In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Ex Input:
Question: What year did Innocnet Oula participate in the Juba Peace Talks? Passage 1:NY 104 begins at NY 384 just east of the Rainbow Bridge in downtown Niagara Falls and heads north and east across the county on its way toward Rochester. From Niagara Falls, the route travels in north-northeasterly direction along the Niagara Gorge as it heads into Lewiston and connects to the Robert Moses State Parkway and serves the Niagara Power Visitors Center, known as the Power Vista. Just north of the Power Vista, NY 104 meets I-190 at exit 25 via Upper Mountain Road (unsigned NY 954P). Continuing on, the highway has a junction with nearby NY 265 before descending the Niagara Escarpment toward the village of Lewiston. As the road heads down the ridge, it intersects the western terminus of NY 18 by way of an interchange.
 Passage 2:Innocent Oula joined the National Resistance Army in 1986 at the rank of captain. He rose through the ranks and has served as a member of UPDF delegation during the ill-fated Juba Peace Talks, at the rank of lieutenant colonel. At the level of colonel, in 2009, he served at the director of training for the UPDF 2nd Division, based at Mbarara, in Western Uganda. From 2010 until 2011, he served as the Chief of Staff of AMISOM, based in Mogadishu, Somalia. On his return from Somalia, he was posted to the 4th UPDF Division headquarters in Gulu, as the commanding officer. He later was appointed chief of personnel and administration in the UPDF, based at the Mbuya Barracks. In January 2014, he was elected to the Parliament of Uganda, as a UPDF representative. In November 2014, he was promoted to the rank of brigadier, along with more than 1,300 UPDF officers who received promotions at the same time.
 Passage 3:Around this time Gussow, a Princeton graduate and English M.A. student at Columbia University, first saw Magee and his trio performing on the corner of 114th Street and Broadway. (Gussow relates the story in his 1998 blues memoir, Mister Satan's Apprentice.) Gussow, a guitarist and harmonica player whose performing experience had previously been limited to a handful of high school and college bands, was galvanized by the encounter. After dropping out of grad school, Gussow spent several years as a part-time street performer in New York and Europe. Gussow's transformation from an academic to a blues player was facilitated by lessons he took from his mentor, New York harmonica virtuoso Nat Riddles, who had performed and recorded with Larry Johnson, Odetta, and others, and by his acculturation into the jam session life at Dan Lynch, a storied East Village juke joint.


Ex Output:
2


Ex Input:
Question: Did either of the teams Duke City lost to in the 2008 Western Regional go on to win the championship? Passage 1:Duke City's all-star travel team, the Mueñcas Muertas, represented the league at the first WFTDA Championships in 2006, where they finished 19th out of 20 teams. At the 2007 WFTDA Western Regional Tournament Duke City won their opening game 110-82 over the Rocky Mountain Rollergirls, but then lost to Tucson Roller Derby in the quarterfinals, 166-41. At the 2008 Western Regional, Duke City opened with a victory over Pikes Peak Derby Dames and then upset the defending WFTDA Champion Kansas City Roller Warriors 132-117, automatically qualifying for Championships. Duke City then lost to Bay Area in the semifinals and Rat City Rollergirls in the third place game to finish Westerns in fourth place. At Championships in Portland, Duke City lost their opening round game to Gotham Girls Roller Derby 182-25. At the 2009 Western Regional, Duke City lost the fifth place game to Bay Area 105-103 to finish in sixth place. As the eighth seed at the 2009 Western Playoff, Duke City lost their opening games to Tucson and Denver, before falling to Sacred City Derby Girls to finish in tenth place.
 Passage 2:When Joseph left Girton, the First World War was at a critical state; the Battle of the Somme had begun on 1 July 1916. Joseph wanted to assist the war effort, and after considering work on the land or in a munitions factory, took up part-time welfare work in Islington. In the autumn of 1916 she began teaching at Eothen, a small private school for girls in Caterham, founded and run by the Misses Catharine and Winifred Pye. In 1917 Holst's ten-year-old daughter Imogen started at the school; soon, under Joseph's guidance the young pupil was composing her own music. Joseph extended her own musical activities by joining the orchestra at Morley College, where Holst was the director of music and where her brother Edwin had played the cello before the war. At first she played the double-bass, but later took French horn lessons, possibly from Adolph Borsdorf; later still, at very short notice, she taught herself the timpani part for a summer concert. By 1918 she was a member of the Morley committee that on 9 March organised and produced an opera burlesque, English Opera as She is Wrote, in which English, Italian, German, French and Russian opera styles were parodied in successive scenes. The performance was a great success and was repeated at several venues. It may have inspired Holst to use parody in his own opera, The Perfect Fool, which he began composing in 1918. In her spare time Joseph founded and ran a choir for Kensington nannies, which took part in local singing contests as the "Linden Singers".
 Passage 3:He was principal investigator on the REFLECT trial for flosequinan which ran from 1987-1989 and the following PROFILE trial from 1991-1994. He was PI on a study of amlodipine that ran from 1987-1989 and the following PRAISE trial from 1992-1995 and PRAISE 2 from 1996-1999; the PROMISE trial for milrinone 1988-1990; the ATLAS trial for lisinopril from 1993-1997; the PRECISE trial for carvedilol from 1993-1995 and the following COPERNICUS trial from 1997-2002; the ENABLE trial (1999-2001) and REACH-1 trial (1997-2003) for bosentan; the OVERTURE trial (1999-2002) for omapatrilat; REVIVE I and II (2001-2006) for levosimendan; and the TRUE-AHF trial of ularitide that started in 2013. He also chaired the steering committee for the RADIANCE trial from 1989-1992 which studied the use of digoxin in people who were also treated with ACE inhibitors and chaired the steering committee for the RENEWAL trial (1999-2002) for etanercept. He was also the co-PI of the PARADIGM-HF trial that led to the approval of valsartan/sacubitril.


Ex Output:
1


Ex Input:
Question: What venue was the ice cream truck at? Passage 1:LCD Soundsystem released "Call the Police" and "American Dream" together as a digital double-A-side single on May 5, 2017, acting as the lead single from the album. The two songs were made available for listening once midnight was reached in one's time zone. The band promoted the songs by performing both during the May 6 episode of the 42nd season of Saturday Night Live. On August 4, the band rolled out an ice cream truck outside of the Lollapalooza festival in Chicago promoting the album. The truck played songs from the album in the form of ice cream jingles through its speaker. A Twitter account for the truck was also launched to provide updates on where its current location was. On August 16, "Tonite" was premiered on Zane Lowe's radio show on Beats 1. Along with the premiere was the release of a music video for the track, directed by Joel Kefali. It was also subsequently made available for streaming on Spotify. A virtual reality experience made to accompany the song, titled "Dance Tonite", was released to the public on August 22, though first previewed privately in June. Available to use in an Internet browser, the experience allowed people with room scale virtual reality kits, such as the Oculus Rift, to dance along to the track. Those with more simpler VR headsets, like the Daydream View, could view the experience as well the dance performances done by others. The band teamed up with the Puckney and Moniker design studios from Amsterdam for the project, alongside Google's data arts team. On August 31, the band released a 14-minute instrumental track called "Pulse (v.1)" as a free download. On Facebook, Murphy wrote that the track was "not precisely part of the record," but instead thought of it as an "addendum" meant to be played after the album's closing track, "Black Screen". It was originally left off of American Dream due to it not being able to fit on the vinyl format of the album. A music video for "Oh Baby", directed by Rian Johnson, was released on September 20, 2018. The video depicts an elderly couple, portrayed by Sissy Spacek and David Strathairn, who build a teleporter in their garage.
 Passage 2:Asante began his senior career in England with Birmingham City. He made his first-team debut in the Europa League play-off round second leg against C.D. Nacional in August 2011, and made his debut in the Football League while on loan at Northampton Town in January 2012. He had spells on loan at Shrewsbury Town in both 2012–13 and 2013–14, but injury disrupted his progress, and he left Birmingham when his contract expired. Without a club while recovering from injury, he spent the latter part of the 2014–15 season with Kidderminster Harriers before moving on to Solihull Moors, with whom he won the National League North title. Asante signed for Grimsby Town in January 2017, after missing the first couple of months of 2017–18 recovering from injury, he went on loan to Solihull Moors, however, he left Grimsby by mutual consent in February 2018. He completed the season with Tamworth, and after a short spell on loan at Chester, he joined them permanently in January 2019.
 Passage 3:In 2000 Liao made his debut at the Washington National Opera as the Count di Luna in Verdi's Il trovatore at the Kennedy Center with Plácido Domingo conducting. In 2001 he portrayed Enzo in Attila with the Opera Orchestra of New York (OONY) at Carnegie Hall, and was heard again with that ensemble the following year as Captain Israele in Gaetano Donizetti's Marino Faliero. In 2002 he sang the role of Méphistophélès in Berlioz's La damnation de Faust with the China Philharmonic Orchestra. In 2003 he made his debut at the Dutch National Opera as the Japanese Prince in Tan Dun's . That same year he made his debut with the Michigan Opera Theater as the Count di Luna, and was also seen with that company as Renato in Un ballo in maschera. In 2004 he sang the role of Pasha Seid in Verdi's Il corsaro with the OONY under Eve Queler at Carnegie Hall.


Ex Output:
1