In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: How many miles would the Empire Nightingale travel when crossing the Atlantic Ocean to Yorkshire? Passage 1:Empire Nightingale would appear to have crossed the Atlantic Ocean from the United States independently, as she does not appear as a member of a convoy until 27 June, when she departed Middlesbrough, Yorkshire as a member of Convoy EC 31. The convoy had departed from Southend, Essex the previous day and arrived at the Clyde on 1 July. She left the convoy at Oban, Argyllshire, departing on 3 July for Baltimore, Maryland, United States, which was reached on 22 July. Empire Nightingale departed Baltimore on 10 August for Halifax, Nova Scotia, Canada, arriving five days later. Carrying a cargo of steel, she departed on 21 August with Convoy HX 146, which arrived at Liverpool, Lancashire on 6 September. She left the convoy at Loch Ewe to join Convoy WN 177, which departed from Oban on 5 September and arrived at Methil, Fife on 8 September. Empire Nightingale then joined Convoy FS 589, which departed that day and arrived at Southend on 10 September. She left the convoy at Hull, Yorkshire on 10 September.
 Passage 2:In the early 2000s, DisneyToon Studios (DTS) joined Disney Consumer Products (DCP) as their internal Disney conglomerate video partner in developing the new Disney franchises. While DCP eyed other potential franchises, DisneyToon looked to the Seven Dwarfs for a male-centric franchise to counterbalance the female-centric Fairies. By 2005, The Seven Dwarfs computer-animated sequel to Snow White was officially underway. Paul and Gaëtan Brizzi was one team that was given an attempt at a movie pitch, which was to follow the Dwarfs in which they trap the villain in the magic mirror and setting it up for Snow White movie. Given the possible demand, Buena Vista Games brought in Obsidian Entertainment, a game developer, who pitched a video game focusing on the Dwarfs' similar ancestors. DTS executives were not feeling that the two franchise launching projects were coming together well enough that they turned to Mike Disa, who worked on the Tinker Bell movie story. Disa and Evan Spiliotopoulos pitched a Lord of the Rings-style epic for the dwarfs while "connecting seamlessly" with the original movie, which was given permission to move forward. With interfering managers wanting a tragic back story for Dopey, Disa decided that he could not go forward. Walt Disney Animation Studios chief creative officer John Lasseter about two month later ended production on the film.
 Passage 3:González-Torres was born in Guáimaro, Cuba. In 1957, he and his sister Gloria were sent to Madrid where they stayed in an orphanage until settling in Puerto Rico with relatives the same year. González-Torres graduated from Colegio San Jorge in 1976 and began his art studies at the University of Puerto Rico in San Juan while actively participating in the local art scene. He moved to New York City in 1979 with a study fellowship. The following year he participated in the Whitney Independent Study Program where his development as an artist was profoundly influenced by his introduction to critical theory. He attended the program a second time in 1983, the year he received a BFA in photography from the Pratt Institute of Art. In 1986, González-Torres traveled to Europe and studied in Venice. In 1987 he was awarded the degree of Master of Fine Arts by the International Center of Photography and New York University. Subsequently he taught at New York University and briefly at the California Institute of the Arts in Valencia. In 1992 González-Torres was granted a DAAD fellowship to work in Berlin, and in 1993 a fellowship from the National Endowment for the Arts.
1