In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Input: Consider Input: Question: When did Lewis Hamilton start driving professionally? Passage 1:The Game released a controversial artwork of the album via Instagram on October 21, 2012 and also announced the release date will be December 11. The cover portrays a dark-skinned Jesus in a stained glass window with a teardrop tattoo, a red bandanna around his mouth, and wearing a Jesus piece. The stained glass-inspired image shows Jesus sitting on a throne adorned with gang-related symbols. In the artwork, Jesus is holding a gold "Jesus Piece" chain and pointing to a symbol on his breast plate. The red bandana over his mouth is a reference to the Cedar Block Piru Bloods gang, to which Game is allegedly a member. The artwork has a slightly altered logo on the top, which features on all of Game's previous studio albums. The album's title Jesus Piece is stylized as Je5us Piece, depicting that it is Game's fifth studio album. Je5us Piece logo is styled after the iconic Louis Vuitton. The cover was designed by Mike Saputo. The religious imagery of the art has gained mixed reactions and the ire of some fans who deem the work as blasphemous. Several celebrities praised the artwork, including Busta Rhymes, Mac Miller and Kevin Hart. However, The Game decided to make this cover for the deluxe edition after the Roman Catholic Church complained to Interscope Records about the cover by phone call. Complex named the album cover the fifteenth best cover of 2012. On November 12, an alternative cover for the standard edition of the album was released. This cover paid homage to one of The Game's older brothers, Jevon Danell Taylor, who was shot and killed at the age of 20 on May 21, 1995.
 Passage 2:In the second qualifying session, every driver set a lap on the option tyres except two. Lewis Hamilton still managed to take his McLaren into Q3 with the sixth fastest Q2 time on the prime tyres, and Pastor Maldonado, who did not set a timed lap. It was notable that Red Bull Racing and Ferrari needed to use options when Hamilton could use primes. Jaime Alguersuari – a man who had come from far back to score points a few times in , like his teammate did at this weekend set the slowest Q2 time and dropped out on the same row as Rubens Barrichello's Williams. Neither Renault made the top 10, Vitaly Petrov in 12th and Nick Heidfeld in 14th. One Force India and one Sauber failed to make the cut – Kamui Kobayashi (13th) joined Heidfeld on row 7, and similarly Paul di Resta just missed out with 11th.
 Passage 3:Luton began the season at home to Yeovil Town and won the match 8–2, the club's biggest Football League victory since a 6–0 win over Crewe Alexandra in December 1996. Otis Khan gave the away team the lead in the seventh minute with a free kick from 22 yards, before Olly Lee equalised five minutes later with a volley from Isaac Vassell's cross. James Collins put Luton in front on 19 minutes when he chipped the ball over goalkeeper Artur Krysiak and into the net, before Alan McCormack scored with a volley from 25 yards five minutes later to make the score 3–1. Vassell then scored twice in two minutes to give Luton a 5–1 lead, before Marek Štěch saved a penalty from Khan to ensure the score remained the same going into half-time. Collins scored twice in eight minutes after half-time to complete his hat-trick, before François Zoko scored a consolation goal for Yeovil a minute later with a header from Ryan Dickson's cross, and Elliot Lee scored Luton's eighth goal in the ninth minute of stoppage time. Transfer-listed midfielder Jonathan Smith had his contract with Luton terminated by mutual consent, allowing him to join Stevenage, while forward Harry Cornick was signed from Bournemouth on a two-year contract, with the option of a one-year extension, for an undisclosed fee. Luton were knocked out of the EFL Cup in the first round after being beaten 2–0 at home to Championship club Ipswich Town, who scored in each half through David McGoldrick. Frankie Musonda signed a new contract with Luton, which contracted him to the club until the summer of 2019, and Kavan Cotter joined Southern League Premier Division club Hitchin Town on a one-month youth loan. Luton suffered their first league defeat of the season after losing 1–0 to Barnet, who scored in second-half stoppage time through Jack Taylor with a 25-yard curling shot. Vassell joined Championship club Birmingham City for an undisclosed fee.


Output: 2


Input: Consider Input: Question: Which of the schools where Chandrasekhar studied was established first? Passage 1:The Australian Government challenged the High Court's decision in the Boilermaker's case and obtained special leave to appeal to the Privy Council on 1 June 1956. The Australian parliament did not wait for the outcome of the appeal, passing the Conciliation and Arbitration Act which received assent on 30 June 1956.. The court was formally established on 15 August 1956 and then Attorney-General John Spicer was appointed the first, and as it transpired, only, Chief Judge. Judges of the Commonwealth Court of Conciliation and Arbitration had previously been appointed to act in various courts, This practice continued with appointments to the supreme courts of the Australian Capital Territory, Christmas, Cocos (Keeling), & Norfolk Islands. Sir John Spicer was appointed to the first Royal Commission into the collision between HMAS Melbourne and HMAS Voyager, and inquiries into the aviation crashes of TAA Flight 538 (1960), Ansett-ANA Flight 325 (1961) and Ansett-ANA Flight 149 (1966). Judges were also appointed to committees to review legislation and report to parliament, such as the appointment of Sir John Spicer to the Copyright Law Review Committee, and John Kerr to the Commonwealth Administrative Review Committee. The Copyright Law Review Committee subsequently recommended the appointment of the Copyright Tribunal and Sir John Spicer was appointed as its president. When the Australian Parliament passed the Trade Practices Act in 1965, the Commonwealth Industrial Court was given power to enforce orders of the Trade Practices Tribunal, and Sir Richard Eggleston was appointed the first president of the Trade Practices Tribunal. In 1976 when the Administrative Appeals Tribunal was established appeals were to the Australian Industrial Court, adding yet another non-industrial matter to the Court's jurisdiction, and Gerard Brennan was appointed as the first President of the Administrative Appeals Tribunal.
 Passage 2:Vadapalli Chandrasekhar, born on 6 November 1958 in Kolkata, in the Indian state of West Bengal, graduated in chemistry in 1975 and completed his post graduate studies in 1977 at Osmania University before enrolling for doctoral studies at Indian Institute of Science under the guidance of S. S. Krishnamurthy. After securing a PhD in 1982, he moved to the University of Massachusetts, Amherst in 1983 and completed his post-doctoral studies at the laboratory of Robert R. Holmes in 1986. He returned to India the same year and started his career as a senior research officer at Indian Petrochemicals Corporation Limited but his stay there lasted only one year. In 1987, he joined IIT Kanpur as an assistant professor to commence a service which would extend till 2012; during this period, he held various positions such as that of an associate professor (1991–1995), professor (1995–), head of the department of chemistry (2008–2010) and dean of faculty affairs (2011–2012). His next move was to Tata Institute of Fundamental Research at their Hyderabad research station as a senior professor and dean and in 2014, he shifted to National Institute of Science Education and Research where he serves as the director. He has also served as a visiting faculty or fellow at various institutions such as University of Calgary, University of Göttingen, University of Tsukuba, and University of Würzburg.
 Passage 3:Chakotay is a fictional character who appears in each of the seven seasons of the American science fiction television series . Portrayed by Robert Beltran, he is First Officer aboard the Starfleet starship USS Voyager. The character was suggested at an early stage of the development of the series. He is the first Native American main character in the Star Trek franchise. This was a deliberate move by the producers of the series, who sought to provide an inspiration as with Uhura in  for African Americans. To develop the character, the producers sought the assistance of Jamake Highwater. Despite first being named as a Sioux, and later a Hopi, Chakotay was given no tribal affiliation at the start of the series, something that was later resolved in the episode "".


Output: 2


Input: Consider Input: Question: Was the team Romano played for before being signed from the same state as the one he signed on to? Passage 1:Romano was signed by the Chicago White Sox as an amateur free agent in 1954. In , while playing for the Waterloo White Hawks, Romano hit 9 home runs in nine consecutive games. He accumulated 38 home runs with a .321 batting average and led the Illinois–Indiana–Iowa League with 108 runs scored and 124 runs batted in. His 38 home runs in 1955 set a league record. Romano split the season between the Vancouver Mounties and the Memphis Chickasaws. In , Romano played for the Indianapolis Indians of the American Association. The Indians' manager was former major league All-Star catcher Walker Cooper, who tutored Romano and helped to greatly improve his catching skills. Romano was called up late in the 1958 season, making his major league debut with the Chicago White Sox on September 12, at the age of 23.
 Passage 2:Billboard Magazine rated the song one of the best cuts on Don't Look Back. Greil Marcus rated the song as one of three masterpieces on Don't Look Back, along with "A Man I'll Never Be" and "Used to Bad News." Allmusic critic Tim Sendra described its riff as "killer," saying that it was similar to that in "More Than a Feeling." The New Rolling Stone Album Guide critic Paul Evans felt that "Don't Look Back" was the one song on its album that could "hold its own" on Boston's first album. Ultimate Classic Rock critic Eduardo Rivadavia similarly stated that it "met every expectation set by Boston’s nearly perfect debut." Ultimate Classic Rock critic Michael Gallucci rated it the band's 4th all time best song. AXS contributor Bill Craig similarly rated it Boston's 3rd greatest song, describing it as an "arena rock style sonic blast." Philip Booth of the Lakeland Ledger called it one "of the most-played-by-garage-band rockers of the '70s." Pete Prown and Harvey P. Newquist praised the "layers of guitar harmonies" as well as Barry Goudreau's slide guitar playing and rideout guitar solo. Ottawa Journal critic Mike Voslin rated the song as a live performance highlight.
 Passage 3:Ibrahim was born in Cape Town on 9 October 1934, and was baptized Adolph Johannes Brand. He attended Trafalgar High School in Cape Town's District Six, and began piano lessons at the age of seven, making his professional debut at 15. He is of mixed-race heritage, making him a Coloured person according to the South African government. His mother played piano in a church, the musical style of which would remain an influence; in addition, he learned to play several genres of music during his youth in Cape Town, including marabi, mbaqanga, and American jazz. He became well known in jazz circles in Cape Town and Johannesburg. In 1959 and 1960, Ibrahim played with the Jazz Epistles group in Sophiatown, alongside saxophonist Kippie Moeketsi, trumpeter Hugh Masekela, trombonist Jonas Gwangwa (who were all in the orchestra of the musical King Kong that opened in Johannesburg in February 1959), bassist Johnny Gertze and drummer Makaya Ntshoko; in January 1960, the six musicians went into the Gallo studio and recorded the first full-length jazz LP by Black South African musicians, Jazz Epistle Verse One, with 500 copies being produced. Although the group avoided explicitly political activity, the apartheid government was suspicious of it and other jazz groups, and targeted them heavily during the increase in state repression following the Sharpeville massacre, and eventually, the Jazz Epistles broke up.
Output: 1