In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Input: Consider Input: Question: In what year did Hellhammer become Celtic Frost? Passage 1:Welcome to Hell influenced several later bands. Venom's music helped shape the development of many thrash metal bands, specifically the "Big Four of Thrash" (who in turn were highly influential): Metallica, Slayer, Anthrax, and Megadeth (Metallica opened for Venom on an early 1980s tour, and Venom opened for Metallica and Slayer on the Ride the Lightning tour, and Slayer played with them and Exodus on the Combat Tour in 1985). Venom would also be of extreme importance to the black metal scene and even the early death metal scene, with numerous bands copying styles, themes, and imagery from the band, such as the Swiss band Hellhammer (later to become Celtic Frost), whom also helped pioneer the genres. Music critic Bradley Torreano wrote that Venom "caught the attention of both metalheads and punks, the band was emulated by the former and turned into camp icons by the latter." Henry Rollins once compared the band to Spinal Tap.
 Passage 2:Duncan was born in Lebanon, Tennessee. His "paternal grandparents were small-areage farmers in Scott County, which in 1861 left Tennessee, refusing to follow the Volunteer State into the Confederacy, and declared itself 'the Free and Independent state of Scott.'" Duncan's parents were Lois (Swisher) and John Duncan Sr., who "hitchhiked into Knoxville with five dollars in his pocket,' and after an education at the University of Tennessee was elected mayor of Knoxville and then congressman." The elder Duncan was also a co-owner of the Knoxville Smokies of the "Sally League," for which his son "was a batboy, a ball shagger, scoreboard operator, and, as a freshman at the University of Tennessee, the Smokies' public-address announcer." Duncan also worked as a grocery bagger and salesman at Sears while working his way through school. Duncan supported Barry Goldwater's 1964 presidential campaign, and sent the first paycheck he earned as a bagboy at the local A&P to the Goldwater campaign.
 Passage 3:Lynch first came to prominence on the inter-county scene as a member of the Cork senior football team in the late 1990s. He made his debut in the 1998–99 National Football League, a season which saw Cork reach the final of the competition. Dublin provided the opposition at Cork's home venue, Páirc Uí Chaoimh. A close game developed, however, Cork were never really troubled. A 0–12 to 1–7 score line resulted in victory for 'the Rebels', and gave Lynch a National League winners' medal in his debut season. Later that year he made his championship debut in the provincial series as Cork cruised to a Munster final showdown with arch-rivals Kerry. The men from 'the Kingdom' were on the hunt for a fourth successive provincial title, while Cork were out for success for the first time since 1995. Cork's victory on a score line of 2–10 to 2–4 was unexpected as Lynch claimed his very first Munster winners' medal. A subsequent defeat of Mayo saw Cork book their place in the All-Ireland final against Meath. The pressure was on the Cork footballers to secure a rare double, particularly since their hurling counterparts had won the All-Ireland title a fortnight previously. Ollie Murphy's first-half goal gave 'the Royals' a huge boost at half-time. Immediately after the interval Trevor Giles missed a penalty while Joe Kavanagh responded with a goal which gave Cork a brief lead. It was not enough as Lynch's side eventually lost the game by 1–11 to 1–8. In spite of this defeat Lynch was later rewarded with an All-Star award.


Output: 1


Input: Consider Input: Question: When was the critic who coined the term "rockumentaries" born? Passage 1:Payton's big break came when she was cast as Harriet Winslow, the elevator operator on the ABC sitcom 'Perfect Strangers in 1987. Her performance was so well received by audiences that she was given her own sitcom, Family Matters, in 1989. Continuing her character Harriette Winslow from Perfect Strangers, she played a mother in an African-American middle-class family living in Chicago, Illinois. Payton left Family Matters partway through its final season, appearing for the last time on December 19, 1997. Payton's character was played by Judyann Elder in the show's remaining eight episodes. In 2002, Payton appeared on the "TV Moms" episode of the Anne Robinson version of The Weakest Link, and was the third one voted off. In 2003, Payton and her daughter appeared on a Mother's Day episode of Lingo, playing against fellow TV mom Meredith Baxter and her daughter. Baxter and her daughter won. In 2005, Jo Marie Payton provided the voice of Suga Mama in The Proud Family Movie. Her other television credits include Desperate Housewives, Reba, Girlfriends, Wanda at Large, Judging Amy, The Parkers, Will & Grace, The Hughleys, 7th Heaven, Moesha, The Jamie Foxx Show, 227, Silver Spoons, Small Wonder and The New Odd Couple. She also appeared in the Canadian TV mini series The Rev as Mama. In 2005, Payton co-hosted the 15th Annual NAACP Theatre Awards with Glynn Turman. In August 2009, Payton appeared on Meet the Browns as Shirley Van Owen. Payton recently hosted her own show on the Hometeam Network, Second Chance with Jomarie Payton. In 2012, Payton was in the GMC TV movie special From This Day Forward.
 Passage 2:In 1543, Europeans reached Japan for the first time when a junk belonging to the Chinese wokou pirate lord Wang Zhi carrying Portuguese traders shipwrecked on Tanegashima. The Portuguese introduced the arquebus to the Japanese during this chance encounter, which gave the Japanese, undergoing the bloody Sengoku period at the time, a powerful weapon with which they conducted their internecine wars. The discovery of Japan was attractive to Portuguese merchants and missionaries alike, for it gave the merchants a new market to trade their goods, and the Jesuit missionaries eyed Japan for new converts into Christianity. The warlords of Kyushu vied to get the Portuguese carrack (called the black ship by the Japanese) into their harbours, since the ship also brought considerable wealth to their fiefdoms in addition to the guns.
 Passage 3:Roger Ebert of the Chicago Sun-Times gave the film three stars out of four and wrote that "the musical scenes are the best rock coverage since 'Woodstock.' The sound is first rate, for one thing, and director Pierre Adidge has some idea of why Cocker electrifies a crowd." Vincent Canby of The New York Times called the film a "most satisfying, record-album of a movie" which "patronizes neither its audience nor its stars ... It is uncluttered, one of the best concert films so far." A review in Variety said, "Considerable technical expertise has gone into this production, and though the objective may be clear, it just hasn't turned out to be another 'Woodstock,' possibly because Joe Cocker's personality isn't all that endearing." Gene Siskel of the Chicago Tribune rated the film three stars out of four and wrote, "'Mad Dogs' is distinguishable from other 'rockumentaries' because it deals almost exclusively with the musician and his music. There are few side trips to cultural comments." Robert Hilburn of the Los Angeles Times stated, "As a film, 'Mad Dogs and Englishmen' is a good concert. For much of the picture's 114 minutes, the camera is on Joe Cocker, by most standards the best and most exciting singer in rock music ... But 'Mad Dogs and Englishmen,' unfortunately, fails in the end to rise above this interesting, but clearly limited historical summary of the Cocker tour. As a film, it doesn't establish its own importance." A negative review by Tom Zito of The Washington Post advised readers to "Forget the film and try the record," explaining, "What emerges from all this is roughly two hours of footage that looks terrible on the screen and sounds almost as bad. The film is projected in an annoying square format, except for the moments when the screen area is broken up into some poorly coordinated split-screen effects. The camerawork is often sloppy ... the whole thing winds up looking and sounding like a cheap, imitation (indoor) 'Woodstock.'" James D. White of The Monthly Film Bulletin declared that "The music itself is excellent," but "The film's information content is minimal; and one's heart sinks as the screen is split into a double image for the first number and as the mandatory shots—of excited fans, of joint-rolling in a hotel bedroom, of an interview with a vacuous groupie—are inevitably wheeled out."


Output: 3


Input: Consider Input: Question: Was the replacement bassist who worked on Talaash born before his predecessor?  Passage 1:Pioneers of Sufi rock with an original sound, they achieved success during the early 1990s. Its members were signed to major record label EMI Records and afterwards released their self-titled debut album Junoon in 1991. After two years, the band recorded their second album Talaash (1993) with their new bassist Brian O'Connell after Nusrat Hussain left the band. The release of their second album began to create a cult following for the band. In 1996, Junoon released their third album Inquilaab, and it was only then that Junoon developed a nationwide fan following, with blending rock guitars and bluesy vocals with Eastern elements like the use of tablas, raga-inspired melodies, traditional Pakistani folk music, and Eastern-inspired poetry. The following year, the band recorded the critically acclaimed Azadi (1997), being the band's first international record deal, and making it Junoon's debut album in neighbouring India. The band went on to record and release Parvaaz in 1999. The band found renewed success and popularity starting with 2001's Andaz and through 2003's Dewaar and their supporting tours. Junoon celebrated their 25th anniversary by releasing their eighth studio album titled Door in 2016.
 Passage 2:Also in 1764, while Uthman was leading the annual Hajj pilgrimage, he had a violent confrontation with Ali Bey al-Kabir, an influential mamluk from Egypt. When Ali Bey was exiled by the governor of Egypt to Gaza (part of Damascus Eyalet) in 1766, Uthman attempted to drive him out. Uthman managed to have his son, Darwish Pasha, appointed as the governor of Sidon in November 1770 and sometime prior to that, had his other son, Muhammad Pasha, appointed as governor of Tripoli. In 1771, Ali Bey, by now the rebellious governor of Egypt, had dispatched an army under commanders Abu al-Dahab and Ismail Bey to subdue Damascus. Together with Zahir, the combined armies of Egypt and Palestine defeated Uthman's army outside of Damascus and Uthman fled north to the city of Homs. The city fell shortly thereafter, although they did not capture the Citadel of Damascus, which was subsequently besieged. However, Abu al-Dahab suddenly withdrew from the area, citing his fears of violating Islamic principles since seizing an Ottoman province was in effect a direct challenge to the authority of the Ottoman sultan, who held the highest religious honor as the caliph of Islam.
 Passage 3:John Michael Drew (17 October 1865 – 17 July 1947) was an Australian politician who served as a member of the Western Australian Legislative Council for 41 years in two separate terms between 1900 and his death in 1947. Born at Wanerenooka, Northampton, Western Australia, Drew established and edited several newspapers circulating in the Geraldton region before entering politics. A strong opponent of federation, he was elected to the Legislative Council in 1900. Nominally independent, Drew aligned himself with the Labor Party, and served in several Labor ministries during the early 1900s, in positions such as Minister for Agriculture, Minister for Lands, and Colonial Secretary. He officially joined the party in 1911, having been admitted to caucus sittings the previous year. During World War I, Drew supported conscription, but this issue, coupled with the ineffectual Scaddan Ministry, led to him losing his seat at the 1918 election. He regained his seat at the 1924 election, and subsequently served as chief secretary of the party, as well as Minister for Education, Health, and the North-West. Drew died of cancer in 1947, and was buried at Karrakatta Cemetery.
Output: 1