Given the task definition and input, reply with output. In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: How many copies did the second live album of Aventura sell? Passage 1:The Bachata #1's series is a collection of compilations of various artists centered on the genre of bachata. The first chapter in the series was released in 2007. A third volume, Bachata #1's, Vol. 3 was released in 2010 in the United States. Bachata #1's, Vol. 2 was released on August 12, 2008. "Mi Corazoncito", written by Anthony "Romeo" Santos and performed by Aventura, was released as the third and final single from the group's second live album, K.O.B. Live (2006). The song peaked at number fifteen on the Billboard Latin Pop Songs and number two on the Billboard Latin Songs charts, topping both the Billboard Tropical Songs and Billboard Latin Rhythm Songs charts, while an additional live version peaked at number ten on the Billboard Tropical Songs chart. The bachata-infused-R&B number, has been named one of their biggest hits along with "Los Infieles", "Un Beso", and "El Perdedor" among others. Xtreme's "Mientes" is originally from the duo's second studio album Haciendo Historia (2006), which also featured the gorup's R&B-leaning hit single "Shorty, Shorty". Puerto Rican Latin pop singer Luis Fonsi performs "Con Las Manos Vacías", a track exclusive to this release. "Tengo Un Amor" was written by Toby Love with additional composition by Edwin Perez who also handled production for the song. The song was written with Spanglish lyrics combining crunk hip hop with bachata. David Jefferies, while reviewing the parent album, called the song "an incredibly smooth, lush, and glittery ballad" while listing the song as a selected "Allmusic Pick". According to Billboard, the original version of the song is a "straightforward bachata song" while the remix, which is included on this release, with R.K.M & Ken-Y, known then as Rakim & Ken-Y provides "urban street cred".
 Passage 2:Tony met Deep Purple in the early 1970s, when the last recording of Ashton, Gardner and Dyke was a collaboration with keyboardist Jon Lord on the soundtrack for a b-movie called The Last Rebel. In the meantime, Ashton had appeared on Jon Lord's first solo album Gemini Suite in 1971. In 1973, Ashton joined the group Family for their last album and tour. That same year, he and David Coverdale and Glenn Hughes were guest vocalists on Jon Lord's second album Windows. Tony became close friends with Jon Lord. In the summer of 1974, during a break in Purple's busy touring schedule, Tony Ashton and Jon Lord recorded their album First of the Big Bands. This project was launched with a gig at the London Palladium the same year and the BBC taped a special live appearance at Golders Green Hippodrome in London. The album of this show is a tour-de-force groovy, rhythm and blues, boogie piano and Hammond organ, big band fest. Tony also contributed to Roger Glover's Butterfly Ball project. In these years, Ashton and Lord found a second home in Zermatt, an alpine resort in Switzerland, sometimes to ski, but more often to offer giant and brilliant non-profit gigs in a unique complex (one hotel-two night-clubs-two restaurants and four pubs) called "Hotel Post" which was run by American-born Karl Ivarsson. Ashton managed to come to the place almost until his death, and Jon has been a regular visitor until his death even if the "(in)famous" hotel did not exist anymore.
 Passage 3:Ross married Bertha (Bee) Halley Horecker, a singer-musician and daughter of Ross's Chicago neighbors, in 1931, received a National Research Council Fellowship for 1932, and worked as a National Research Council postdoctoral fellow at California Institute of Technology with Eric Temple Bell until 1933. Ross moved back to Chicago and led the mathematics department at an experimental school started by Ph.D.s during the Great Depression, People's Junior College, where he also taught physics. Ross became an assistant professor at St. Louis University in 1935 and stayed for about 11 years. In an interview, he said he advocated for a student who became the first black woman in the South to receive a master's degree in mathematics. This exception led the university to admit black students despite the idea's widespread unpopularity. During World War II, Ross served as a research mathematician for the U.S. Navy. He befriended Hungarian mathematician Gábor Szegő while in St. Louis, who recommended Ross for a 1941 Brown University summer school that prepared young scientists to assist in the war, a program Ross attended. He occasionally worked on proximity fuzes for Stromberg-Carlson's laboratory from 1941 to 1945 before accepting a position as head of University of Notre Dame's mathematics department in 1946. He set out to change the school's research climate by inviting distinguished mathematicians including Paul Erdős, whom Ross made a full professor.
1