In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: What other dongs had won the Ivor Novello Award before the Beatles "Something" won it? Passage 1:From the mid-1970s, DJs in early discothèques were performing similar tricks with disco songs (using loops and tape edits) to get dancers on the floor and keep them there. One noteworthy figure was Tom Moulton who invented the dance remix as we now know it. Though not a DJ (a popular misconception), Moulton had begun his career by making a homemade mix tape for a Fire Island dance club in the late 1960s. His tapes eventually became popular and he came to the attention of the music industry in New York City. At first Moulton was simply called upon to improve the aesthetics of dance-oriented recordings before release ("I didn't do the remix, I did the mix"—Tom Moulton). Eventually, he moved from being a "fix it" man on pop records to specializing in remixes for the dance floor. Along the way, he invented the breakdown section and the 12-inch single vinyl format. Walter Gibbons provided the dance version of the first commercial 12-inch single ("Ten Percent", by Double Exposure). Contrary to popular belief, Gibbons did not mix the record. In fact his version was a re-edit of the original mix. Moulton, Gibbons and their contemporaries (Jim Burgess, Tee Scott, and later Larry Levan and Shep Pettibone) at Salsoul Records proved to be the most influential group of remixers for the disco era. The Salsoul catalog is seen (especially in the UK and Europe) as being the "canon" for the disco mixer's art form. Pettibone is among a very small number of remixers whose work successfully transitioned from the disco to the House era. (He is certainly the most high-profile remixer to do so.) His contemporaries included Arthur Baker and François Kevorkian.
 Passage 2:"Something" received the Ivor Novello Award for the "Best Song Musically and Lyrically" of 1969. Harrison subsequently performed the song at his Concert for Bangladesh shows in 1971 and throughout the two tours he made as a solo artist. Up to the late 1970s, it had been covered by over 150 artists, making it the second-most covered Beatles composition after "Yesterday". Shirley Bassey had a top-five UK hit with her 1970 recording, while Frank Sinatra regularly performed the song. Other artists who have covered "Something" include Elvis Presley, Ray Charles, Peggy Lee, James Brown, Tony Bennett, Andy Williams, Smokey Robinson and Ike & Tina Turner. In 1999, Broadcast Music Incorporated named "Something" as the 17th-most performed song of the twentieth century, with 5 million performances. In 2004, it was ranked at number 278 on Rolling Stones list of "The 500 Greatest Songs of All Time", while two years later, Mojo placed it at number 7 in the magazine's list of the Beatles' best songs. A year after Harrison's death in November 2001, McCartney and Eric Clapton performed it at the Concert for George tribute at London's Royal Albert Hall.
 Passage 3:The USS Essex had been constructed in 1856. She was a 1000-ton river gunboat, converted from her original role as a timberclad ferry named New Era. She was armed with one 32-pounder cannon, three Dahlgren smooth bores, one Dahlgren smoothbore and a 12-pounder howitzer. The USS St Louis was a City class ironclad built in 1861 at Carondelet, Missouri. She was armed with three 8-inch smoothbores, four 42-pounder rifles, six 32-pounder rifles and one 12-pounder rifle at the time of her service at Lucas Bend. Both ships were sent to Cairo, Illinois, early in the Civil War as part of troop transports moving the army into Tennessee. Illinois, a Union state which contributed 250,000 men to the Union Army, a figure surpassed by only New York, Pennsylvania, and Ohio, was a key theater. Cairo, at the confluence between the Mississippi and Ohio rivers, was a key supply point and headquarters for Flag Officer Andrew Hull Foote and General Ulysses S. Grant. It was defended by Fort Defiance. The complex river network provided routes for the Union gunboats into the heart of the Confederate forces; however the water levels – particularly in the Tennessee River – were often not sufficient for gunboats to pass.

2

Question: How many championships have been won by the team Žigić turned professional with in 2003? Passage 1:Beginning in 1986, Warner Bros. moved into regular television animation production. Warners' television division was established by WB Animation President Jean MacCurdy, who brought in producer Tom Ruegger and much of his staff from Hanna-Barbera Productions' A Pup Named Scooby-Doo series (1988–1991). A studio for the television unit was set up in the office tower of the Imperial Bank Building adjacent to the Sherman Oaks Galleria northwest of Los Angeles. Darrell Van Citters, who used to work at Disney, would work on the newer Bugs Bunny shorts, before leaving to form Renegade Animation in 1992. The first Warner Bros. original animated TV series Tiny Toon Adventures (1990–1995) was produced in conjunction with Amblin Entertainment, and featured young cartoon characters based upon specific Looney Tunes stars, and was a success. Later Amblin/Warner Bros. television shows, including Animaniacs (1993–1998), its spin-off Pinky and the Brain (1995–1998), and Freakazoid! (1995–1997) followed in continuing the Looney Tunes tradition of cartoon humor.
 Passage 2:Ohloblyn traced his ancestry to the Novgorod-Siversky region of Left-bank Ukraine, which had formed an important part of the autonomous Ukrainian "Hetmanate" in the seventeenth and eighteenth centuries, and throughout his professional career as a historian retained a lively interest in this area and wrote frequently about it. Educated at the universities in Kiev, Odessa, and Moscow, from 1921 to 1933 he taught history at the Kiev Institute of People's Education (as Kiev University was known after the revolution), but during Joseph Stalin's purges, was dismissed from his posts, forced to recant his allegedly "bourgeois nationalist" views, and suffered repression including several months of imprisonment. In the late 1930s he returned to teaching at Kiev and Odessa universities. When the Germans occupied Kiev in the fall of 1941, Ohloblyn was appointed head of the Kiev Municipal Council, a post which he held from September 21 to October 25, and was a member of the Ukrainian National Council which tried to organize Ukrainian life under the difficult conditions of the occupation. He desperately tried to save from execution some of Jews he knew but the German commandant of Kiev informed him that "the Jewish issue belongs to exclusive jurisdiction of Germans and they will solve it at their own discretion" (, in Russian). Politics under the Nazis was not to his taste and he quickly retired from his public positions and returned to his scholarly work. In 1942 he worked as a director of Kiev Museum-Archive of Transitional Period, whose exhibition compared life under Bolsheviks and under Germans. In 1943 he moved to Lviv in western Ukraine and in 1944 to Prague. Upon the approach of the Red Army, he fled west to Bavaria. From 1946 to 1951, he taught at the Ukrainian Free University in Munich. In 1951, he moved to the United States where he was active in various Ukrainian emigre scholarly institutions such as the Ukrainian Academy of Arts and Sciences in the US and the Ukrainian Historical Association. From 1968 to 1970, he was a Visiting Professor of History at Harvard University.
 Passage 3:Žigić was born in Bačka Topola, in what was then SFR Yugoslavia. He began playing football as a youngster with AIK Bačka Topola, and scored 68 goals from 76 first-team matches over a three-year period in the third tier of Yugoslav football. Military service took him to Bar in 2001, where he was able to continue his goalscoring career with the local second-level club Mornar. A brief spell back in the third tier with Kolubara preceded his turning professional with First League side Red Star Belgrade in January 2003. He spent time on loan at third-tier Spartak Subotica before making his Red Star debut later that year. Despite suggestions that his height, of , made him better suited to sports other than football, Žigić ended the season as First League top scorer, domestic player of the year, league champion and scorer of the winning goal in the cup final. He won a second league–cup double in 2005–06, a second player of the year award, and finished his three-year Red Star career with 70 goals from 109 appearances in all competitions.

3

Question: How long had the umpire supervisor been in his position when Game 2 of the 2005 ALCS took place? Passage 1:On December 12, 2008, the Capitals were preparing to host the Ottawa Senators. During the morning skate, José Théodore suffered a hip flexor injury, forcing the Capitals to recall Semyon Varlamov from their American Hockey League (AHL) affiliate, the Hershey Bears. However, Varlamov was with the Bears in San Antonio, Texas and was unable to make it to Washington in time to start the game as the backup goaltender. As a result, the Capitals were forced to dress three goaltenders, signing Leonhardt, the team's website producer, to an amateur tryout contract before the game to back up Brent Johnson until the arrival of Varlamov. Because of his experience in NCAA Division III ice hockey with the State University of New York at Oswego and Neumann College, as well as the Kitchener Dutchmen of the GOJHL, Leonhardt had previously participated in on-ice practice sessions with the Capitals, filling in when an additional goaltender was needed. Varlamov arrived 9:03 into the first period and replaced Leonhardt as Johnson's backup for the remainder of the game. Had Leonhardt played in the game, he would have tied Ben Bishop as the tallest goalie in NHL history. He did not receive any pay for his contract. These bizarre circumstances were remarkably similar to those the Vancouver Canucks faced on December 9, 2003, when starting goaltender Dan Cloutier suffered a groin injury during the morning skate, forcing the Canucks to sign University of British Columbia goaltender Chris Levesque to an amateur tryout contract.
 Passage 2:UK disc jockeys Trevor Fung, Paul Oakenfold, and Danny Rampling are commonly credited with having "popularized" Balearic beat, specially in the UK. In 1987, after a holiday in Ibiza, Oakenfold and his friends Trevor Fung and Ian St. Paul returned to London, where they unsuccessfully tried to establish a nightclub called the Funhouse in the Balearic style. Returning to Ibiza during the summer of 1987, Oakenfold rented a villa where he hosted a number of his DJ friends, including Danny Rampling, Johnny Walker, and Nicky Holloway. Returning to London after the summer, Oakenfold reintroduced the Balearic style at a South London nightclub called the Project Club. The club initially attracted those who had visited Ibiza and who were familiar with the Balearic concept. Fueled by their use of Ecstasy and an emerging fashion style based on baggy clothes and bright colors, these Ibiza veterans were responsible for propagating the Balearic subculture within the evolving UK rave scene. In 1988, Oakenfold established a second outlet for Balearic beat, a Monday night event called Spectrum, which is credited with exposing the Balearic concept to a wider audience. It was 1988 when Balearic beat was first noticed in the U.S., according to Dance Music Report magazine. Jose Padilla, is an Ibizan DJ best known for his residency at Café del Mar. Also Jon Sa Trinxa, a british DJ and Producer best known for the longest residency on Salinas Beach at Sa Trinxa defines his style as being Balearic Music.
 Passage 3:Eddings was the home plate umpire for Game 2 of the 2005 ALCS between the White Sox and the Angels. White Sox batter A. J. Pierzynski quickly got two strikes and then swung at the third pitch, a splitter which came in very low. Angels catcher Josh Paul caught the ball so "thought the inning was over." Not hearing himself called out, Pierzynski took a couple of steps toward the dugout, then turned and ran to first base while most of the Angels were walking off the field. Eddings ruled that the ball had not been legally caught (an uncaught third strike), but made no audible call that the ball hit the ground. Joe Buck and Tim McCarver, announcing the game on Fox and reviewing replays of the pitch, felt the ball had clearly been caught; note that MLB did not adopt review via instant replay until the season. A pinch runner for Pierzynski subsequently scored the winning run of the game for the White Sox. According to umpire supervisor Rich Rieker, the replays showed "there was definitely a change in direction there" indicating the ball touched the ground and felt, at best, the replay was inconclusive. After the game, Eddings said he would adjust his umpiring style to clarify a third strike call from calling the batter out.
3