In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

[Q]: Question: What year did the theater first open where a reworked and more successful West End production opened on July 1, 1998? Passage 1:Steinman provided lyrics for Andrew Lloyd Webber's musical Whistle Down the Wind, which opened in Washington, D.C. in December 1996. However, it received poor reviews and the Broadway run, scheduled for the following April, was cancelled. A reworked and more successful West End production opened at the Aldwych Theatre on July 1, 1998. In addition to a full-length cast album for the London production, an album was released of well-known performers singing pop versions of the songs from the show. This album was produced by Steinman, as usual with Steven Rinkoff. Those performers include Tom Jones, Tina Arena, Boyzone, Elaine Paige, Donny Osmond, The Everly Brothers, Meat Loaf, Boy George, Sounds of Blackness, Bonnie Tyler, Michael Ball, and Lottie Mayor. One track, "No Matter What" performed by Boyzone, reached the peak position on the pop charts in many countries. The same track appeared on a Boyzone album and their greatest hits album. As of 2019, Boyzone's 1998 recording of "No Matter What" is the most recent new song or project written at least in part by Steinman, or to contain any new work of his at all, to achieve major, chart-topping success. The track "Whistle Down the Wind", performed by Tina Arena, from the same album, also had some chart success. There was also a single released in the U.K., for charity, of children from Red Hill Primary School and Sylvia Young Theatre School performing "When Children Rule The World". The singers were called the "Red Hill Children", and the single peaked at #40 on the U.K. singles charts.
 Passage 2:Following shakedown training near Guantanamo Bay, Cuba, during the summer, Van Voorhis reported at Newport, Rhode Island, for duty with Escort Squadron 14 (CortRon 14). The destroyer escort conducted operations along the east coast of North America until May 1958 when she sailed across the Atlantic for a cruise with the 6th Fleet. While operating with other ships of the 6th Fleet near Crete, she was ordered to the eastern end of the Mediterranean in mid-July to patrol off the Levantine coast. She supported the Marines who landed in Lebanon in response to President Camille Chamoun's request for help during a crisis precipitated by Arab nationalist factions in reaction to his administration's pro-Western policies and its adherence to the Eisenhower Doctrine. President Dwight D. Eisenhower's personal representative Robert D. Murphy helped the factions to negotiate a settlement which resulted in the election of General Fuad Chehab to the presidency on 31 July. President Chamoun's refusal to yield office before the expiration of his term kept the country in turmoil until late September. However, political conditions in Lebanon remained highly volatile, so American forces remained there until after General Chehab took office in September. During this period, Van Voorhis alternated normal 6th Fleet operations with patrols off Lebanon. Late in September, the warship departed the Mediterranean and returned to Newport early in October.
 Passage 3:Kenneth Jackson Jr. was raised in Algiers, New Orleans. As a teenager he began rapping at parties on the Westbank alongside Marrero rapper Tim Smooth and Bustdown. He performed at a local block parties before being discovered by Charles "Big Boy" Temple in 1992. He was signed the next year to Big Boy Records along with Mystikal, Black Menace and Partners-N-Crime. Jackson dropped k from his name adopting the G and began doing features as G-Slimm. His debut album Fours Deuces & Trays was released on September 3, 1994, and featured, Mystikal who also made his debut on the album. Leroy "Precise" Edwards produced the tracks on the album, giving it a West Coast southern feel. The album sold well over 200,000 copies the first month, becoming the most acclaimed local rap albums of 1994. Due to the identical track layout format, it was often compared with Dr. Dre.'s The Chronic album. It was the first album produced in New Orleans to have a California G-Funk sound, relevant to G-Funk area of the mid 90s. The following year Jackson was offered a deal by Relativity Records. While working on his sophomore album titled G-Slimm for Relativity, he was murdered before it hit the stores. His last feature was with close friend rapper Tim Smooth on his album "Da Franchise." Da Franchise was released in 1998 two years after his death. G-Slimm's vocals was also featured on Big Boy's 1997 compilation album "We G's".

[A]: 1


[Q]: Question: How many teams were in Ligue 1 when Lucau made his first team debut with Paris Saint-Germain FC? Passage 1:"Look Out Cleveland" is the title of the Robbie Robertson-written song on The Band's self-titled album, also known as The Brown Album. The song begins with a boogie-woogie blues riff by pianist Richard Manuel followed by lead singer Rick Danko warning -- "Look out Cleveland, storm is coming through, And it’s runnin’ right up on you". However the Cleveland referenced in the song is not Cleveland, Ohio but likely Cleveland, Texas, a suburb of Houston which is also mentioned in the chorus -- "Look out, Houston, there’ll be thunder on the hill...". "Look Out Cleveland" differs from most of the songs on The Band's first two albums in that is more influenced by urban blues music than by rural music. According to music critic Nick DeRiso, Elton John's early song "Take Me to the Pilot" appears to be influenced by this song.
 Passage 2:Ferrell's biography follows the course of Truman's life from his birth in 1884 in Lamar, Missouri to his 1972 death and burial at the Truman Library in Independence. The first five chapters examine his service as a captain in World War I, his pre-politics careers in banking, farming, and a failed run as a haberdasher which ended in bankruptcy, and marriage to Bess Truman in 1919. Chapters six to eight look at his early political career, launched by Kansas City boss Tom Pendergast, beginning with his election as a county judge in 1922, then senator in 1934, and in 1944, vice president to Franklin Roosevelt, in a behind-the-scenes compromise Ferrell calls "the most extraordinary political arrangement of the present century"—Democratic Party leaders could see that the extremely ill Roosevelt was unlikely to survive his fourth term in office, and had to convince him to drop then-VP Henry Wallace in favor of Truman, who was felt to be a more "reliable" man. Truman ascended to the presidency upon Roosevelt's death in 1945, and this period in Truman's life is covered in chapters nine to 17—the majority of the book—including Truman's decision to detonate atomic weapons on Hiroshima and Nagasaki to force an end to World War Two, his unexpectedly successful reelection in 1948, his civil-rights initiatives, and his administration's handling of foreign-policy issues, most prominently the Korean War.
 Passage 3:He began his 1997 career with Levallois SC and joined in summer 1999 to PSG. In January 2003 was promoted to Paris Saint-Germain and played in his first professional season 3 games in the Ligue 1. After his first senior year with PSG left Lucau his club and signed for Le Mans. He played for Le Mans Union Club 72 64 games in the Ligue 1 and Ligue 2 before signed for CS Sedan Ardennes in summer 2007. Lucau joined than on 1 January 2009 on a six month loan from his club CS Sedan to LB Châteauroux. He played in the second half of the 2008/2009 season only four games for LB Châteauroux in the Ligue 2 and returned to CS Sedan Ardennes. After his return played for his club CS Sedan Ardennes just 3 games and was in summer 2010 released from his club. On 28 October 2010 after three months as Free agent signed a one year contract with SR Colmar.

[A]: 3


[Q]: Question: What state was Chicago part of in the 1920s? Passage 1:Luis Muñoz Rivera (17 July 1859 – 15 November 1916) was a Puerto Rican poet, journalist and politician. He was a major figure in the struggle for political autonomy of Puerto Rico. In 1887, Muñoz Rivera became part of the leadership of a newly formed Autonomist Party and became delegate for the district of Caguas. Subsequently, Muñoz Rivera was a member of a group organized by the party to discuss proposals of autonomy with Práxedes Mateo Sagasta, who would grant Puerto Rico an autonomous government following his election. He served as Chief of the Cabinet of Mateo Sagasta's government. On 13 August 1898, the Treaty of Paris transferred possession of Puerto Rico from Spain to the United States and a military government was established. In 1899, Muñoz Rivera resigned his position within Mateo Sagasta's cabinet. Muñoz Rivera then became a fierce advocate of the Liberal Party of Puerto Rico and, on 1 July 1890, he founded the party's newspaper, La Democracía, in Ponce, Puerto Rico. In 1893, Muñoz Rivera married Amalia Marín in a ceremony that took place in Ponce Cathedral. Muñoz Rivera participated in the writing of the Plan de Ponce which proposed administrative autonomy for the island. In 1909, he was elected as Resident Commissioner of Puerto Rico to U.S. Congress and participated in the creation of the Jones-Shafroth Act. Shortly after, Muñoz Rivera contracted an infection and traveled to Puerto Rico, where he died on 15 November 1916. His son, Luis Muñoz Marín, became the first democratically elected Governor of Puerto Rico.
 Passage 2:Perhaps the reason for the appeal of Turner’s work outside the art world is that it pushes the boundaries of both film and politics. Perestroika has been noted by academics and critical thinkers for both its artistic form and commentary on environmental and social issues, most notably featuring in the essay volumes Performing Authorship: Self inscription and corporeality in the cinema and Screening Nature: Cinema Beyond the Human. For Cecilia Sayad, the film’s importance lies in its structures: its function in highlighting the act of authorship as performance, and how the film’s structural devices serve to emphasise the fictionality of narration, how the retelling, even of truth or fact, always and necessarily involves an element of creation and thus fiction. Sayad comments that whilst Perestroika ostensibly interweaves footage of a 2007–08 reconstruction of a train journey across Siberia that Turner took in 1987–88 with that from the original journey in what was then the USSR, it is as much about the workings of memory and filmmaking itself. But Sophie Mayer has commented on how the work uses the idea of pollution as a function of retention, and weaves it through both the social/cultural and natural worlds. Mayer goes further in exploring the contextual importance of the work, comparing Perestroika with works of the filmmakers Lucrecia Martel and Apichatpong Weerasethakul, commenting that each offers a ‘utopian possibility of a post-capitalist, post-industrial, postcolonial moment’. In a booklet of essays written to accompany the publication of Perestroika and perestroika:reconstructed in 2014, another academic, Paul Newland writes ‘the artist explores the nature of representation and its problematical relationship to our experience of reality. By doing this the film travels the branch lines between cinematography, photography, and everyday life.’ 
 Passage 3:He was born in Chicago, and moved to New York City in the early 1920s. He began working as a session pianist with singer Ethel Waters, who sang his first recorded song as a writer, "You Can't Do What My Last Man Did" in 1923. He then diversified into songwriting, working with lyricists including Henry Creamer and Andy Razaf. Waters recorded several more J.C. Johnson songs and collaborations, including the first version of "Trav'lin All Alone", subsequently recorded by dozens of artists including Billie Holiday and Billy Eckstine. By 1928 he had begun working with Fats Waller, often contributing lyrics to Waller's music. His first song with Waller was "I'm "Goin Huntin", written in 1927 and recorded by Louie Armstrong, and together they wrote a Broadway show, Keep Shufflin'. (The preceding information is wrong. It was James P. Johnson who co-wrote "Keep Shufflin" with Fats Waller. See: James P. and J.C. were often confused for each other, and were friends via Fats Waller. The above illustrates how James P. and J.C. continue to be confused with each other.)About this time, he also reportedly used the pseudonym Harry Burke, who was originally credited as the writer of the song "Me and My Gin", recorded in 1928 by Bessie Smith and later recorded by many artists under the title "Gin House Blues" (with the composition later often credited, apparently in error, to Fletcher Henderson). In 1929, he took part as a musician in a collaboration between Italian-American guitarist Eddie Lang and the blues guitarist Lonnie Johnson, together with King Oliver and Hoagy Carmichael, which was given the name "Blind Willie Dunn & His Gin Bottle Four" in order to disguise the inter-racial nature of the group. Among the many artists in the 20s and 30s who sang and recorded his tunes were Ella Fitzgerald, whose first three recorded songs were co-written by Johnson, Connie Boswell, Mamie Smith, Clarence Williams, and Lonnie Johnson. J.C. also had his own band, J.C. Johnson and his Five Hot Sparks and played piano on many other artists' recordings.

[A]:
3