lyell's name; and the Lyell Range in north-west Western Australia is named after him as well. In Southwest Nelson in the South Island of New Zealand, the Lyell Range, Lyell River and the gold mining town of Lyell (now only a camping site) were all named after Lyell. The jawless fish Cephalaspis lyelli, from the Old Red Sandstone of southern Scotland, was named by Louis Agassiz in honour of Lyell.
 Passage 2:The Little Mermaid II: Return to the Sea is a 2000 American animated direct-to-video musical adventure film produced by Walt Disney Television Animation, the sequel to the 1989 Disney animated film The Little Mermaid and final installment in The Little Mermaid series. Directed by Jim Kammerud and Brian Smith, the story of the film takes place 12 years after the original, and focuses on Ariel and Eric's daughter Melody, a human princess who longs to swim in the ocean despite her parents' law that the sea is forbidden to her. The film features the voices of Jodi Benson as Ariel, Tara Charendoff as Melody, and Pat Carroll as Morgana, the film's new villain. In 2008, Disney released a third film in the Little Mermaid series, , which is a prequel to the original film. This was Buddy Hackett's final film role before his death in June 2003. The film received largely negative reviews with criticism directed at the plot, which many considered to be a generic rehash of the original film.
 Passage 3:Film critic Roger Ebert wrote that the film was "kind of sweet and kind of goofy, and works because its heart is in the right place". Hal Hinson of The Washington Post said that the film "is hopelessly syrupy, preposterous and more than a little bit lame, but, still, somehow it got to me". Vincent Canby of The New York Times, said that the film "is to the mind what freshly discarded chewing gum is to the sole of a shoe: an irritant that slows movement without any real danger of stopping it". Entertainment Weekly gave the film a "B−" rating and Owen Gleiberman praised Tomei's performance: "With her flashing dark eyes and libidinous overbite, Tomei is adorable — she looks like a flirtatious bunny rabbit — but what's astonishing is the range of expression that passes over those delectable features". Rolling Stone magazine's Peter Travers wrote, "The Rain Man-Dying Young elements in Tom Sierchio's script are pitfalls that Slater dodges with a wonderfully appealing performance. His love scenes with the dazzling Tomei have an uncommon delicacy". In his review for The New Yorker, Anthony Lane praised Tomei for bringing "startling high spirits to a dullish role. She snatches moments of happiness out of the air and shares them out to anyone who’s around". Mike Clark, in his review for USA Today, wrote, "Director Tony Bill (My Bodyguard) is adept both in the yarn's meticulous buildup and in his handling of the actors".

Example Output:
3