In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: How many years were there between the Boulanger Affair and the formation of Action francaise? Passage 1:The far-right tradition in France finds its origins in the Third Republic with Boulangism and the Dreyfus Affair. The modern "far right" or radical right grew out of two separate events of 1889: the splitting off in the Socialist International of those who chose the nation and the culmination of the "Boulanger Affair", which championed the demands of the former Minister of War General Georges Boulanger. The Dreyfus Affair provided one of the political division lines of France. Nationalism, which had been before the Dreyfus Affair a left-wing and Republican ideology, turned after that to be a main trait of the right-wing and, moreover, of the far right. A new right emerged, and nationalism was reappropriated by the far right who turned it into a form of ethnic nationalism, itself blended with anti-Semitism, xenophobia, anti-Protestantism and anti-Masonry. The Action française, first founded as a review, was the matrix of a new type of counter-revolutionary right-wing, and continues to exist today. During the interwar period, the Action française (AF) and its youth militia, the Camelots du Roi, were very active. Far right leagues organized riots.
 Passage 2:The co-founder and executive director is Daniel B. Fisher, now a board-certified psychiatrist. A graduate of Princeton University, he completed a PhD in biochemistry at the University of Wisconsin, medical training at George Washington University, and a psychiatric residency at Harvard Medical School. While working as a biomedical researcher at the National Institute of Mental Health before he was a psychiatrist, Fisher had a psychotic episode including hallucinations and delusions. After three months at Bethesda Naval Hospital at age 25, which included forced seclusion and antipsychotic haloperidol, he was discharged with a diagnosis of schizophrenia. He was involuntarily hospitalized three times. He reports being influenced by those who were able to show they cared about the person inside and gave him hope that he might some day recover. He went on to become a psychiatrist. He was told during psychiatric training that "You can’t talk to an illness" but believed that talking to the person inside is a key method for building trust and recovery. He has since worked as a psychiatrist in hospitals and clinics, while also being a part of the consumer movement. He said that a very significant part of the reason for becoming a psychiatrist was wanting to bring to the field what he wished had been there when he was going through psychosis He was a member of the White House Commission on Mental Health, 2002-03.
 Passage 3:Easterlin received his Bachelor of Music degree from the University of Miami and his Bachelor of Science degree from Florida International University, and after a successful career in corporate advertising, began his performing career in musical theatre before moving into opera. He went on to perform at many of America's leading opera houses and festivals, including the Lyric Opera of Chicago, San Francisco Opera, Los Angeles Opera, Seattle Opera, New York City Opera, Dallas Opera, the Opera Company of Philadelphia, the Ravinia Festival with the Chicago Symphony conducted by Daniel Barenboim for the opening night of the Centennial Season, and Spoleto Festival USA in a new production of Ariadne auf Naxos conducted by Emmanual Villaume. He made his debut at the Glimmerglass Opera Festival in the summer of 2009 as 'The Magician' in a new production of Menotti's The Consul. According to Opera News, Easterlin spent 200 hours learning magic tricks for this production, which included producing a live rabbit on stage. Another unusual role for him was Houston Grand Opera's 2006 all-puppet production of Humperdinck's opera Hansel and Gretel in which he sang the role of the Witch as well as operating her twelve-foot high puppet.
1