In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: In what city will Bana be making a "whole other movie" about the Hulk? Passage 1:The American Taft family first settled in what later became Uxbridge in the 17th Century. A descendant, Luke Taft became one of the earliest industrial pioneers here.) Luke Taft was the son in law of Daniel Day, and married his daughter Nancy. In 1809, Daniel Day had started the first woolen mill in Uxbridge and the Blackstone River Valley, one of the first woolen mills in the US (third), a little bit downstream. The Wheelocks, (descended from the Rev. Ralph Wheelock, the pioneer of American public education), also settled in Uxbridge, in the 18th Century. Lt. Simeon Wheelock, a Revolutionary War soldier, fought and died in Shays' Rebellion. His son Jerry, became one of the earliest textile pioneers in Uxbridge, and worked with Luke Taft. Luke and Nancy (Day) Taft had a son, Moses, who born in January 1812. Jerry Wheelock's daughter, Sylvia A Wheelock, then married Moses Taft in 1834. Luke Taft established a mill at the site in 1833, and Moses Taft, (Luke's son and Daniel Day's grandson) established what later became the larger Stanley Mill in 1852. Uxbridge was an early industrial center that played key roles in the early textile industry in America, pioneering satinets, cashmeres, blended fabrics, and power looms for woolens. Stanley Woolen Mill later would become a legacy of both the Taft and Wheelock families, continuing woolen and textile innovations of Uxbridge, begun by Jerry, Luke and their contemporaries. Stanley Woolen Mill became the first mill to offer complete vertical integration from raw materials to clothing. Stanley Woolen Mill, was a continuously operating family business, from 1833 at the present site, and from 1809, with its connections to Daniel Day.
 Passage 2:Bricher was born in Portsmouth, New Hampshire. He was educated in an academy at Newburyport, Massachusetts. He began his career as a businessman in Boston, Massachusetts. When not working, he studied at the Lowell Institute. He also studied with Albert Bierstadt, William Morris Hunt, and others. He attained noteworthy skill in making landscape studies from nature, and after 1858 devoted himself to the art as a profession. He opened a studio in Boston, and met with some success there. In 1868 he moved to New York City, and at the National Academy of Design that year he exhibited “Mill-Stream at Newburyport.” Soon afterward he began to use watercolors in preference to oils, and in 1873 was chosen a member of the American Watercolor Society. In the 1870s, he primarily did maritime themed paintings, with attention to watercolor paintings of landscape, marine, and coastwise scenery. He often spent summers in Grand Manan, where he produced such notable works as Morning at Grand Manan (1878). In 1879, Bricher was elected into the National Academy of Design as an Associate member.
 Passage 3:Eric Bana commented that the shoot was, "Ridiculously serious... a silent set, morbid in a lot of ways." Lee told him that he was shooting a Greek tragedy: he would be making a "whole other movie" about the Hulk at Industrial Light & Magic. An example of Lee's art house approach to the film was taking Bana to watch a bare-knuckle boxing match. Computer animation supervisor Dennis Muren was on the set every day. One of the many visual images in the film that presented an acting challenge for Bana was a split screen technique employed by Lee to cinematically mimic the panels of a comic book page. This required many more takes of individual scenes than normal. Sound design was completed at Skywalker Sound. Muren and other ILM animators used previous technology from Harry Potter and the Chamber of Secrets (for the Dobby character) to create the Hulk with computer-generated imagery. Other software used included PowerAnimator, Softimage Creative Environment, Softimage XSI, and RenderMan Interface Specification. ILM started computer animation work in 2001, and completed in May 2003, just one month before the film's release. Lee provided some motion capture work in post-production.
3