You will be given a definition of a task first, then some input of the task.
In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: Whose critique was published first, Janet Maslins or Roger Eberts? Passage 1:The Yasui procedure is a pediatric heart operation used to bypass the left ventricular outflow tract (LVOT) that combines the aortic repair of the Norwood procedure and a shunt similar to that used in the Rastelli procedure in a single operation. It is used to repair defects that result in the physiology of hypoplastic left heart syndrome even though both ventricles are functioning normally. These defects are common in DiGeorge syndrome and include interrupted aortic arch and LVOT obstruction (IAA/LVOTO); aortic atresia-severe stenosis with ventricular septal defect (AA/VSD); and aortic atresia with interrupted aortic arch and aortopulmonary window. This procedure allows the surgeon to keep the left ventricle connected to the systemic circulation while using the pulmonary valve as its outflow valve, by connecting them through the ventricular septal defect. The Yasui procedure includes a modified Damus–Kaye–Stansel procedure to connect the aortic and pulmonary roots, allowing the coronary arteries to remain perfused. It was first described in 1987.
 Passage 2:Critic Janet Maslin, writing in The New York Times, said of director Kasdan, "he creates the film's most satisfying moments by communicating his own sheer enjoyment in revitalizing scenes and images that are so well-loved." Impressed, she exclaimed, "Silverado is a sweeping, glorious-looking western that's at least a full generation removed from the classic films it brings to mind." Roger Ebert in the Chicago Sun-Times called it "sophisticated" while remarking, "This is a story, you will agree, that has been told before. What distinguishes Kasdan's telling of it is the style and energy he brings to the project." In the San Francisco Chronicle, Peter Stack wrote that the film "delivers elaborate gun-fighting scenes, legions of galloping horses, stampeding cattle, a box canyon, covered wagons, tons of creaking leather and even a High Noonish duel." He openly mused, "How it manages to run the gamut of cowboy movie elements without getting smart-alecky is intriguing." In a mixed review, Gene Siskel of the Chicago Tribune, said the film was "a completely successful physical attempt at reviving the western, but its script would need a complete rewrite for it to become more than just a small step in a full-scale western revival." Another ambivalent review came from Jay Carr of The Boston Globe. He noted that Silverado "plays like a big-budget regurgitation of old Westerns. What keeps it going is the generosity that flows between Kasdan and his actors. It's got benevolent energies, but not the more primal kind needed to renew the standard Western images and archetypes." In an entirely negative critique, film critic Jay Scott of The Globe and Mail said the all too familiar "manipulative Star Wars-style score is the only novelty on tap in Silverado, which has a plot too drearily complicated and arid to summarize". Left equally unimpressed was Dave Kehr of the Chicago Reader. Commenting on director Kasdan's style, he said his "considerable skills as a plot carpenter seem to desert him as soon as the story moves to the town of the title." As far as the supporting cast was concerned, he dryly noted, "none of them assumes enough authority to carry the moral and dramatic center of the film." Giving Silverado 4 out of 5 stars, author Ian Freer of Empire, thought the film was the "kind of picture that makes you want to play cowboys the moment it is over." He exclaimed, "Whereas many of the westerns from the ‘70s try a revisionist take on the genre, Silverado offers a wholehearted embracing of western traditions."
 Passage 3:Burnside's professional career began in 1949 (he attended Dartmouth during his offseasons) and was interrupted by United States Army service in 1953. A stellar 1955 season in the Double-A Texas League, where he posted an 18–11 record and 2.47 earned run average for the Dallas Eagles, earned him his first big-league call-up to the New York Giants. He started two late-season games. In his first, on September 20, he issued six bases on balls and allowed seven runs (only two of them earned) in 3 innings against the cellar-dwelling Pittsburgh Pirates. While the Giants' offense bailed him out—Burnside departed the game with New York leading 11–7—his early exit kept him from claiming the victory in an eventual 14–8 Giants' triumph; that went to relief ace Hoyt Wilhelm. In his second start a week later, however, Burnside threw a complete game, seven-hit victory over the Philadelphia Phillies.

Output:
2