Definition: In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
Input: Question: How much did the film referenced in the episode make at the box office? Passage 1:When Bart and Milhouse visit the local video arcade at the beginning of the episode, Martin Prince is seen playing an arcade game based on the 1981 film My Dinner with Andre. Other games at the arcade include a game based on the 1984 film The Terminator. The "Springfield, Springfield" number performed by Bart and Milhouse on their night out in town is a reference to the musical number "New York, New York" from the film On the Town, starring Gene Kelly and Frank Sinatra. During a scene in which Hans Moleman and Moe fight with knives, Hans tells Moe, "You call that a knife? This is a knife!", a reference to a line from the 1986 film "Crocodile" Dundee. Ernest Borgnine introduces himself a la Troy McClure to the Junior Campers by recalling his role in From Here to Eternity, a film which modern children are unlikely to have seen. During a hallucination, Homer imagines himself singing the song "Sugar, Sugar" by The Archies while dancing with lollipops and ice cream cones. While on the raft, Homer misquotes lines from Samuel Taylor Coleridge's The Rime of the Ancient Mariner when he says "Water, water everywhere/So let's all have a drink." The scene in which Borgnine and the other rafters drift through a dark forest watched by mountain men is a reference to a scene in the 1972 film Deliverance, and the scene features the music from the film's "Dueling Banjos" scene. The unseen person or creature that attacks Borgnine at the end of the episode is implied to be Jason Voorhees from the Friday the 13th film series.
 Passage 2:The Xianbei (; ) were an ancient nomadic people that once resided in the eastern Eurasian steppes in what is today Mongolia, Inner Mongolia, and Northeastern China. They originated from the Donghu people who splintered into the Wuhuan and Xianbei when they were defeated by the Xiongnu at the end of the 3rd century BC. The Xianbei were largely subordinate to larger nomadic powers and the Han dynasty until they gained prominence in 87 AD by killing the Xiongnu chanyu Youliu. However unlike the Xiongnu, the Xianbei political structure lacked the organization to pose a concerted challenge to the Chinese for most of their time as a nomadic people. After suffering several defeats by the end of the Three Kingdoms period, the Xianbei migrated south and settled in close proximity to Chinese society and submitted as vassals, being granted the titles of Dukes. As the Xianbei Murong, Tuoba and Duan tribes were one of the Five Barbarians who were vassals of the Han Chinese Western Jin and Eastern Jin dynasties, they took part in the Uprising of the Five Barbarians as allies of the Han Chinese Eastern Jin against the other four barbarians, the Xiongnu, Jie, Di and Qiang. The Xianbei were at one point all defeated and conquered by the Di Former Qin empire before it fell apart at the Battle of Fei River at the hands of the Eastern Jin. The Xianbei later founded their own states and reunited northern China as the Northern Wei. These states opposed and promoted sinicization at one point or another but trended towards the latter and had merged with the general Chinese population by the Tang dynasty.
 Passage 3:In 2010, in collaboration with the actor Enrico Lo Verso and the musician Gabriele Denaro, he created the work Sensibilità Sonore, dedicated to topics such as marginalization, poverty and childhood. The following year, he produced the documentary "Il rimorso" (the remorse), a video that narrates violence against the women. The project was being projected every year during national conferences in various Italian cities and received an award for the Social Communication. The journal Fatto Quotidiano considered it as "a virtuous example that denounces the wrong". It was previewed at the Camera dei deputati della regione Lazio (Chamber of Deputies of the Region of Lazio) and introduced the conference "Lui per Lei - un ponte fra Napoli e New York" at the city Partenopea and at the municipality of Fiumincino by the iniziative of the Assesorato alle politiche sociali (Department of social policies) as well as the event "Io non ci sto più" (I am non there anymore) dedicated to the memory Eligia Ardita, a victim of a femicide act. 2013 he directed the documentary "Streghe a Pachino: Un caso giornalistico irrisolto" (Witches at Pachino: An unsolved journalistic case), recovering after 50 years, a mysterious fact initially narrated by Beppe Ferrara in 1963 that burst a war between the media, the politics and the omertà. The same year he films three special documentaries about Mario Sesti, Sergio Donati and the musician Mauro Di Domenico. He carried out interviews with personalities from the show business, created web projects, such as the ObamaStay, a project that promotes and supports the election of the American president, which received the appreciation from the Woman for Obama and from the Electionpaper, concerning the Italian elections reported by the press agencies Agi and RAI. wrote for the Sindacato Nazionale di Critica (National Syndicate of Italian Film Critics). He contributed in the distribution of the film "Midway" and with the production company Arbash for the film "Blaise. He was responsible for the communication for the New World of the Cirque du Soleil in one of their stops in Sicily, for the direction of the Euro-Mediterranean award that took place at the Campidoglio in Rome and the artistic coordination of the Western Fest of Orvieto and the Indie Media Fest. From 2014 he is devoted actively for the promotion of the Patrimonio Verghiano, redeveloping the historical Cunziria, the original film location of the famous Cavalleria Rusticana, directed by Franco Zeffirelli and inspiration scenery of the homonymous novel of the writer Giovanni Verga. Muscoso eventually turned the ancient village into a stage denominating it Teatro Cunziria".

Output:
1