Instructions: In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
Input: Question: Of the publications that gave Last Night a bad review, which is the oldest? Passage 1:The film's commentary on infidelity received mixed reviews. Tadjedin was praised for not supporting or antagonizing Joanna or Michael. DVD Talk commended Tadjedin for not reducing the characters to "the monsters and angels normally created for cinematic takes on infidelity". In an Entertainment Weekly review, Owen Gleiberman liked that the film examined infidelity beyond only sex, and Den of Geek! said it avoided common pitfalls in the chick flick genre. Despite giving the film a positive review, Hot Press wrote that the effectiveness of its message was entirely "dependent on the viewer's own experiences". Other reviewers criticized the lead characters as boring, including some questioning why the plot was worth caring about. The Hollywood Reporter summed up the film's message by asking: "Although the real question, is who cares?". Slant Magazine panned Last Night as "a tale of two featureless, well-off nobodies", and Digital Spy criticized it as a "mostly hollow experience" with a "distinct lack of flesh on the plot's bare bones". Last Night's plot and characters were described as lacking the "appetite for lunatic adventure" of Woody Allen's works, or the emotional stakes of the 2009 film I Am Love. Despite their negative reviews of the overall film, The Japan Times and Politico praised its ending for its ambiguity; Politico described the final scene as an "unconventional and exciting moment" comparable to the jump cuts in the 1992 film Husbands and Wives. 
 Passage 2:Alesha Dixon and Sabrina Washington met in 1997 at Dance Attic studios in Fulham through Louise Porter, who was putting together a group for her production company Big Out Ltd. The two worked with Louise Porter for a couple of years before being joined by Tina Barrett to form a trio performing singing and dancing. They were named Face2Face, were unsigned, and all band members still worked day jobs. Barrett left to join S Club 7 after a successful audition for Simon Fuller and was replaced by Zena McNally and Su-Elise Nash. Their then producer David Brant (writer of their first two hit singles, "Why?" and "All I Want") introduced them via DJ Darren Stokes (TinTinOut) to Inferno Records (sub pop) A&R man Pat Travers, who went on to sign them to Telstar Records and changed their name to Mis-Teeq. After months of recording—including sessions with producers Norwegian duo Stargate along with Brant (Vybrant Music), Ed Case, Blacksmith, Rishi Rich, and Ceri Evans—Mis-Teeq released their debut single in 2000, "Why?", a Latin-flavoured mid-tempo song co-written and produced by Brant. A garage remix by Matt "Jam" Lamont soon became a success in the underground UK garage scene, and as a result a second music video for the song was filmed and released. "Why" became a hit on the UK Singles Chart with a peak position of number eight. McNally decided to leave the line-up in spring 2001 saying she felt unhappy about "an unbalance in the group".
 Passage 3:He was born on 29 August 1874 in Athens, where he spent his childhood. In September 1891 he went to Paris for the first time to study at Lycee Janson-de-Sailly, preparing for the French Naval School and pursuing a military career. His guardian during that time was Dimitrios Vikelas. However, in June 1893 he failed the Naval School exams and in October of the same year he enrolled at the Sorbonne Law School. In the summer of 1896 he was in Munich to study law at the University of Ludwig-Maximilans, while at the same time he became friend with the painter Dimitrios Geraniotis, who studied at the Munich Academy. In November 1897, Nikos Dragoumis obtained his degree from the University of Sorbonne and returned to Greece to pursue a career in the Foreign Ministry. However, he broke up with his family and his father, Stephanos, sent him to Volos to work as an assistant manager of the Thessaly Railway Company. But Nikos Dragoumis secretly left Volos in May 1899 and returned to Paris this time to study painting.

Output:
1