In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Example Input: Question: Before the year 2000, which of the films Nikhil–Vinay's had the highest grossing box office sales? Passage 1:Albany–Sumner Avenues was a station on the demolished BMT Fulton Street Line. It had 2 tracks and 2 side platforms. It was served by trains of the BMT Fulton Street Line. The station was opened on May 30, 1888, and had connections to the Sumner Avenue Line streetcars. Eastbound trains stopped at Albany Avenue, while westbound trains stopped at Sumner Avenue (now Marcus Garvey Boulevard). The next stop to the east was Troy Avenue. The next stop to the west was Tompkins Avenue. During 1912 and 1924, the Dual Contracts program installed a third track on the Fulton El between Nostrand Avenue and the new Hinsdale Street station. Albany-Sumner Avenues stations were closed during that time. In 1936 the Independent Subway System built an underground Fulton Street Subway station at Kingston–Throop Avenues between here and the nearby Brooklyn–Tompkins Avenues Station. The el station became obsolete.
 Passage 2:Nikhil and Vinay are both trained in classical music. Singer Anuradha Paudwal discovered the duo and recommended them to Gulshan Kumar, owner of T-Series music company, and director Chandra Barot, who signed them for the 1991 romantic film Pyar Bhara Dil. The song "Banke Kitab Teri" from the film became popular. The duo then went on to compose music for over 20 films. Their initial successes included Bewafa Sanam (1995), a film which was breakthrough for playback singer Sonu Nigam, English Babu Desi Mem (1996), Uff Yeh Mohabbat (1997) and Papa The Great (2000). The duo composed music for two of Sonu Nigam's successful music albums, Jaan (1999) and Yaad (2001). They went on to score music for Anubhav Sinha's box office success Tum Bin which included hit songs such as "Koi Fariyaad", "Chhoti Choti Raatein" and "Tumhare Siva". Some of their other successful ventures include Hum Tumhare Hain Sanam, Aapko Pehle Bhi Kahin Dekha Hai, Muskaan and Kuch Dil Ne Kaha. The duo have also been accused of plagiarism by Pakistani singer Faisal Latif.
 Passage 3:Moore met Kim Gordon in 1980 at the final gig of The Coachmen, the band he was in with J.D. King, Daniel Walworth (replaced by Dave Keay), and Bob Pullin. Moore, with Gordon, Anne Demarinis and Dave Keay formed a band, appearing under names like Male Bonding and Red Milk and the Arcadians, before settling on Moore's choice of Sonic Youth just before June 1981. The band played Noise Fest in June 1981 at New York's White Columns gallery, where Lee Ranaldo was playing as a member of Glenn Branca's electric guitar ensemble as well as in duo with David Linton as Avoidance Behavior. Moore invited Ranaldo, who he had known when The Coachmen shared a CBGB stage with Ranaldo's 1970s band The Flux, to join the band. The new threesome played three songs at the festival later in the week without a drummer. Each band member took turns playing the drums, until they met drummer Richard Edson. The band signed to Neutral Records, then to Homestead Records, and then to SST Records.

Example Output: 2

Example Input: Question: What year was Allmusic established? Passage 1:Jonathan Widran of AllMusic said "It's too early in her career to know whether this powerhouse singer/songwriter will ever reach the heights of Contemporary Christian Music's other Grant, but a bevy of top producers come on board this sparkling debut to launch Natalie Grant towards this goal. All of these studio wizards (Eric Foster White, Tommy Sims, and Michael Lloyd) are better-known for their secular pop music, and the variety of atmospheres they create poise Grant for crossover pop success. It also helps that the lyrics Grant sings are designed as inspirational, rather than preachy. Torchy tracks like 'I Am Not Alone' and rock-driven anthems like 'I Will Be' could definitely lead both teenagers looking for substance, and adult contemporary audiences, to a deeper examination of important spiritual issues. Grant's wide-ranging pipes (yes, think potential diva) would surely sound great without all the production energy, but nearly every up-tempo tune here is an irresistible mix of pop/rock and modern soul flavors. The title track is all thump and hook, and some of the vocal texturing will remind fans of Point of Grace. Another POG-like tune, 'Days Like These', is driven by jangly alternative pop guitars. A few tracks touch on simple exotica, most notably "Love Without Limits" with its swirling flamenco strings. Amidst the playful spirit is Grant's most heartfelt tune, a lush and teary, almost breathless tribute to her father, 'Always Be Your Baby' This tune alone indicates that we're dealing with a major new talent whose deeper life extends from the spiritual into the musical." Christianity Todays Russ Breimeier stated "In a relatively short time Natalie Grant has earned a reputation for three things rather unique to her five-year career. First, she's released every album on a different record label. Both Benson and Pamplin have since closed their doors—'the curse' will likely end with Curb, which is relatively secure under the wings of Warner Brothers' Christian Music Division. Second, the Seattle-born artist is well-known for her protestations about being labeled a 'pop diva'. There is typically a negative connotation to the 'd'-word that flies in the face of Natalie's humble servant attitude and her desire to focus her music on the goodness of God. Unfortunately for her, the diva label is an apt description of her musical styling, which leads into the third unique trait. Despite her diminutive size, Natalie has an impressively big voice with enough nuance to hold her own among any of the classic pop divas (Mariah Carey, Celine Dion, Whitney Houston, take your pick), earning her multiple Dove nominations for Female Vocalist of the Year. Undeterred by collapsing record labels and pop music stereotypes, Natalie admirably presses on with Deeper Life, her third effort, by stretching her own artistic skills. Her previous album, Stronger (released in 2001), featured her first attempts at songwriting by co-writing a handful of tracks. On Deeper Life, she co-writes nearly every song. Additionally, Natalie steps up as co-producer of this album, joining a slew of A-list pop producers and songwriters: Tommy Simms (CeCe Winans, Anointed), Eric Foster White (Jessica Simpson, Whitney Houston), Bryan Lenox (Michael W. Smith, Ronnie Freeman), Bernie Herms (Plus One), and Rob Graves (songwriter and guitarist on Joy Williams's By Surprise). The approach on this project was to create an album that relied less on programmed pop and more on live musicians, and the results are indeed stunning. I daresay this is Natalie's best-sounding album yet. But we must keep it in perspective. This is still R&B-flavored; adult contemporary pop a la Mariah Carey, Jaci Velasquez, Kelly Clarkson, Jessica Simpson, and many others. It is most certainly not (as suggested by the press bio) the classic rock sound of Sheryl Crow or the modern pop/rock of Avril Lavigne. Christian adult contemporary and inspirational pop speaks for itself—some find it meaningful and poignant, while others find it clichéd and boring. In that spirit, the songs of Deeper Life are best explored for what they are—you'll know by the titles, lyrics, and styles if this music matches or offends your tastes. Nevertheless, there's no getting around Natalie's vocal prowess or the superior production, which means you're bound to be impressed with Deeper Life if you enjoy first-rate pop." Heather Marsden of Cross Rhythms claimed "This is Natalie Grant's third album and is positive proof that her new home at Curb Records is working well for her. The album opens with the upbeat title track 'Deeper Life', a poppy feel good song that's easy to pick up and sing along. 'Days Like These' and 'I Will Be' are in a similar style without being repetitions of the first song. The songs 'That's When I Give Up (On Loving You)', 'Live for Today' and 'I Desire' have a more acoustic rock kind of sound—similar to that of Michelle Branch. The bonus track 'No Sign of It' has been featured in the new Gwyneth Paltrow film View from the Top. Deeper Life contains some of Grant's best work, it's a great record with a good message, sure to please her growing number of fans and draw in some new ones." JesusFreakHideout's Shaun Stevenson remarked "Things haven't always been easy for Natalie Grant. After changing record companies twice, Grant has finally found a home with Curb Records. And now, with the release of Deeper Life, Grant is sure headed in the right direction with a solid third album. Albums are always opening with something upbeat these days, and Deeper Life opens things off in the right direction. With plenty of signature Grant sounds, the song really reflects what this album is all about: seeking the deeper life in Jesus Christ. Natalie Grant sure has something going for her. With this newest album, containing some of her strongest work to date, she's really outdone herself. A solid record, a solid message, and a solid musical base, Deeper Life is sure to please fans of Grant's previous work, and it's also sure to bring in new listeners. Trouble has come to Natalie Grant in the past, but now, there's no sign of it, and her skies are definitely clear today."
 Passage 2:In 2000, they released the self-titled demo, Transistor Revolt. Tintari left the band in the fall of that year before the recording of their full-length album. He was later replaced by Brandon Barnes of "Pinhead Circus". The band then signed with independent record label Fat Wreck Chords in 2001. They then released their debut album The Unraveling and spent the rest of the year touring. In 2002, Mr. Precision left and was replaced by Todd Mohney. The band returned to the studio in December 2002 to work on their second full-length album, Revolutions per Minute in 2003 and toured for the 2003 Warped Tour, which gained the band some success. Rise Against then signed to Dreamworks Records in late 2003 to begin the recording of their third record, but Dreamworks was shortly absorbed by the Universal Music Group, and Rise Against found itself with Major label Geffen Records. Todd Mohney, the band's guitarist at the time, left and was replaced by Chris Chasse and began the recording of their new album Siren Song of the Counter Culture. Siren Song of the Counter Culture was released on August 10, 2004 peaking at number 136 on the Billboard 200 album charts, gaining the band major critical and commercial success with the singles "Give It All, "Swing Life Away", and "Life Less Frightening".
 Passage 3:On June 28, 2007, Fernández was taken 24th overall in the NBA draft by the Phoenix Suns, who subsequently traded his draft rights along with James Jones to the Portland Trail Blazers for cash. Rudy Fernández announced at a press conference on Friday, June 6, 2008, that he would leave DKV Joventut to join the Portland Trail Blazers for the 2008–09 NBA season, and he signed a contract with the Blazers on July 1. "They [Portland] have shown a lot of interest in getting me and have assured me that I will be an important part in the team", he said. Fernández joined the NBA team on September 22, 2008. He became the eighth Spaniard to play in the NBA. For the 2008–09 NBA season he joined several other fellow Spaniards in the league that included Pau and Marc Gasol, Jose Calderón, and Trail Blazers teammate Sergio Rodríguez. He entered the NBA following his participation with the Spain national team at the 2008 Olympic basketball tournament in Beijing, China.

Example Output: 1

Example Input: Question: What was Hereford United's record the year that O'Kelly replaced Jamie Pitman as manager? Passage 1:On 5 March 2012, O'Kelly was appointed manager of Hereford United, replacing Jamie Pitman, who stayed on at Edgar Street as a coach. He took charge with the club two places and two points above the League Two relegation zone, and signed a contract until the end of the 2011–12 season. On taking charge he said "It's my first job as manager but what better team to start with. We've got 12 games to show and prove to people just what we can do." He got his first point in charge at the club the following day, when his side squandered a two-goal lead to draw 2–2 with Macclesfield Town at Moss Rose. Four days later they beat Morecambe 1–0 at the Globe Arena, further boosting their chances of survival. He later signed full-back James Chambers and winger James Baxendale on loan from Doncaster Rovers. To avoid relegation on the last day of the campaign, the "Bulls" needed to beat Torquay United and hope Burton Albion could avoid defeat at home to Barnet. Chairman David Keyte said that he should have appointed O'Kelly earlier in the season. His team won a futile 3–2 victory, as a win for Barnet sent Hereford back down to the Conference. He was asked to remain in charge for the subsequent Conference campaign, but declined the offer.
 Passage 2:After leaving school Hubbick worked as a coal miner. In his free time he played football for Jarrow, Blyth Spartans and Spennymoor United before signing for professional club Burnley in 1935. Hubbick made his debut for Burnley on 19 October 1935 in a 1–0 win over Nottingham Forest and went on to make 32 appearances for the club that season. He scored his first goal for the club in a 2–2 draw with Manchester United on 10 April 1936. Hubbick kept his place in the side going into the 1936–37 season and missed only one match in the first five months of the campaign. He played his last Burnley match on 6 February 1937 in a 3–1 defeat to Southampton at Turf Moor. In February 1937, he left Burnley and joined Bolton Wanderers, moving up from the Second Division to the First Division.
 Passage 3:After starting his career in the youth set-up at Bradford City, Cleverley joined Manchester United at the age of 12. Between 2007 and 2009 he played for Manchester United's reserve team, and occasionally in first-team friendly matches. Cleverley was loaned to League One club Leicester City at the start of 2009, for whom he made his first Football League appearances, helping the team secure the League One title and promotion to the Championship. He spent the 2009–10 season on loan with Watford in the Championship, where he scored 11 goals in 33 league matches and was voted as their Player of the Season. On 31 August 2010, he joined Wigan Athletic on a season-long loan, where he scored four goals in 25 appearances and helped them to avoid relegation on the final day of the season. He returned to Manchester United for the start of the 2011–12 season and made his first competitive appearance in the FA Community Shield victory against Manchester City. He won the Premier League with Manchester United in 2013.

Example Output:
1