In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

[EX Q]: Question: Who is the editor of the newspaper that covered the performance where Midori broke strings on two violins? Passage 1:Midori gave her first public performance at the age of six, playing one of the 24 Caprices of Paganini in her native Osaka. In 1982 she and her mother moved to New York City, where Midori started violin studies with Dorothy DeLay at Pre-College Division of Juilliard School and the Aspen Music Festival and School. As her audition piece, Midori performed Bach's thirteen-minute-long Chaconne, generally considered one of the most difficult solo violin pieces. In the same year, she made her concert debut with the New York Philharmonic under Zubin Mehta, a conductor with whom she would later record on the Sony Classical label. In 1986 came her legendary performance of Leonard Bernstein's Serenade at Tanglewood, conducted by Bernstein. During the performance, she broke the E string on her violin, then again on the concertmaster's Stradivarius after she borrowed it. She finished the performance with the associate concertmaster's Guadagnini and received a standing ovation. The next day The New York Times front page carried the headline, "Girl, 14, Conquers Tanglewood with 3 Violins".
 Passage 2:"Enjoy Yourself" is a song recorded by The Jacksons and released as a single in 1976. Featuring Michael and Jackie Jackson on lead vocals, it was the first non-Motown single for the group since they departed from the label earlier that year. The song peaked at #6 on the Billboard Hot 100 chart on February 19, 1977. On other US charts, "Enjoy Yourself" peaked at #2 on the Hot Soul Singles chart, and #33 on the National Disco Action Top 40 chart. On February 14, 1989, it became the group's first single to be certified Platinum by the RIAA. It was also the group's first song to feature new member Randy Jackson, who replaced Jermaine when he decided to stay at Motown after his brothers left. The song is sampled on the track "Let's Have a Party" by the Backstreet Boys, which appears on their 1996 self-titled debut album. The song is credited to Philadelphia songwriters/producers Gamble and Huff; however, a session musician from Gamble and Huff’s in-house band recalled that the late guitarist T.J. Tindall wrote the riff that was the initial spark for the song.
 Passage 3:For 1970, Matra insisted on using their own V12 engines, while Tyrrell and Stewart wanted to continue with the Cosworth and maintain their connection to Ford, which conflicted with Matra's recent connections to Chrysler. Tyrrell decided to build his own car and in the interim bought a chassis from March Engineering; Stewart took the March 701-Cosworth to wins at the Daily Mail Race of Champions and Jarama, but development on the car stalled and it was soon overcome by the Lotus team's new 72. The new Tyrrell 001-Cosworth, appeared in August and suffered problems but showed promise. Tyrrell continued to be sponsored by French fuel company Elf, and Stewart raced in a car painted French Racing Blue for many years. Stewart also continued to race sporadically in Formula Two, winning at Crystal Palace and placing at Thruxton. A projected Le Mans appearance, to co-drive the 4.5 litre Porsche 917K with Steve McQueen, did not come off, due to McQueen's inability to get insurance. He also had a one-off race in Can-Am, in the revolutionary Chaparral 2J. Stewart qualified third, in what was the car's first outing, but brake failure ended his race.

[EX A]: 1

[EX Q]: Question: Which network was broadcasting first, the one Sam & Mark hosted Saturday morning children's shows on, or the network they made their debut on? Passage 1:The episode was written by Nell Scovell and directed by Wes Archer. In the episode, Bart and Lisa sneak into the sushi bar's karaoke room and sing the theme song to the 1971 film Shaft, "Theme from Shaft". The Fox network censors originally did not want the staff to use the song because they thought the lyrics were too obscene for television. In order to prove the censors wrong and show that it could appear on television, the staff dug up footage from an old Academy Awards ceremony at which the song was performed by Isaac Hayes. When the chef at the sushi bar finds out Homer has been poisoned, he yells at his apprentices in Japanese. The staff wanted the language they spoke to be actual Japanese, so they hired a Japanese actor who translated the lines for them. The episode introduced the character Akira, who has appeared many times later on the show. American actor George Takei provided the voice of Akira, although the character was voiced in later episodes by Hank Azaria. The episode featured many other guest appearances; Larry King as himself; Sab Shimono as the sushi bar chef; Joey Miyashima as Toshiro, the apprentice chef who slices up the fugu; and Diane Tanaka as hostess of the bar. King's role was first offered to American singer Bruce Springsteen, but he turned it down. According to showrunner Sam Simon, actor William Shatner also rejected the part.
 Passage 2:Robert Hues (1553 – 24 May 1632) was an English mathematician and geographer. He attended St. Mary Hall at Oxford, and graduated in 1578. Hues became interested in geography and mathematics, and studied navigation at a school set up by Walter Raleigh. During a trip to Newfoundland, he made observations which caused him to doubt the accepted published values for variations of the compass. Between 1586 and 1588, Hues travelled with Thomas Cavendish on a circumnavigation of the globe, performing astronomical observations and taking the latitudes of places they visited. Beginning in August 1591, Hues and Cavendish again set out on another circumnavigation of the globe. During the voyage, Hues made astronomical observations in the South Atlantic, and continued his observations of the variation of the compass at various latitudes and at the Equator. Cavendish died on the journey in 1592, and Hues returned to England the following year.
 Passage 3:Despite this reversal, the two have managed to carve a successful television career for themselves, hosting various programmes on the BBC, most notably Saturday morning children's shows TMi and Top of the Pops Reloaded. They made their national television debut on ITV1. Sam & Mark hosted CBBC's weekday morning breakfast show, Level Up for four months from 3 April 2006 to 1 September 2006. On 16 September 2006, they hosted the first episode of TMi, a new Saturday morning TV show for the BBC on BBC Two and the CBBC Channel, alongside presenter Caroline Flack. The third series of the show ended in December 2008 and the BBC have confirmed a fourth series of the Saturday morning series for CBBC. In 2007, Sam & Mark presented a show on CBBC called Do Something Different. Beginning on 3 January 2009, Sam and Mark's Who Wants to be a Superhero? began to air where children had to compete to be a new superhero for Stan Lee. They were also asked to perform on Children in Need 2007.

[EX A]: 3

[EX Q]: Question: Which of the two locations di Pietro preached at after 1872 was smaller? Passage 1:It was first studied by Lorraine Copeland and Peter Wescombe in 1965–1966. A wide variety of materials were recovered from the site and its immediate area that are now held in the Saint Joseph University in Beirut. Stone tools from the surface included numerous short, wide, sickle blades with fine denticulation or nibbling along with tanged arrowheads, scrapers, chisels, axes, burins, obsidian and a small green stone axe. Pottery resembled middle periods at Byblos and coloured similar to at Ard Tlaili with red or black washes. Both fine and coarse shards were found of jars with a variety of collared and flared necks and flat bases along with bow rims such as those found at Jericho. Vessels were decorated with stabbed and incised designs, finger pressed around the rim and smoothed by hand or with straw. A painted lattice pattern was detected on at least one piece. Comparisons were made with middle and late Neolithic periods at Byblos showing inhabitation from several phases. The site was also used in Bronze Age and Classical times and material from these phases has been found over a wide area around the site.
 Passage 2:Salvatore di Pietro was born in Palermo, Italy, on 15 June 1830. He entered the Society of Jesus (Jesuits) in October 1845 and was ordained a priest on 2 June 1859. He arrived in British Honduras (now known as "Belize") on 22 March 1869. On May 12 he suffered an attack of yellow fever. His superiors transferred him to Guatemala, where he preached missions to the Garifuna. He was appointed head of the missions in northern Guatemala, but along with 80 other Jesuits fled the country in September 1871 when the Liberals gained control and persecuted the Catholic Church. In 1872 president Jose Maria Medina invited him to Spanish Honduras to found a college in the capital Comayagua. He began by preaching missions in Omoa and San Pedro Sula. However, the Liberals took control of Spanish Honduras also and he returned to Belize.
 Passage 3:Vassos moved to Boston, Massachusetts in 1919, where he attended the Fenway Art School at night. He studied alongside American artist John Singer Sargent and worked as an assistant for Joseph Urban. In 1924 he moved to New York, where he attended the Art Students League of New York, studying under George Bridgman, John Sloan, and others. He opened his own studio creating window displays for department stores, like Wanamakers, murals, and advertisements for Saks Fifth Avenue, Bonwit Teller, and Packard Motor Cars in his unique black and white illustrated style. At the same time, he illustrated a series of books by Oscar Wilde for E.P. Dutton followed by others including Phobia on which he based his life-long design focus on psychology, his area of expertise as noted by Fortune Magazine's list of top designers in the country. He entered the emergent field of industrial design and was hired by rapidly-growing RCA Victor, under the leadership of David Sarnoff, who discovered Vassos while painting murals at the WCAU skyscraper in Philadelphia. The company had recently acquired Victor Phonograph, built Radio City, and owned NBC Broadcasting, but needed to amplify and modernize their radio manufacturing business. By hiring Vassos, an up-and-coming industrial designer who created their first Styling department, launched Vassos on a four-decade relationship with the company for whom he designed hundreds of items, while also consulting for numerous other clients like Coca-Cola, Waterman, Universal Artists, Remington, and the United States Government. Vassos's work as an interior designer included the Chrysler Building apartment of photographer Margaret Bourke-White, Nedick's Hot Dog stands, displays for RCA in department stores and the World's Fair,and many others for which he employed modular furniture. He eschewed trendy styles like the extreme-streamlined look, popular in the 1930s, and favored the clean, modern look unadorned with unnecessary elements. He expressed his design philosophy for magazines like Pencil Points and in lectures on modern design and art. Although he was hailed as a top designer in the United States during the 1930s, he slipped away from the spotlight of his industrial design peers like Raymond Loewy, Henry Dreyfuss, and Norman Bel Geddes, largely because he did not open a large firm. Unique among the industrial designers of the 20th century, his work was focused on the intersections between interior decorating, furniture design, and the shapes of phonographs, radios and televisions. His contributions include creating a futuristic living room including television, the slide rule dial on radios, emphasis on the haptic experience of media (knobs and buttons), and the "user experience," years before this term was coined.

[EX A]:
2