Q: In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
Question: Which of them debuted in wrestling first? Passage 1:The Melrose Historic District is a nationally recognized historic district located in Iowa City, Iowa, United States. It was listed on the National Register of Historic Places in 2004. At the time of its nomination it consisted of 134 resources, which included 112 contributing buildings, one contributing site, 20 non-contributing buildings, and one non-contributing structure. This neighborhood first developed as a sparsely populated rural area, and between World War I and World War II developed into an automobile suburb. It grew along with the University of Iowa when it expanded to the west side of the Iowa River, and it borders the large University of Iowa Hospitals and Clinics complex. Among the prominent people who lived here was Howard Jones who coached the Iowa football team from 1916 to 1923. Other prominent residents included professors and local professionals and politicians. 
 Passage 2:In 1996 Guillermo Martinez began wrestling under the name "Bombero Infernal", complete with a mask and ring gear adorned in flames and diabolical images. He had only worked under that name for just over a year when he became involved in a storyline feud against El Pantera, the rivalry escalated to the point where both wrestlers agreed to put their masks on the line in a Lucha de Apuestas, or "bet match", the most prestigious match type in Lucha Libre. The match took place on December 7, 1997 in International Wrestling Revolution Group's (IWRG) Arena Naucalpan in Naucalpan, State of Mexico with Bombero Infernal losing the match, which forced him to unmask in the middle of the ring, state his birthname and how long he had been a wrestler. Oftentimes losing the mask means the end of a specific ring character, but Martinez stuck with the Bombero Infernal ring characters in the years after his loss. On January 10, 1999 Bombero Infernal won the IWRG Intercontinental Middleweight Championship from Mr. Niebla and held the championship for 146 days straight. The title change was part of a long running storyline between Bombero and Mr. Niebla that saw Mr. Niebla regain the championship on June 6, 1999 but ultimately lose it to Bombero Infernal once again on October 24, 1999. His second reign ended at the hands of Último Vampiro on December 16, 1999 when he defeated Bombero Infernal. In late 2000 Bombero Infernal teamed up with Cripta and El Enterrador to defeat the team of Super Caló, Alan Stone and Moto Cross to win the Distrito Federal Trios Championship. On November 19, 2000 Bombero Infernal regained the IWRG Intercontinental Middleweight Championship from Último Vampiro. Bombero's time as a double champion ended on February 11, 2001 when Los Oficiales (Guardia, Oficial and Virgilante) won the DF Trios Championship. A month later he also lost the Middleweight Championship to Black Dragon. Later that year Bombero Infernal defeated Último Vampiro to win the Middleweight Championship for a fourth time, at the time someone other than the previous Último Vampiro was playing the character. The match between the two ended in a controversial fashion, leading IWRG to take the championship away from Bombero Infernal only one week later. In 2002 Bombero Infernal rekindled his storyline with El Pantera, going so far as to put his hair on the line against Pantera's Middleweight Championship, in a match that saw Bombero victoriously claim his fifth IWRG Intercontinental Middleweight Championship. His fifth reign lasted 95 days in total before it coming to an end when Tony Rivera defeated him. On November 11, 2002 Bombero Infernal, El Hijo del Diablo and El Engendro defeated Dr. Cerebro, Cirujano and Paramedico to win the DF Trios Championship once again, a title they would quickly lose to a new group called Los Megas (Mega, Omega and Ultra Mega)
 Passage 3:The music festivals that would thrust Victorian Birmingham to the forefront of European musical life had their roots in the private music societies of the Midlands Enlightenment, and in the economic difficulties faced by the town in the years following the end of the Seven Years' War. The first music meeting to be held in Birmingham for a charitable purpose took place on Christmas Day 1766, when James Kempson organised members of the Birmingham Musical and Amicable Society to hold a one-day festival at St. Bartholemew's Chapel to aid "aged and distressed housekeepers" – a tradition that would continue annually until 1838. The success of this, together with that of a three-day festival of oratorio held by Richard Hobbs and Capel Bond in 1767, led to Kempson's suggestion that large-scale musical performances "upon similar principles to those at St. Bartholemew's" might be used to raise money to support the Birmingham General Hospital, which was then lying half-built for lack of funds. This resulted in the first three-day Birmingham Music Meeting, which was held in September 1768. Oratorios were performed at St Philip's and at the King Street Theatre to a "brilliant and crowded audience" including a "concourse of Nobility and Gentry from this and the neighbouring counties", with an orchestra of 25 conducted by Bond and a chorus of 45 from the Musical and Amicable Society trained by Kempson, raising a total of £200 (the equivalent of £10,000 in late 20th century terms) for the hospital. A second Music Meeting like that of 1768 was held in 1774 to raise money for the building of St. Mary's Chapel in Whittal Street, and with building work on the General Hospital again paused for lack of funds, in 1778 Kempson suggested a similar event be held for the joint benefit of the hospital and St Paul's Church in the Jewellery Quarter, where was newly installed as choirmaster. Further festivals were held in 1780 and 1784, after which the trustees of the General Hospital resolved to establish the event as the regular Birmingham Triennial Music Festival, which would take place every three years with only two interruptions until 1914.

A:
2