In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

[EX Q]: Question: How long had New Utrecht High School been in existence for the year Grumbach completed his internship? Passage 1:The singles discography of Wanda Jackson, an American recording artist, consists of seventy-eight singles, nine international singles, one charting b-side, and three music videos. In 1954 at age sixteen, she signed as a country artist with Decca Records. Her debut single was a duet recording with Billy Gray which reached the eighth spot on the Billboard Hot Country Singles chart, also in 1954. Refusing to tour until completing high school, Jackson's further singles for Decca failed gaining success. She signed with Capitol Records in 1956 and began incorporating rock and roll into her musical style. Jackson's first Capitol single exemplified this format ("I Gotta Know") and became a national top-twenty country hit. Follow-up rock singles between 1957 and 1959 failed gaining enough attention to become hits including, "Hot Dog! That Made Him Mad", "Fujiyama Mama", and "Honey Bop". In 1960 however, the rock and roll-themed, "Let's Have a Party", became Jackson's first Billboard top-forty pop hit after it was picked up by an Iowa disc jockey.
 Passage 2:After graduating from New Utrecht High School in Brooklyn, New York, and then attending Columbia College in New York City, Grumbach went on to earn his medical degree from the College of Physicians and Surgeons, Columbia University in 1948. He completed his internship at Mount Sinai Hospital in 1949 and his residency at Babies Hospital, Columbia Presbyterian Medical Center in pediatrics under the direction of Rustin McIntosh in 1951. During the Korean War he served as a captain in the United States Air Force Medical Corps, with assignments at Oak Ridge Institute of Nuclear Studies in Tennessee and at Fort Detrick Biological Laboratories in Maryland. Following his military service, Grumbach did a fellowship with Lawson Wilkins at Johns Hopkins. He then returned to Babies Hospital and Columbia University in 1955, becoming founding director of the Pediatric Endocrine Division at Babies Hospital. In 1966 Grumbach was recruited to the University of California San Francisco as chairman of the Department of Pediatrics, and in 1983 he was named the first Edward B. Shaw Distinguished Professor of Pediatrics. Grumbach served as chairman of the Department of Pediatrics at University of California San Francisco for over two decades, transforming the department into one of the leading academic centers for pediatrics in the country. Grumbach stepped down as Chairman of Pediatrics in 1986 and retired in 1994, but he remained active in the field until December 2014. 
 Passage 3:Whitman's poem appears in the Broadway musical Street Scene (1946) which was the collaboration of composer Kurt Weill, poet and lyricist Langston Hughes, and playwright Elmer Rice. Rice adapted his 1929 Pulitzer prize-winning play of the same name for the musical. In the play, which premiered in New York City in January 1947, the poem's third stanza is recited, followed by duet, "Don't Forget The Lilac Bush", inspired by Whitman's verse. Weill received the first Tony Award for Best Original Score for this work African-American composer George T. Walker, Jr. (born 1922) set Whitman's poem in his composition Lilacs for voice and orchestra which was awarded the 1996 Pulitzer Prize for Music. The work, described as "passionate, and very American," with "a beautiful and evocative lyrical quality" using Whitman's words, was premiered by the Boston Symphony Orchestra on February 1, 1996. Composer George Crumb (born 1929) set the Death Carol in his 1979 work Apparition (1979), an eight-part song cycle for soprano and amplified piano.

[EX A]: 2

[EX Q]: Question: Are the two types of stone the church was constructed in formed by the same geological process? Passage 1:St Jude's is constructed in yellow sandstone ashlar with a slate roof. Its plan is rectangular and consists of a nave and chancel in one cell with no division between them, a vestry attached to the east end of the chancel, and a bellcote on the gable at the west end. Above the bellcote is a canopy decorated with crockets. The west front contains a double door, above which is a triple lancet window with a circular window over it. At the corners are square turrets which become octagonal as they rise, and each is surmounted by a spire. On each side of the church are five pairs of lancet windows, each pair being separated by a buttress. Above the vestry at the east end is another triple lancet window, over which is a cricketed gable.
 Passage 2:In 2010, Deveron Projects commissioned Hamish Fulton to create a new walking work for Huntly. The resulting piece 21 Days in the Cairngorms (2010) featured two group slow-walks, as well as a group of walkers to see Fulton off on the first day of his twenty-day journey, and new and unusual experience for Fulton. This project inspired the development of the Walking Institute and a further focus on walking as an artistic medium. In 2012 Ethiopian artist Mihret Kebede developed Slow Marathon, an artistic project in response to her inability to walk from her hometown of Addis Ababa to Huntly. The project consisted of an accumulative marathon that included miles donated remotely by international participants, as well as two twenty-six mile walks in Huntly and Addis Ababa. Ultimately, over five-hundred individuals participated in the project and donated 14172.4 miles, a total of 540 marathons. The project has since become an annual event, created in conjunction with artists working with Devon Projects The 2013 Slow Marathon, Cabrach to Huntly, was held on John Muir Day and served as the official launch of the Institute. The 2014 event started at the Glenkindie on the edge of the Cairngorms National Park. Other Walking Institute projects have included: In the Footsteps of Nan Shepherd: a long distance walk looking by Simone Kenyon at issues, plights and pleasures of women walking in wilderness; Huntly Perambulator, a series of walks by Clare Qualmann looking at walking with prams; Hielan’ Ways, a programme that included poetry (Alec Finlay), music (Paul Anderson) and art (Simone Kenyon, Gillian Russel). Hielan’ Ways explored the old drover routes that cross north-east Scotland and culminated in a symposium with contributions from mountaineer Doug Scott , Turner Prize-winning artist Richard Long and the Cloud Appreciation Society. In 2015 Anthony Schrag completed The Lure of the Lost: A Contemporary Pilgrimage, a 2500 km walk from Huntly to the Venice Biennale in Italy.
 Passage 3:In January 2005, Daems signed for German club Borussia Mönchengladbach, penning a contract till June 2008. In his first season with the club, he played 11 times without scoring a goal. He would play the first match of the 2005–06 season against Schalke 04 in single goal draw. He would end the season featuring 22 times for the German club. However, he spent the 2006–07 season with the reserves, Borussia Mönchengladbach II, in the Regionalliga Nord, the then third tier of German football. For the 2007–08 season, the club played in 2. Bundesliga and Daems even scored a goal against 1. FC Köln. Mönchengladbach won the second tier and gained promotion to the 2008–09 Bundesliga. During that season, he scored two goals, one against Eintracht Frankfurt and one against Bayern Munich. In the 2009–10 season, he played 18 times scoring one goal. The goal was scored against TSG 1899 Hoffenheim, where he scored a 31st-minute penalty. In the 2010–11 season, he played the whole ninety minutes of each of the thirty-four league matches. Daems also scored four times against Schalke 04, VfL Wolfsburg, Hoffenheim and Köln.

[EX A]: 1

[EX Q]: Question: Was the first officially sanctioned European club tournament, the European Champion Clubs' Cup, still being played in the year 2000? Passage 1:She posed nude for Playboy magazine in October 1999, appeared in two episodes of Freaks and Geeks in 2000, and appeared in the She Spies 2002 episode "Spy vs Spy". In 2004, she returned to the live stage (and to Laguna Beach, California, where she had attended high school), starring in the United States premiere of Michael Weller's play What the Night is For, with Kip Gilman, directed by Richard Stein, at the Laguna Playhouse. She starred in the BBC comedy series Broken News in 2005. She also plays Janine Foster, mother of Peri Brown, in the Doctor Who audio drama The Reaping, produced by Big Finish Productions released in the United Kingdom in September 2006.
 Passage 2:The first officially sanctioned European club tournament, the European Champion Clubs' Cup, was launched in 1955. Conceived by Gabriel Hanot, the editor of L'Équipe, as a competition for winners of the European national football leagues, it is considered the most prestigious European football competition. Hibernian had only finished fifth in the 1954–55 Scottish league, but were one of the 16 sides invited to take part in the tournament's first season. As there was no English representative in the first competition, Hibernian also became the first British club to participate in European club competition. In their first tie, Hibernian defeated Rot-Weiss Essen (West Germany) thanks to a comfortable win in the away leg. Swedish club Djurgardens were their next opponents, but they were unable to play the home match in Stockholm due to adverse winter weather. Both legs were played in Scotland, with the Djurgardens "home" venue being Firhill. Hibernian won 3–1 in Glasgow and 1–0 at Easter Road to progress to the semi-finals. At that stage they were drawn with French club Reims, who won 3–0 on aggregate to progress to the final (which Reims lost 4–3 to Real Madrid).
 Passage 3:Marv did his first Knicks game on January 27, 1963 on WCBS Radio. He filled in for his mentor, Marty Glickman, who was away in Europe. The game was against the Celtics at the Boston Garden. For 37 years beginning in 1967, Albert was the voice of the New York Knicks on radio and television (getting his start by being a ball boy for the Knicks before getting his first break on New York radio by sportscaster Marty Glickman) before being let go by James L. Dolan, the chairman of the MSG Network and Cablevision, after Albert criticized the Knicks' poor play on-air in 2004. It was said that Marv's high salary was also a factor. His son Kenny Albert has been a part-time play-by-play announcer for the Knicks since 2009, whenever the older Albert's successor Mike Breen (whom he later followed on the NBA on NBC broadcasts and now works on ESPN and ABC aside from his role at MSG) is unavailable.

[EX A]:
2