In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: What age was the cartoonist and painter that White met in 2002? Passage 1:The Mets went on to sweep the Atlanta Braves in the 1969 National League Championship Series, but were heavy underdogs heading into the 1969 World Series against the Baltimore Orioles. Following a 4-1 loss in the series opener with Cy Young award winner Seaver on the mound, it seemed as if the Mets had little chance against the Orioles. However, the Mets bounced back, winning the next four games to capture their first world championship. Besides catching every inning in the post-season, Grote contributed offensively with a single in Game Two to keep a ninth inning rally alive and Al Weis followed with the game-winning hit. With Game Four tied, Grote doubled to start the tenth inning, then pinch runner Rod Gaspar scored the winning run when an errant throw hit J.C. Martin on the wrist. With Grote calling the pitches, the Mets pitching staff held the Orioles hitters to a .146 batting average during the series.
 Passage 2:In 2002, White met the cartoonist and painter Gary Panter, better known as the designer of The Pee-wee Herman Show. They began collaborating on light shows, beginning the third incarnation of the Joshua Light Show, which continues to perform. Beginning with a series of performances at the Anthology Film Archives in 2004, the Joshua Light Show performs at festivals, museums and venues such as the Skirball Center, Abrons Art Center, the Museum of Contemporary Art Detroit, the Hayden Planetarium, the Barbican Centre, UC Davis, and the San Francisco Exploratorium. In 2007, the light show formed a relationship with composer and curator Nick Hallett. The Joshua Light Show has also been featured in museum exhibitions such as "Visual Music" at the Hirshhorn Museum in Washington DC and "The Summer of Love", originating at the Tate Liverpool, then travelling to Frankfurt, Vienna and the Whitney Museum in 2008. The Joshua Light Show's "Liquid Loops" was recently included in the exhibition "60-'69” at the Museum of Modern Art and was acquired by the museum for their permanent collection. In 2014 White collaborated with the artist Guy Richards Smit to create the video/installation/performance project "The Grossmalerman Show."
 Passage 3:Born in Brescia, Italy, he began music lessons at the age of three, initially with the violin, but quickly switched to the piano. At eleven he entered the Milan Conservatory, graduating three years later at fourteen. In 1938, at the age of eighteen, he began his international career by entering the Ysaÿe International Festival in Brussels, Belgium, where he was placed seventh. A brief account of this competition, at which Emil Gilels took first prize and Moura Lympany second, is given by Arthur Rubinstein, who was one of the judges. According to Rubinstein, Benedetti Michelangeli gave "an unsatisfactory performance, but already showed his impeccable technique." A year later he earned first prize in the Geneva International Competition, where he was acclaimed as "a new Liszt" by pianist Alfred Cortot, a member of the judging panel, which was presided over by Ignacy Jan Paderewski.

2

Question: How old was the person who owned Wigginton just before the Corbets at the time of his death? Passage 1:Educated at Wellington College and later attending Trinity Hall, Cambridge, Willock made a single first-class appearance for Cambridge University against the Marylebone Cricket Club at Fenner's in 1883. He was dismissed in Cambridge University's first-innings of 100 for a duck by Wilfred Flowers, while in the Marylebone Cricket Club's first-innings of 159 he took the wickets of Billy Gunn and Percy de Paravicini to finish with figures of 2/18 from 28 overs. In the University's second-innings of 65, he was once again dismissed for a duck by Flowers, while in the Marylebone Cricket Club's successful chase, he dismissed Gunn for a second time. Later that season he made a single first-class appearance for Sussex against Hamshire at Day's Antelope Ground. In Hampshire's first-innings of 110, he bowled ten wicketless overs which conceded 5 runs, while he ended Sussex's first-innings of 94 unbeaten on 8. In Hampshire's second-innings of 180, he bowled five wicketless overs which conceded 9 runs. In Sussex's second-innings of 165, he was dismissed for 6 runs by William Dible, with Hampshire winning the match by 31 runs.
 Passage 2:Walter "Wiley" Jones was born in Madison County in northeastern Georgia, on July 14, 1848. His parents were George Jones, a white planter, and Jones' slave, Anne, who had six children by George Jones: Matthew (who superintended the construction of the Wiley Jones Street Car Line), Thomas, Julia (wife of Ben Reed), Wiley, Taylor, and James (who managed many of Wiley's businesses). Wiley received his nickname because of his mischievous nature. At the age of five, he moved to Arkansas with his master and more than forty fellow slaves. They settled on the Governor Byrd plantation. George Jones died in 1858. Anne was called his wife in an 1889 biography of Jones, and she believed that George had promised to free herself and her children upon his death, but no manumission papers were found, and the family was kept as slaves and sold by the estate administer, Peter Finerty, to James Yell, a lawyer and planter in Pine Bluff. Jones worked as a houseboy and carriage driver for his new master. When Jones was ten, he was given to Yell's only son, Fountain Pitts Yell, on the occasion of Pitts Yell's marriage. Pitts was a state representative from 1860 to 1861. During the American Civil War, James Yell became a Major General of the Arkansas State Militia, and Pitts became a colonel in Company S of the 26th Arkansas Infantry Regiment in the Confederate Army. James Yell's was transferred to the Confederate States Army in the summer of 1861, and James left the service and moved to Texas. Jones served for Pitts during the war until Pitts' death in 1864 at the Battle of Pleasant Hill in Louisiana. Jones then joined James Yell and his family in Waco, Texas. There, he served as a porter in a mercantile house for one year. He was then hired to drive a wagon carrying cotton on a route along the Brazos River to San Antonio.
 Passage 3:In the 11th century, Wigginton was under the control of a half-brother of William I, Robert, Count of Mortain. However, in 1086 the Domesday Book indicated that Wigginton had not been gifted to him but was probably acquired by force by Robert from two adjacent estates close to Tring, one of which had previously been in the hands of Edith of Wessex. During the 13th century Wigginton formed part of the estate at Little Gaddesden passing first to the de Broc family and then, through marriage to the de Lucys. After the death of Sir William Lucy in 1466 it was in the ownership of the Corbets for over 130 years. The manor was then the subject of successive legal challenges fought out in the Court of Chancery until it came into the possession of Sir Richard Anderson of the manor of Pendley during the 1650s. Elizabeth Spencer (née Anderson) inherited Wigginton and became the third wife of Simon Harcourt, 1st Viscount Harcourt 1703. The manor remained in the Harcourt family until the 1860s. Colonel Charles Harcourt had died in 1831 leaving the manor to his three daughters, Sarah, Elizabeth and Alice who jointly sold it to Rev. James Williams in 1868. Wigginton Common was enclosed in 1854 and was subsequently incorporated into the Tring Park Estate owned at the time by the Rothschild Family.

3

Question: Who produced the band's third album? Passage 1:St. Raphael's is a high Gothic Revival structure, built of sandstone from Berea. Since construction in the 1890s, it has been one of Springfield's most distinctive buildings, due in large part to its two front towers — the bell tower is high, and the principal tower . By climbing 156 steps to the summit of the principal tower, one gains a panoramic view of the city and surrounding countryside. The building's general plan is that of a streamlined Latin cross, with slight gabled projections near the rear forming the crosspieces. Three entrances pierce the facade, while lancet windows of similar height are placed at varying locations in the towers, and two-story windows fill the side bays. Widest and tallest are the windows placed in the rear-side projections and above the entrances on the facade. Both towers are topped with pointed roofs, surrounded by ornamental pointed roofs of far smaller sizes, while the roof of the main part of the church is a steep gable. Despite extensive Gothic Revival detailing, such as the pointed-arch windows and doorways, the building also retains some elements of the Romanesque Revival style, including the false buttresses and columns around the main entrance, as well as the sheer massing of both towers. By the time that the building was complete, parishioners had spent $75,000 on construction and ancillary costs. The architect for St. Raphael's was Charles A. Cregar, first among architects native to Springfield. Cregar was responsible for numerous grand buildings in Springfield, including City Hall, and St. Raphael's is among the chief examples of his work.
 Passage 2:This article lists those who were potential candidates for the Democratic nomination for Vice President of the United States in the 1992 election. Arkansas Governor Bill Clinton won the 1992 Democratic nomination for President of the United States, and chose Tennessee Senator Albert Gore, Jr. as his running mate on July 9, 1992. Clinton considered roughly forty different candidates for vice president, including those who did not hold elective office, but Clinton ultimately chose Gore, a two-term Senator who had previously run for president in 1988. Former Assistant Secretary of State Warren Christopher led Clinton's vice presidential selection team. In making the selection, Clinton emphasized Gore's experience with foreign policy and environmental issues. Clinton's choice of a fellow young southern centrist defied conventional wisdom, but the choice of Gore was well-received, and Gore made an effective surrogate on the campaign trail. The Clinton-Gore ticket ultimately defeated the Republican Bush-Quayle ticket and the independent Perot-Stockdale ticket, and the Clinton-Gore duo became the youngest ticket in history to win a presidential election.
 Passage 3:The duo initially gained prominence with their music single "Aap Jaisa Koi" first featured as a soundtrack for the 1980 Indian film Qurbani. The song was on the group's debut album Disco Deewane released in 1981 produced by Indian producer Biddu. The album was and still is the best selling pop album of South East Asia. The iconic album helped pop music shape as seen today in India, Pakistan and was the first South Asian album that also managed to crossover internationally by becoming a hit in Brazil, Russia, South Africa and Indonesia. The duo released their second album Boom Boom in 1982 which was the soundtrack for the Bollywood movie Star. After two years the band recorded their critically acclaimed album Young Tarang in 1983. It was the first album of the subcontinent pre MTV to feature music videos. Nazia and Zoheb released their fourth hit album, Hotline in 1987, which featured the duo's younger sister, Zahra Hassan. The group released their last studio album Camera Camera in 1992, which was written and produced solely by Zoheb.
3