In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: What year was Allmusic established? Passage 1:Jonathan Widran of AllMusic said "It's too early in her career to know whether this powerhouse singer/songwriter will ever reach the heights of Contemporary Christian Music's other Grant, but a bevy of top producers come on board this sparkling debut to launch Natalie Grant towards this goal. All of these studio wizards (Eric Foster White, Tommy Sims, and Michael Lloyd) are better-known for their secular pop music, and the variety of atmospheres they create poise Grant for crossover pop success. It also helps that the lyrics Grant sings are designed as inspirational, rather than preachy. Torchy tracks like 'I Am Not Alone' and rock-driven anthems like 'I Will Be' could definitely lead both teenagers looking for substance, and adult contemporary audiences, to a deeper examination of important spiritual issues. Grant's wide-ranging pipes (yes, think potential diva) would surely sound great without all the production energy, but nearly every up-tempo tune here is an irresistible mix of pop/rock and modern soul flavors. The title track is all thump and hook, and some of the vocal texturing will remind fans of Point of Grace. Another POG-like tune, 'Days Like These', is driven by jangly alternative pop guitars. A few tracks touch on simple exotica, most notably "Love Without Limits" with its swirling flamenco strings. Amidst the playful spirit is Grant's most heartfelt tune, a lush and teary, almost breathless tribute to her father, 'Always Be Your Baby' This tune alone indicates that we're dealing with a major new talent whose deeper life extends from the spiritual into the musical." Christianity Todays Russ Breimeier stated "In a relatively short time Natalie Grant has earned a reputation for three things rather unique to her five-year career. First, she's released every album on a different record label. Both Benson and Pamplin have since closed their doors—'the curse' will likely end with Curb, which is relatively secure under the wings of Warner Brothers' Christian Music Division. Second, the Seattle-born artist is well-known for her protestations about being labeled a 'pop diva'. There is typically a negative connotation to the 'd'-word that flies in the face of Natalie's humble servant attitude and her desire to focus her music on the goodness of God. Unfortunately for her, the diva label is an apt description of her musical styling, which leads into the third unique trait. Despite her diminutive size, Natalie has an impressively big voice with enough nuance to hold her own among any of the classic pop divas (Mariah Carey, Celine Dion, Whitney Houston, take your pick), earning her multiple Dove nominations for Female Vocalist of the Year. Undeterred by collapsing record labels and pop music stereotypes, Natalie admirably presses on with Deeper Life, her third effort, by stretching her own artistic skills. Her previous album, Stronger (released in 2001), featured her first attempts at songwriting by co-writing a handful of tracks. On Deeper Life, she co-writes nearly every song. Additionally, Natalie steps up as co-producer of this album, joining a slew of A-list pop producers and songwriters: Tommy Simms (CeCe Winans, Anointed), Eric Foster White (Jessica Simpson, Whitney Houston), Bryan Lenox (Michael W. Smith, Ronnie Freeman), Bernie Herms (Plus One), and Rob Graves (songwriter and guitarist on Joy Williams's By Surprise). The approach on this project was to create an album that relied less on programmed pop and more on live musicians, and the results are indeed stunning. I daresay this is Natalie's best-sounding album yet. But we must keep it in perspective. This is still R&B-flavored; adult contemporary pop a la Mariah Carey, Jaci Velasquez, Kelly Clarkson, Jessica Simpson, and many others. It is most certainly not (as suggested by the press bio) the classic rock sound of Sheryl Crow or the modern pop/rock of Avril Lavigne. Christian adult contemporary and inspirational pop speaks for itself—some find it meaningful and poignant, while others find it clichéd and boring. In that spirit, the songs of Deeper Life are best explored for what they are—you'll know by the titles, lyrics, and styles if this music matches or offends your tastes. Nevertheless, there's no getting around Natalie's vocal prowess or the superior production, which means you're bound to be impressed with Deeper Life if you enjoy first-rate pop." Heather Marsden of Cross Rhythms claimed "This is Natalie Grant's third album and is positive proof that her new home at Curb Records is working well for her. The album opens with the upbeat title track 'Deeper Life', a poppy feel good song that's easy to pick up and sing along. 'Days Like These' and 'I Will Be' are in a similar style without being repetitions of the first song. The songs 'That's When I Give Up (On Loving You)', 'Live for Today' and 'I Desire' have a more acoustic rock kind of sound—similar to that of Michelle Branch. The bonus track 'No Sign of It' has been featured in the new Gwyneth Paltrow film View from the Top. Deeper Life contains some of Grant's best work, it's a great record with a good message, sure to please her growing number of fans and draw in some new ones." JesusFreakHideout's Shaun Stevenson remarked "Things haven't always been easy for Natalie Grant. After changing record companies twice, Grant has finally found a home with Curb Records. And now, with the release of Deeper Life, Grant is sure headed in the right direction with a solid third album. Albums are always opening with something upbeat these days, and Deeper Life opens things off in the right direction. With plenty of signature Grant sounds, the song really reflects what this album is all about: seeking the deeper life in Jesus Christ. Natalie Grant sure has something going for her. With this newest album, containing some of her strongest work to date, she's really outdone herself. A solid record, a solid message, and a solid musical base, Deeper Life is sure to please fans of Grant's previous work, and it's also sure to bring in new listeners. Trouble has come to Natalie Grant in the past, but now, there's no sign of it, and her skies are definitely clear today."
 Passage 2:In 2000, they released the self-titled demo, Transistor Revolt. Tintari left the band in the fall of that year before the recording of their full-length album. He was later replaced by Brandon Barnes of "Pinhead Circus". The band then signed with independent record label Fat Wreck Chords in 2001. They then released their debut album The Unraveling and spent the rest of the year touring. In 2002, Mr. Precision left and was replaced by Todd Mohney. The band returned to the studio in December 2002 to work on their second full-length album, Revolutions per Minute in 2003 and toured for the 2003 Warped Tour, which gained the band some success. Rise Against then signed to Dreamworks Records in late 2003 to begin the recording of their third record, but Dreamworks was shortly absorbed by the Universal Music Group, and Rise Against found itself with Major label Geffen Records. Todd Mohney, the band's guitarist at the time, left and was replaced by Chris Chasse and began the recording of their new album Siren Song of the Counter Culture. Siren Song of the Counter Culture was released on August 10, 2004 peaking at number 136 on the Billboard 200 album charts, gaining the band major critical and commercial success with the singles "Give It All, "Swing Life Away", and "Life Less Frightening".
 Passage 3:On June 28, 2007, Fernández was taken 24th overall in the NBA draft by the Phoenix Suns, who subsequently traded his draft rights along with James Jones to the Portland Trail Blazers for cash. Rudy Fernández announced at a press conference on Friday, June 6, 2008, that he would leave DKV Joventut to join the Portland Trail Blazers for the 2008–09 NBA season, and he signed a contract with the Blazers on July 1. "They [Portland] have shown a lot of interest in getting me and have assured me that I will be an important part in the team", he said. Fernández joined the NBA team on September 22, 2008. He became the eighth Spaniard to play in the NBA. For the 2008–09 NBA season he joined several other fellow Spaniards in the league that included Pau and Marc Gasol, Jose Calderón, and Trail Blazers teammate Sergio Rodríguez. He entered the NBA following his participation with the Spain national team at the 2008 Olympic basketball tournament in Beijing, China.

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Question: Did the movie where Patricia Clarkson made her feature film debut win any awards? Passage 1:By making an analogy with words like bilingual and bilateral containing the Latin prefix "bi-" (meaning "two" in Latin), the word bikini was first back-derived as consisting of two parts, [bi + kini] by Rudi Gernreich, who introduced the monokini in 1964. Later swimsuit designs like the tankini and trikini further cemented this derivation. Over time the "–kini family" (as dubbed by author William Safire), including the "–ini sisters" (as dubbed by designer Anne Cole), expanded into a variety of swimwear including the monokini (also known as a numokini or unikini), seekini, tankini, camikini, hikini (also hipkini), minikini, face-kini, burkini, and microkini. The Language Report, compiled by lexicographer Susie Dent and published by the Oxford University Press (OUP) in 2003, considers lexicographic inventions like bandeaukini and camkini, two variants of the tankini, important to observe. Although "bikini" was originally a registered trademark of Réard, it has since become genericized.
 Passage 2:After graduating from the Yale School of Drama, Clarkson was cast in a 1986 Broadway production of The House of Blue Leaves as a replacement in the role of Corrinna Stroller. The following year, she made her feature film debut in Brian De Palma's The Untouchables (1987), portraying Catherine Ness, the wife of US Treasury Prohibition agent Elliott Ness (Kevin Costner). Clarkson stated she was financially struggling during this time and was paying student loans, and that De Palma expanded her role in the film as she originally only had several days' worth of shooting. The next year, she was cast in Clint Eastwood's The Dead Pool (1988), the fifth installment in the Dirty Harry film series. In 1989, she returned to Broadway portraying a Wall Street investment counselor whose brother (played by Kevin Conroy) is diagnosed with AIDS; the play ran from January to March of that year. Clarkson has stated that beginning in the early 1990s, she went through a turbulent period in her career and was unable to find significant work. She had a small role in Jumanji (1995) before being cast in the independent drama High Art (1998), portraying a drug-addicted German actress in New York City. Her performance earned her an Independent Spirit Award nomination for Best Supporting Actress.
 Passage 3:Joss Whedon and Brian K. Vaughan collaborated in breaking down the story, before Vaughan penned the four-part story individually. Vaughan had previously pitched the broad strokes of the story at a dinner with Whedon, Tim Minear and Drew Goddard as a direct-to-DVD Faith movie. There were some presumptions that Vaughan would have difficulty writing the characters' dialogue, given that he wasn't a member of the TV series' writing staff. Despite so, Vaughan proved otherwise. Whedon himself was compelled to tell Vaughan what great lines he had written to Faith specifically. His writing, like the series', featured numerous pop-culture references. The title itself refers to a verse from the song "God Save the Queen" by the Sex Pistols. Other rock song lyrics are mentioned by characters as well: Faith tells Giles she's "the go-to girl for dirty deeds done dirt cheap," whereas Roden paraphrases Pink Floyd's song "Another Brick in the Wall" with the phrase "as a wise man once said, you can't have any pudding if you don't eat your meat." Giles, sporting a jumper with a Yellow Submarine design, refers to "the great bearded wizard of Northampton": a nod to legendary comic book writer and magician Alan Moore. Buffy refers to Lady Genevieve and her accomplices as Faith's 'droogs', a term used in Anthony Burgess' A Clockwork Orange to define friend or associate. Finally, whilst training, Xander makes reference to Snake Plissken, the eye-patch wearing anti-hero of Escape from New York.

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Question: Which of the universities that McGuffin  was awarded a Medical Research Council Fellowship at has the highest enrollment? Passage 1:He completed his training as a psychiatrist at the Maudsley Hospital, London and was awarded a Medical Research Council Fellowship to study genetics at the University of London and at Washington University in St Louis, Missouri where he spent a formative 18 months under the mentorship of Theodore (Ted) Reich and Irving I Gottesman. He completed a PhD with a thesis describing one of the first multi marker genetic linkage studies in schizophrenia. He subsequently became an MRC Senior Clinical Fellow at the Maudsley and the Institute of Psychiatry (now part of King's College London) and then took up the Chair of Psychological Medicine at the University of Wales College of Medicine in Cardiff in 1987. He subsequently established the Cardiff department as one of the World’s leading centres for psychiatric genetic research and was among the early pioneers of multi-centre international collaborations in psychiatric genetics such as the European Science Foundation programme on the Molecular Neurobiology of Mental Illness. He moved back to London as successor to Prof Sir Michael Rutter as Director of the MRC Social, Genetic and Developmental Psychiatry Centre at the Institute of Psychiatry in October 1998. From January 2007 to December 2009, he was the Dean of the Institute of Psychiatry. He was elected a founder Fellow of the Academy of Medical Sciences in 1998. Despite his very early Freudian leanings, McGuffin’s research, his books and papers have been mainly on the genetics of normal and abnormal behaviour.
 Passage 2:In 1997 Byker joined Apollo 440. His first contribution was to provide vocals for the song Ain't Talkin' 'bout Dub which peaked at number 7 in the UK Singles Chart. Following this, he and the band recorded their second album Electro Glide in Blue. Byker, Trevor Gray and Howard Gray wrote and produced Liverpool FC's FA Cup Final single Pass & Move (It's the Liverpool Groove) under the name Boot Room Boyz. It reached number 4 in the UK Singles Chart. In 1999 the band released Gettin' High on Your Own Supply. The album proved to be hit and went to number 20 in the UK Album Chart. The album spawned two UK Top 10 singles including the theme to the 1998 movie Lost In Space and Stop the Rock. In 1999 Byker appeared on Never Mind The Buzzcocks and featured as a player on FIFA 2000 with other Apollo 440 members Noko, Trevor Gray and Howard Gray.
 Passage 3:In 1995, Tony was selected to become a member of the NFL officiating staff as a back judge (the title was changed to field judge in 1998) before being promoted to referee at the beginning of the 1998 NFL season. In his three seasons as a back judge, he worked two playoff games including the 1997 NFC Championship Game. Tony also officiated in NFL Europe working the World Bowl in both 1995 (Back Judge) and 1998 (Referee). In 1998, he became a referee after Dale Hamer returned to the head linesman (now down judge) position and Gary Lane returned to the side judge position. Corrente worked the NFC Championship Game in 2001 between the Minnesota Vikings and New York Giants at Giants Stadium in East Rutherford, New Jersey and the 2010 AFC Championship Game between the New York Jets and the Indianapolis Colts at Lucas Oil Stadium in Indianapolis. Since joining the NFL in 1995, Corrente has been involved in 13 post-season assignments including 3 AFC/NFC Championships and as the alternate Referee in Super Bowls XL and 50 and as Referee in Super Bowl XLI between the Chicago Bears and the Indianapolis Colts.
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