In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

[Q]: Question: Where is the headquarters of the publishing house which published The Divine located? Passage 1:Mauro González moved out to Temperley on 13 July, while Lucas Wilchez did the opposite on 16 July. Almagro held three friendlies on 16 July, two versus Colegiales and one against the Argentina U23s; they'd draw one and lose two. Maximiliano García agreed to go to Comunicaciones on 18 July. New player Facundo Suárez netted a goal in each game as Almagro drew and then beat Ferro Carril Oeste on 20 July. Gustavo Turraca returned to Primera B Nacional on loan on 23 July, having been relegated from it with Los Andes in 2018–19. On 24 July, Agustín Coscia was loaned from Rosario Central. A friendly with Quilmes was postponed on 26 July, in order to preserve the Estadio Centenario Ciudad de Quilmes pitch following heavy rain; rescheduling was confirmed.
 Passage 2:Charles Bertram was born in London in 1723. He was the son of an English silk dyer who was usually accounted to have emigrated to Copenhagen, Denmark, among the retinue of Princess Louisa, a daughter of George II, upon her marriage to Crown Prince Frederick of Denmark in 1743. (The prince became King Frederick V three years later.) Other sources suggest the father immigrated earlier, in 1738. The father established himself as a hosier in 1744, and Charles seems to have benefited from the warm reception that Louisa and her retinue received from the Danes. On 5 July 1747, Charles petitioned the University of Copenhagen's Consortium for admission to study history, antiquities, philosophy, and mathematics. This seems to have been granted, although students were generally required to adhere to the Danish Church and Bertram remained Anglican. He became a friend and protégé of Hans Gram, the royal librarian and a member of the privy council. On 23 March 1748, Bertram petitioned the king to be permitted to give public lectures on the English language and became a teacher of English in the Royal Marine Academy in Copenhagen. (Some accounts name him as a professor, rather than a tutor; if so, that status would have been granted some years later, as he was a new undergraduate in 1747.) His 1749 chrestomathy An Essay on the Excellency and Style of the English Tongue has been called the initiation of English-language printing in Denmark. A brother apparently died at sea in 1752, and at some point he married Cathrine Marie Gold.
 Passage 3:The Divine was published in the U.S. by First Second Books, featuring a blurb by author Yann Martel, best known for the international bestseller Life of Pi. It was released in July 2015 and has hit the New York Times Best Sellers list. It has since received highly positive reviews. Publishers Weekly had chosen The Divine for "top ten graphic novel for spring 2015", describing it later on as: "Heady, hellacious, and phantasmagoric". Jesse Karp on his Booklist review wrote: "Stunning artwork and creeping dread weave together in this satisfying and moving page-turner". Douglas Wolk from The New York Times described it as "a too rare example of artists getting top billing", referring to the artwork by Asaf and Tomer Hanuka. Joshua Rivera from GQ wrote: "The Divine's story is unflinching and raw, and its art is quite possibly the most beautiful of any comic this year". Michael Mechanic from Mother Jones called it "beautifully rendered", while io9 defined it as "Your next comics obsession". Rich Barrett from Mental Floss chose it for "The most interesting comics of the week" and praised it for being "stunning, cohesive combination [of elements]". Terry Hong, from The Smithsonian Asian Pacific American Center blog, wrote: "can’t-turn-away riveting [...] Unrelenting and uninterruptible", and the Eisner nominated comics blog Comics & Cola dubbed it "superb" and chose it for its pick of the month.

[A]: 3


[Q]: Question: What age was the cartoonist and painter that White met in 2002? Passage 1:The Mets went on to sweep the Atlanta Braves in the 1969 National League Championship Series, but were heavy underdogs heading into the 1969 World Series against the Baltimore Orioles. Following a 4-1 loss in the series opener with Cy Young award winner Seaver on the mound, it seemed as if the Mets had little chance against the Orioles. However, the Mets bounced back, winning the next four games to capture their first world championship. Besides catching every inning in the post-season, Grote contributed offensively with a single in Game Two to keep a ninth inning rally alive and Al Weis followed with the game-winning hit. With Game Four tied, Grote doubled to start the tenth inning, then pinch runner Rod Gaspar scored the winning run when an errant throw hit J.C. Martin on the wrist. With Grote calling the pitches, the Mets pitching staff held the Orioles hitters to a .146 batting average during the series.
 Passage 2:In 2002, White met the cartoonist and painter Gary Panter, better known as the designer of The Pee-wee Herman Show. They began collaborating on light shows, beginning the third incarnation of the Joshua Light Show, which continues to perform. Beginning with a series of performances at the Anthology Film Archives in 2004, the Joshua Light Show performs at festivals, museums and venues such as the Skirball Center, Abrons Art Center, the Museum of Contemporary Art Detroit, the Hayden Planetarium, the Barbican Centre, UC Davis, and the San Francisco Exploratorium. In 2007, the light show formed a relationship with composer and curator Nick Hallett. The Joshua Light Show has also been featured in museum exhibitions such as "Visual Music" at the Hirshhorn Museum in Washington DC and "The Summer of Love", originating at the Tate Liverpool, then travelling to Frankfurt, Vienna and the Whitney Museum in 2008. The Joshua Light Show's "Liquid Loops" was recently included in the exhibition "60-'69” at the Museum of Modern Art and was acquired by the museum for their permanent collection. In 2014 White collaborated with the artist Guy Richards Smit to create the video/installation/performance project "The Grossmalerman Show."
 Passage 3:Born in Brescia, Italy, he began music lessons at the age of three, initially with the violin, but quickly switched to the piano. At eleven he entered the Milan Conservatory, graduating three years later at fourteen. In 1938, at the age of eighteen, he began his international career by entering the Ysaÿe International Festival in Brussels, Belgium, where he was placed seventh. A brief account of this competition, at which Emil Gilels took first prize and Moura Lympany second, is given by Arthur Rubinstein, who was one of the judges. According to Rubinstein, Benedetti Michelangeli gave "an unsatisfactory performance, but already showed his impeccable technique." A year later he earned first prize in the Geneva International Competition, where he was acclaimed as "a new Liszt" by pianist Alfred Cortot, a member of the judging panel, which was presided over by Ignacy Jan Paderewski.

[A]: 2


[Q]: Question: Did the tallest building in the Dubai take longer to build than the second tallest building in Dubai? Passage 1:Montenegro has no currency of its own. As a constituent republic of the Socialist Federal Republic of Yugoslavia following World War II, and later of the Federal Republic of Yugoslavia, the Yugoslav dinar was the official currency in Montenegro. In November 1999, the government of Montenegro unilaterally designated the Deutsche Mark as its co-official currency with the dinar, and on 1 January 2001 the dinar officially ceased to be a legal tender in Montenegro. When the euro was introduced and the Deutsche Mark yielded, Montenegro followed suit and began using the euro as well, with no objection from the European Central Bank (ECB). The European Commission and the ECB have since voiced their discontent over Montenegro's unilateral use of the euro on several occasions.” A statement attached to their Stabilisation and Association Agreement with the EU read: "unilateral introduction of the euro was not compatible with the Treaty." The EU insists on the strict adherence to convergence criteria (such as spending at least 2 years in the ERMII system) which are not negotiable before euro adoption, but have not intervened to stop the unilateral adoption of the euro by Montenegro in 2002.
 Passage 2:In the 18th century, England was famous for its woollen and worsted cloth. That industry, centred in the east and south in towns such as Norwich, jealously protected their product. Cotton processing was tiny: in 1701 only of cottonwool was imported into England, and by 1730 this had fallen to . This was due to commercial legislation to protect the woollen industry. Cheap calico prints, imported by the East India Company from Hindustān (India), had become popular. In 1700 an Act of Parliament passed to prevent the importation of dyed or printed calicoes from India, China or Persia. This caused demand to switch to imported grey cloth instead—calico that had not been finished—dyed or printed. These were printed with popular patterns in southern England. Also, Lancashire businessmen produced grey cloth with linen warp and cotton weft, known as fustian, which they sent to London for finishing. Cottonwool imports recovered though, and by 1720 were almost back to their 1701 levels. Again the woollen manufacturers, in true protectionist fashion, claimed that the imports were taking jobs away from workers in Coventry. The Woollen, etc., Manufactures Act 1720 was passed, enacting fines against anyone caught wearing printed or stained calico muslins. Neckcloths and fustians were exempted. The Lancashire manufacturers exploited this exemption; coloured cotton weft with linen warp were specifically permitted by the 1736 Manchester Act. There now was an artificial demand for woven cloth.
 Passage 3:Dubai, the largest city in the United Arab Emirates, is home to many modern high-rises, 108 of which stand taller than . The tallest building in Dubai is the Burj Khalifa, which rises and contains 163 floors. The tower has stood as both the tallest building in the world and the tallest man-made structure of any kind in the world since its completion in January 2010. The second-tallest building in Dubai is the Marina 101, which also stands as the world's second tallest residential skyscraper. The skyscrapers of Dubai are, for the most part, clustered in three different locations. The land along E 11 Road was the first to develop, followed by the Dubai Marina neighborhood and the Business Bay district.

[A]:
3