In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Q: Question: Which of the two locations that Joyce served at in 1941 has a higher population? Passage 1:Joyce was ordained priest on 31 October 1930 in the Cathedral of the Blessed Sacrament, Christchurch by his uncle James Byrne, the 1st Catholic Bishop of Toowoomba. He then spent three years in Auckland and was the chaplain at Sacred Heart College, then located in Ponsonby. Joyce returned to Christchurch in 1934 to be assistant priest at Addington and then at Riccarton. In 1937 he was loaned to the Diocese of Toowoomba where he assisted his uncle James Byrne until he died on 11 February 1938. In 1941 Joyce was appointed chaplain to the New Zealand Military Forces and served with New Zealand troops in Tonga and Fiji. In Fiji he was attached to the headquarters of the Fiji Infantry Brigade Group and was associated with many activities for the promotion of the welfare of the troops in his area. After his demobilisation in 1945, Joyce was posted to the reserve of officers with the rank of Major He was stationed at the Cathedral in Christchurch and engaged in rehabilitation work for returned soldiers. He represented Bishop Lyons for three years on the Labour Department immigration committee. At the same time he was involved with general Catholic activities being spiritual adviser to the Catholic Women's League and the Catholic Men's Luncheon Club. Joyce was very involved during the Ballantyne's fire tragedy of 1947 and represented Bishop Lyons at the mass funeral for the victims. Joyce became parish priest at Sockburn in 1947.
 Passage 2:From 1983 until Kunstler's death in 1995, Ron Kuby was his junior partner. The two took on controversial civil rights and criminal cases, including cases where they represented Sheikh Omar Abdel-Rahman, head of the Egyptian-based terrorist group Gama'a al-Islamiyah, responsible for the 1993 World Trade Center bombing; Colin Ferguson, the man responsible for the 1993 Long Island Rail Road shooting, who would later reject Kuby & Kunstler's legal counsel and choose to represent himself at trial; Qubilah Shabazz, the daughter of Malcolm X, accused of plotting to murder Louis Farrakhan of the Nation of Islam; Glenn Harris, a New York City public school teacher who absconded with a fifteen-year-old girl for two months; Nico Minardos, a flamboyant actor indicted by Rudy Giuliani for conspiracy to ship arms to Iran; Darrell Cabey, one of the persons shot by Bernard Goetz; and associates of the Gambino crime family.
 Passage 3:Misfit made her debut in K-Pop music industry as a lyricist at S.M. Entertainment after writing the lyrics for "Up & Down" and "Ready or Not", tracks from Shinee's second studio album Lucifer. The album was released on July 19, 2010. In 2011, she wrote the lyrics of f(x)'s single "Pinocchio (Danger)" along with fellow label-mate songwriter Kenzie. The single was released on April 20, 2011. Later that year, she continued working with the agency by writing the lyrics for Super Junior's "Walkin'", a track from their fifth studio album Mr. Simple. Her first work outside the company was writing the lyrics for "Someday", a single from U-Kiss's second album Neverland which was released on September 1, 2011.


A: 1
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Q: Question: What year was Allmusic established? Passage 1:Jonathan Widran of AllMusic said "It's too early in her career to know whether this powerhouse singer/songwriter will ever reach the heights of Contemporary Christian Music's other Grant, but a bevy of top producers come on board this sparkling debut to launch Natalie Grant towards this goal. All of these studio wizards (Eric Foster White, Tommy Sims, and Michael Lloyd) are better-known for their secular pop music, and the variety of atmospheres they create poise Grant for crossover pop success. It also helps that the lyrics Grant sings are designed as inspirational, rather than preachy. Torchy tracks like 'I Am Not Alone' and rock-driven anthems like 'I Will Be' could definitely lead both teenagers looking for substance, and adult contemporary audiences, to a deeper examination of important spiritual issues. Grant's wide-ranging pipes (yes, think potential diva) would surely sound great without all the production energy, but nearly every up-tempo tune here is an irresistible mix of pop/rock and modern soul flavors. The title track is all thump and hook, and some of the vocal texturing will remind fans of Point of Grace. Another POG-like tune, 'Days Like These', is driven by jangly alternative pop guitars. A few tracks touch on simple exotica, most notably "Love Without Limits" with its swirling flamenco strings. Amidst the playful spirit is Grant's most heartfelt tune, a lush and teary, almost breathless tribute to her father, 'Always Be Your Baby' This tune alone indicates that we're dealing with a major new talent whose deeper life extends from the spiritual into the musical." Christianity Todays Russ Breimeier stated "In a relatively short time Natalie Grant has earned a reputation for three things rather unique to her five-year career. First, she's released every album on a different record label. Both Benson and Pamplin have since closed their doors—'the curse' will likely end with Curb, which is relatively secure under the wings of Warner Brothers' Christian Music Division. Second, the Seattle-born artist is well-known for her protestations about being labeled a 'pop diva'. There is typically a negative connotation to the 'd'-word that flies in the face of Natalie's humble servant attitude and her desire to focus her music on the goodness of God. Unfortunately for her, the diva label is an apt description of her musical styling, which leads into the third unique trait. Despite her diminutive size, Natalie has an impressively big voice with enough nuance to hold her own among any of the classic pop divas (Mariah Carey, Celine Dion, Whitney Houston, take your pick), earning her multiple Dove nominations for Female Vocalist of the Year. Undeterred by collapsing record labels and pop music stereotypes, Natalie admirably presses on with Deeper Life, her third effort, by stretching her own artistic skills. Her previous album, Stronger (released in 2001), featured her first attempts at songwriting by co-writing a handful of tracks. On Deeper Life, she co-writes nearly every song. Additionally, Natalie steps up as co-producer of this album, joining a slew of A-list pop producers and songwriters: Tommy Simms (CeCe Winans, Anointed), Eric Foster White (Jessica Simpson, Whitney Houston), Bryan Lenox (Michael W. Smith, Ronnie Freeman), Bernie Herms (Plus One), and Rob Graves (songwriter and guitarist on Joy Williams's By Surprise). The approach on this project was to create an album that relied less on programmed pop and more on live musicians, and the results are indeed stunning. I daresay this is Natalie's best-sounding album yet. But we must keep it in perspective. This is still R&B-flavored; adult contemporary pop a la Mariah Carey, Jaci Velasquez, Kelly Clarkson, Jessica Simpson, and many others. It is most certainly not (as suggested by the press bio) the classic rock sound of Sheryl Crow or the modern pop/rock of Avril Lavigne. Christian adult contemporary and inspirational pop speaks for itself—some find it meaningful and poignant, while others find it clichéd and boring. In that spirit, the songs of Deeper Life are best explored for what they are—you'll know by the titles, lyrics, and styles if this music matches or offends your tastes. Nevertheless, there's no getting around Natalie's vocal prowess or the superior production, which means you're bound to be impressed with Deeper Life if you enjoy first-rate pop." Heather Marsden of Cross Rhythms claimed "This is Natalie Grant's third album and is positive proof that her new home at Curb Records is working well for her. The album opens with the upbeat title track 'Deeper Life', a poppy feel good song that's easy to pick up and sing along. 'Days Like These' and 'I Will Be' are in a similar style without being repetitions of the first song. The songs 'That's When I Give Up (On Loving You)', 'Live for Today' and 'I Desire' have a more acoustic rock kind of sound—similar to that of Michelle Branch. The bonus track 'No Sign of It' has been featured in the new Gwyneth Paltrow film View from the Top. Deeper Life contains some of Grant's best work, it's a great record with a good message, sure to please her growing number of fans and draw in some new ones." JesusFreakHideout's Shaun Stevenson remarked "Things haven't always been easy for Natalie Grant. After changing record companies twice, Grant has finally found a home with Curb Records. And now, with the release of Deeper Life, Grant is sure headed in the right direction with a solid third album. Albums are always opening with something upbeat these days, and Deeper Life opens things off in the right direction. With plenty of signature Grant sounds, the song really reflects what this album is all about: seeking the deeper life in Jesus Christ. Natalie Grant sure has something going for her. With this newest album, containing some of her strongest work to date, she's really outdone herself. A solid record, a solid message, and a solid musical base, Deeper Life is sure to please fans of Grant's previous work, and it's also sure to bring in new listeners. Trouble has come to Natalie Grant in the past, but now, there's no sign of it, and her skies are definitely clear today."
 Passage 2:In 2000, they released the self-titled demo, Transistor Revolt. Tintari left the band in the fall of that year before the recording of their full-length album. He was later replaced by Brandon Barnes of "Pinhead Circus". The band then signed with independent record label Fat Wreck Chords in 2001. They then released their debut album The Unraveling and spent the rest of the year touring. In 2002, Mr. Precision left and was replaced by Todd Mohney. The band returned to the studio in December 2002 to work on their second full-length album, Revolutions per Minute in 2003 and toured for the 2003 Warped Tour, which gained the band some success. Rise Against then signed to Dreamworks Records in late 2003 to begin the recording of their third record, but Dreamworks was shortly absorbed by the Universal Music Group, and Rise Against found itself with Major label Geffen Records. Todd Mohney, the band's guitarist at the time, left and was replaced by Chris Chasse and began the recording of their new album Siren Song of the Counter Culture. Siren Song of the Counter Culture was released on August 10, 2004 peaking at number 136 on the Billboard 200 album charts, gaining the band major critical and commercial success with the singles "Give It All, "Swing Life Away", and "Life Less Frightening".
 Passage 3:On June 28, 2007, Fernández was taken 24th overall in the NBA draft by the Phoenix Suns, who subsequently traded his draft rights along with James Jones to the Portland Trail Blazers for cash. Rudy Fernández announced at a press conference on Friday, June 6, 2008, that he would leave DKV Joventut to join the Portland Trail Blazers for the 2008–09 NBA season, and he signed a contract with the Blazers on July 1. "They [Portland] have shown a lot of interest in getting me and have assured me that I will be an important part in the team", he said. Fernández joined the NBA team on September 22, 2008. He became the eighth Spaniard to play in the NBA. For the 2008–09 NBA season he joined several other fellow Spaniards in the league that included Pau and Marc Gasol, Jose Calderón, and Trail Blazers teammate Sergio Rodríguez. He entered the NBA following his participation with the Spain national team at the 2008 Olympic basketball tournament in Beijing, China.


A: 1
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Q: Question: When was the publication that ranked The Joshua Tree 62 on their 125 most influential albums list started? Passage 1:The Joshua Tree has been acclaimed by writers and music critics as one of the greatest albums of all time; according to Acclaimed Music, it is the 40th-highest-ranked record on critics' lists. In 1997, The Guardian collated worldwide data from a range of renowned critics, artists, and radio DJs, who placed the record at number 57 on the list of the "100 Best Albums Ever". It was ranked 25th in Colin Larkin's 2000 book All Time Top 1000 Albums. In 2006, Time named it as one of the magazine's 100 best albums, while Hot Press ranked it 11th on a similar list. Q named it the best record of the 1980s, while Entertainment Weekly included the album on its list of the 100 best records released between 1983 and 2008. In 2010, the album appeared at number 62 on Spins list of the 125 most influential albums in the 25 years since the magazine launched. The publication said, "The band's fifth album spit out hits like crazy, and they were unusually searching hits, each with a pointed political edge." Rolling Stone magazine ranked the album at number 27 on their 2012 list of "The 500 Greatest Albums of All Time", calling it "an album that turns spiritual quests and political struggles into uplifting stadium singalongs". It was U2's best position on the list. That year, in Slant Magazine's list of the "Best Albums of the 1980s", the publication said that The Joshua Trees opening trio of songs helped "the band became lords and emperors of anthemic '80s rock" and that "U2 no longer belonged to Dublin, but the world." In 2018, Pitchfork ranked the record 47th on its list of "The 200 Best Albums of the 1980s", writing that the album's "brilliant tension" and continued resonance was the result of Eno and Lanois "steer[ing] U2 toward a moody impressionism where slide guitars and three chord progressions sound cavernous, even ominous". The Buffalo News said the record "made [U2] the first mainstream band since the Beatles to capture the spirit of the age in a manner that was both populist and artistically, politically and socially incisive". In 2014, The Joshua Tree was inducted into the Grammy Hall of Fame for becoming "part of our musical, social, and cultural history". That same year, the album was selected for preservation in the National Recording Registry by the US Library of Congress for being deemed "culturally, historically, or aesthetically significant". It is the only Irish work to be so honoured.
 Passage 2:In the early 1980s, Spielberg began to develop a film with Walt Disney Pictures that would have closely followed the storyline of the 1924 silent film and 1953 animated film. He also considered directing it as a musical with Michael Jackson in the lead. Jackson expressed interest in the part, but was not interested in Spielberg's vision of an adult Peter Pan who had forgotten about his past. The project was taken to Paramount Pictures, where James V. Hart wrote the first script with Dustin Hoffman already cast as Captain Hook. It entered pre-production in 1985 for filming to begin at sound stages in England. Elliot Scott had been hired as production designer. With the birth of his first son, Max, in 1985, Spielberg decided to drop out. "I decided not to make Peter Pan when I had my first child," Spielberg commented. "I didn't want to go to London and have seven kids on wires in front of blue screens. I wanted to be home as a dad." Around this time, he considered directing Big, which carried similar motifs and themes with it. In 1987, he "permanently abandoned" it, feeling he expressed his childhood and adult themes in Empire of the Sun.
 Passage 3:On June 19, a tropical disturbance was detected between Swan Island and the Honduran coast. However, surface data in the vicinity did not indicate a closed circulation until 12 UTC on June 20. At 14 UTC that day, an Air Force reconnaissance plane located near 24°N 84°W reported gale-force winds of (). At the time, this was taken to indicate that a tropical storm had formed about northwest of Swan Island. Reanalysis by the Hurricane Research Division in 2013, however, determined that a tropical storm formed farther northwest, near 19°N 86°W. Squally weather, and winds of moderate tropical storm force, was reported in connection with the tropical storm as it moved generally northward, toward the Yucatán Channel. Little strengthening occurred over the next two days, until after 12 UTC on June 22. At that time, a period of rapid deepening commenced: within 24 hours, the cyclone increased its winds from to . At the same time, its track made a sharp bend toward the northeast, threatening the Florida peninsula. While no central pressure was recorded, Hurricane Hunter aircraft flew into the storm on June 23 and reported winds of at 2015 UTC. As with most early reconnaissance data, such readings are suspect; however, based upon the reconnaissance measurement, the storm was originally listed in the Atlantic hurricane database as a Category 3 hurricane. Later, reanalysis lowered this estimate to , equal to Category 2 on the modern Saffir-Simpson Hurricane Scale, due primarily to the absence of corroboration. After peaking late on June 23, the storm quickly lost intensity.


A:
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