In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Input: Consider Input: Question: Which of these did she work for longer? Passage 1:During her early career Burrage traveled extensively in Europe, and also visited the Armory Show. She returned to the United States at the outbreak of World War II, moving to Kennebunkport with her sister Madeline, known as "Bob", in 1917, and remaining there until 1947, when they moved to Wiscasset. Her style continued to develop during this time, shifting from the Impressionism of her youth to an abstraction informed by the work of Jackson Pollock; later in life she created collages from mica. Some of her work is influenced by cartography. Active as a preservationist as well as an artist, she served as a director of the National Trust for Historic Preservation, and in 1954 helped to found the Lincoln County Historical Association. She was also involved in the founding of the Maine Art Gallery. Upon her death Burrage was buried with Madeline, who predeceased her, at Evergreen Cemetery in Portland.
 Passage 2:The 1976–77 NBA season was the Braves seventh season in the NBA. The Braves were purchased by John Y. Brown, Jr., the former owner of the Kentucky Colonels in the now defunct American Basketball Association for $6.2 million. As part of an agreement with the Braves' former owner, Paul Snyder, Brown would give Snyder money received in player deals to reduce the purchase price. The sell-off began shortly after the season, as the Braves sold newly acquired Moses Malone. Malone was acquired in a trade with the Portland Trail Blazers after the ABA dispersal draft. Malone was now off to the Houston Rockets. The selling of players continued into the season as Bob McAdoo was sold to the New York Knicks. While the deals helped Brown pay virtually nothing for the franchise, it turned a promising franchise into a rebuilding one. Attendance fell off as the Braves finished in 4th place with a 30-52 record. The only spotlight was rookie Adrian Dantley, who captured Rookie of the Year honors with 20.3 points per game. However Dantley himself was traded following the season to the Indiana Pacers for Billy Knight.
 Passage 3:Charley and Hattie collaborated with Jeff Trott (Sheryl Crow, Aimee Mann), Mike Elizondo (Dr. Dre, Fiona Apple), and Steve Booker (Duffy) on material that would become their album Daylight Crossing. Two years later they returned to the UK, where they worked with Universal Records sister company Mercury Records for the album's release. Daylight Crossing was produced by Steve Lipson and Youth, recorded at Sarm Hook End, Abbey Road and Olympic Studios. The album featured musicians Simon Tong and Simon Jones from the band The Verve and Steve Gadd and Pino Palladino. Daylight Crossing was released in June 2006 and became the 'Record of the Week' and 'Album of the Week' at BBC Radio 2, reaching No. 2 on UK's TV music video airplay chart. iTunes chose Daylight Crossing as 'Album of the Week' and singled out the song "Torches" as its 'Single of the Week' during its release week. The Webb Sisters performed on The Sharon Osbourne Show and toured in support of Jamie Cullum (for whom their brother Brad has played drums), Jason Mraz, James Morrison and Kubb, alongside band Leya and Joe Echo. Their song "Still The Only One" was played on the TV show Cane on CBS.


Output: 1


Input: Consider Input: Question: Who was the lead design person for the German Type IXC submarines? Passage 1:Rafael Casanova i Comes () (Moià, 1660 – Sant Boi de Llobregat, 2 May 1743) was a Catalan jurist, and supporter of Charles VI, Holy Roman Emperor as a claimant to the Crown of Spain during the War of the Spanish succession. He became mayor of Barcelona and commander in chief of Catalonia during the Siege of Barcelona until he was wounded in combat while commanding La Coronela during the counterattack on the Saint Peter front on the last day of the siege, September 11, 1714. After the war he received a royal pardon for having supported the Habsburg claim to the Spanish throne. He recovered from his wounds, and continued his fight against absolute monarchy as a lawyer. It has been claimed that he is the author of the book Record de l'Aliança fet el Sereníssim Jordi Augusto Rey de la Gran Bretanya (Remembrance of the Alliance to George I of Great Britain) in which Catalonia reminds England of the Treaty of Genoa and their obligation to Catalonia.
 Passage 2:After the fourth single release "Willy Use a Billy... Boy", released in 1995 and peaked #5 in Austria, later in June 1996, both members left the band, due to a disagreement between Leigh and producer Brandes, who were quickly replaced by artists Jeane (Jeanette Macchi-Meier) and briefly Terence D'Arby (not to be confused with Terence Trent D'Arby), who himself again was replaced by Ché Jouaner. Thus it has been later revealed, that Brandes was the rapper on all E-Rotic releases, except on the first album, where he shared raps with Raz-Ma-Taz, such on "Take My Love", and Leigh still had to continue to provide vocal work for E-Rotic's four follow up studio albums The Power of Sex, Sexual Madness, the Abba cover album Thank You for the Music until 1999 to the Kiss Me studio album due to her contract. Also, raps on their first single "Max Don't Have Sex With Your Ex" were not done by Smith or Brandes, but instead were done by Marcus Thomas (aka Deon Blue) who would later join Pharao. Meanwhile, Leigh, alongside Raz-Ma-Taz, formed her own band S.E.X. Appeal in 1996. "He promised me a lot of things during my E-Rotic time, but never was willing to keep his promises. One of these promises was to produce a mixed video, with both cartoon and real people. We were never shown in the videos and so we had problems with our concerts, cause no-one really knew us as persons," Leigh revealed. On 27 June 1996, the group's second studio album The Power of Sex was released, preceded by the latter mentioned lead single "Willy Use a Billy... Boy" and followed by the singles "Help Me Dr. Dick", "Fritz Love My Tits" and "Gimme Good Sex", all becoming moderate chart hits, peaking at #18, #16 and #3 in Austria respectively. In 1996, E-Rotic were featured in the supergroup, called "Love Message", on the same titled, Masterboy-produced charity single "Love Message". They also appeared on the Queen tribute compilation album Queen Dance Traxx, with the song "Who Wants to Live Forever", which also saw a promotional release. The tribute album also featured another Queen song "We Are The Champions", recorded with all artists, who participated on Queen Dance Traxx as a supergroup labeled as "Acts United". In 1997, the studio albums "Sexual Madness" and the Abba cover CD Thank You for the Music was released with its single releases "Turn Me On", which peaked at #7 in Finland, "Thank You for the Music" and "The Winner Takes It All". The album Thank You for the Music was released under the artist name "Jenn and C." in France. Ironically the music video for "Gimme Good Sex" was also the first one, not being a comic video, but still it never aired and was banned from music channels because of being too controversial for its sexual content, thus Leigh, alongside Raz-Ma-Taz, left the band earlier, because she wanted to be shown in music videos.
 Passage 3:German Type IXC submarines were slightly larger than the original Type IXBs. U-131 had a displacement of when at the surface and while submerged. The U-boat had a total length of , a pressure hull length of , a beam of , a height of , and a draught of . The submarine was powered by two MAN M 9 V 40/46 supercharged four-stroke, nine-cylinder diesel engines producing a total of for use while surfaced, two Siemens-Schuckert 2 GU 345/34 double-acting electric motors producing a total of for use while submerged. She had two shafts and two propellers. The boat was capable of operating at depths of up to .


Output: 3


Input: Consider Input: Question: What country did the 9th Armored Division land in during September 1944? Passage 1:The rates of Crohn disease and ulcerative colitis are increased when compared with the general population, by a factor of 3.8 and 7.5 respectively. People with psoriasis also have a higher risk of celiac disease. Few studies have evaluated the association of multiple sclerosis with psoriasis, and the relationship has been questioned. Psoriasis has been associated with a 16% increase in overall relative risk for non-skin cancer. People with psoriasis have a 52% increased risk cancers of the lung and bronchus, a 205% increase in the risk of developing cancers of the upper gastrointestinal tract, a 31% increase in the risk of developing cancers of the urinary tract, a 90% increase in the risk of developing liver cancer, and a 46% increase in the risk of developing pancreatic cancer. The risk for development of non-melanoma skin cancers is also increased. Psoriasis increases the risk of developing squamous cell carcinoma of the skin by 431% and increases the risk of basal cell carcinoma by 100%. There is no increased risk of melanoma associated with psoriasis. People with psoriasis have a higher risk of developing cancer.
 Passage 2:Jonathan Widran of AllMusic said "It's too early in her career to know whether this powerhouse singer/songwriter will ever reach the heights of Contemporary Christian Music's other Grant, but a bevy of top producers come on board this sparkling debut to launch Natalie Grant towards this goal. All of these studio wizards (Eric Foster White, Tommy Sims, and Michael Lloyd) are better-known for their secular pop music, and the variety of atmospheres they create poise Grant for crossover pop success. It also helps that the lyrics Grant sings are designed as inspirational, rather than preachy. Torchy tracks like 'I Am Not Alone' and rock-driven anthems like 'I Will Be' could definitely lead both teenagers looking for substance, and adult contemporary audiences, to a deeper examination of important spiritual issues. Grant's wide-ranging pipes (yes, think potential diva) would surely sound great without all the production energy, but nearly every up-tempo tune here is an irresistible mix of pop/rock and modern soul flavors. The title track is all thump and hook, and some of the vocal texturing will remind fans of Point of Grace. Another POG-like tune, 'Days Like These', is driven by jangly alternative pop guitars. A few tracks touch on simple exotica, most notably "Love Without Limits" with its swirling flamenco strings. Amidst the playful spirit is Grant's most heartfelt tune, a lush and teary, almost breathless tribute to her father, 'Always Be Your Baby' This tune alone indicates that we're dealing with a major new talent whose deeper life extends from the spiritual into the musical." Christianity Todays Russ Breimeier stated "In a relatively short time Natalie Grant has earned a reputation for three things rather unique to her five-year career. First, she's released every album on a different record label. Both Benson and Pamplin have since closed their doors—'the curse' will likely end with Curb, which is relatively secure under the wings of Warner Brothers' Christian Music Division. Second, the Seattle-born artist is well-known for her protestations about being labeled a 'pop diva'. There is typically a negative connotation to the 'd'-word that flies in the face of Natalie's humble servant attitude and her desire to focus her music on the goodness of God. Unfortunately for her, the diva label is an apt description of her musical styling, which leads into the third unique trait. Despite her diminutive size, Natalie has an impressively big voice with enough nuance to hold her own among any of the classic pop divas (Mariah Carey, Celine Dion, Whitney Houston, take your pick), earning her multiple Dove nominations for Female Vocalist of the Year. Undeterred by collapsing record labels and pop music stereotypes, Natalie admirably presses on with Deeper Life, her third effort, by stretching her own artistic skills. Her previous album, Stronger (released in 2001), featured her first attempts at songwriting by co-writing a handful of tracks. On Deeper Life, she co-writes nearly every song. Additionally, Natalie steps up as co-producer of this album, joining a slew of A-list pop producers and songwriters: Tommy Simms (CeCe Winans, Anointed), Eric Foster White (Jessica Simpson, Whitney Houston), Bryan Lenox (Michael W. Smith, Ronnie Freeman), Bernie Herms (Plus One), and Rob Graves (songwriter and guitarist on Joy Williams's By Surprise). The approach on this project was to create an album that relied less on programmed pop and more on live musicians, and the results are indeed stunning. I daresay this is Natalie's best-sounding album yet. But we must keep it in perspective. This is still R&B-flavored; adult contemporary pop a la Mariah Carey, Jaci Velasquez, Kelly Clarkson, Jessica Simpson, and many others. It is most certainly not (as suggested by the press bio) the classic rock sound of Sheryl Crow or the modern pop/rock of Avril Lavigne. Christian adult contemporary and inspirational pop speaks for itself—some find it meaningful and poignant, while others find it clichéd and boring. In that spirit, the songs of Deeper Life are best explored for what they are—you'll know by the titles, lyrics, and styles if this music matches or offends your tastes. Nevertheless, there's no getting around Natalie's vocal prowess or the superior production, which means you're bound to be impressed with Deeper Life if you enjoy first-rate pop." Heather Marsden of Cross Rhythms claimed "This is Natalie Grant's third album and is positive proof that her new home at Curb Records is working well for her. The album opens with the upbeat title track 'Deeper Life', a poppy feel good song that's easy to pick up and sing along. 'Days Like These' and 'I Will Be' are in a similar style without being repetitions of the first song. The songs 'That's When I Give Up (On Loving You)', 'Live for Today' and 'I Desire' have a more acoustic rock kind of sound—similar to that of Michelle Branch. The bonus track 'No Sign of It' has been featured in the new Gwyneth Paltrow film View from the Top. Deeper Life contains some of Grant's best work, it's a great record with a good message, sure to please her growing number of fans and draw in some new ones." JesusFreakHideout's Shaun Stevenson remarked "Things haven't always been easy for Natalie Grant. After changing record companies twice, Grant has finally found a home with Curb Records. And now, with the release of Deeper Life, Grant is sure headed in the right direction with a solid third album. Albums are always opening with something upbeat these days, and Deeper Life opens things off in the right direction. With plenty of signature Grant sounds, the song really reflects what this album is all about: seeking the deeper life in Jesus Christ. Natalie Grant sure has something going for her. With this newest album, containing some of her strongest work to date, she's really outdone herself. A solid record, a solid message, and a solid musical base, Deeper Life is sure to please fans of Grant's previous work, and it's also sure to bring in new listeners. Trouble has come to Natalie Grant in the past, but now, there's no sign of it, and her skies are definitely clear today."
 Passage 3:The 9th Armored Division landed in Normandy late in September 1944, and first went into the line, 23 October 1944, on patrol duty in a quiet sector along the Luxembourg-German frontier. When the Germans launched their winter offensive on 16 December 1944, the 9th, with no real combat experience, suddenly found itself engaged in heavy fighting. The Division saw its severest action at St. Vith, Echternach, and Bastogne, its units fighting in widely separated areas. Its stand at Bastogne held off the Germans long enough to enable the 101st Airborne Division to dig in for a defense of the city. After a rest period in January 1945, the Division prepared to drive across the Roer River. The offensive was launched on 28 February 1945 and the 9th crossed the Roer to Rheinbach, sending patrols into Remagen. On 7 March 1945, elements of the 9th Armored found that the Ludendorff Bridge was still standing. When German demolition charges failed to bring the bridge down, they crossed it, disarming and removing the remaining charges, which could have exploded at any time. The Division exploited the bridgehead, moving south and east across the Lahn River toward Limburg, where thousands of Allied prisoners were liberated from Stalag XIIA. The Division drove on to Frankfurt and then turned to assist in the closing of the Ruhr Pocket. In April it continued east, encircling Leipzig and securing a line along the Mulde River. The Division was shifting south to Czechoslovakia when the war in Europe ended on 9 May 1945. All units of CCB/9 AIB of the 9th Armored Division were awarded the Presidential Unit Citation for their actions in taking and defending the Ludendorff Bridge during the Battle of Remagen in World War II.
Output: 3