instruction:
In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
question:
Question: Which single from the album Hearsay was released first? Passage 1:The component villages were historically part of the Székely Land area of Transylvania and belonged to Csíkszék district until the administrative reform of Transylvania in 1876, when they fell within Csík County in the Kingdom of Hungary. After the Treaty of Trianon of 1920, they became part of Romania and fell within Ciuc County during the interwar period. In 1940, the second Vienna Award granted the Northern Transylvania to Hungary and they were held by Hungary until 1944. After Soviet occupation, the Romanian administration returned and the town became officially part of Romania in 1947. Between 1952 and 1960, the commune fell within the Magyar Autonomous Region, between 1960 and 1968 the Mureș-Magyar Autonomous Region. In 1968, the province was abolished, and since then, the commune has been part of Harghita County.
 Passage 2:On release, the album was received favourably by the majority of music critics. O'Neal's most commercially successful solo album, in the United States it went on to peak at number 29 on the Billboard 200 and number two on Top R&B/Hip-Hop Albums. The album was even more successful in the United Kingdom, peaking at number four and producing seven charting singles, including five top 40 hits. "Fake" peaked at number 33 on the UK Singles Chart; "Criticize" peaked at number four; "Never Knew Love Like This" at number 26; "The Lovers" at number 28; "(What Can I Say) To Make You Love Me" at number 27; "Sunshine" at number 72. Several remixes of the album's songs also charted: "Fake '88", (No. 16); "Hearsay '89", (No. 56). Two of the tracks, "Fake" and "Criticize", were also popular anthems in UK dance clubs. The album went on to be certified gold by the RIAA on October 20, 1987. In the UK, it sold more than 900,000 copies, being certified 3× Platinum by the BPI.
 Passage 3:This town was strategically located at a junction of trade routes between the Mediterranean Sea and the North Sea regions, and the Rhine and Danube rivers. In 1200, Freiburg's population numbered approximately 6,000 people. At about that time, under the rule of Bertold V, the last duke of Zähringen, the city began construction of its Freiburg Münster cathedral on the site of an older parish church. Begun in the Romanesque style, it was continued and completed 1513 for the most part as a Gothic edifice. In 1218, when Bertold V died, then Egino V von Urach, the count of Urach assumed the title of Freiburg's count as Egino I von Freiburg. The city council did not trust the new nobles and wrote down its established rights in a document. At the end of the thirteenth century there was a feud between the citizens of Freiburg and their lord, Count Egino II of Freiburg. Egino II raised taxes and sought to limit the citizens' freedom, after which the Freiburgers used catapults to destroy the count's castle atop the Schloßberg, a hill that overlooks the city center. The furious count called on his brother-in-law the Bishop of Strasbourg, Konradius von Lichtenberg, for help. The bishop responded by marching with his army to Freiburg.

answer:
2


question:
Question: Who settled the city where Bradford opened for Morrissey? Passage 1:Louis Alphonse was born in Madrid, the second son of Alfonso de Borbón, Duke of Anjou and Cádiz, and of his wife María del Carmen Martínez-Bordiú y Franco, eldest granddaughter of Francisco Franco. Alfonso was at that time the dauphin (using "Duke of Bourbon" as title of pretence) according to those who supported the claim of his father, Infante Jaime, Duke of Segovia to the French throne. On 20 March 1975, the Infante Jaime ("Henri VI" by Legitimist reckoning) died. Alfonso then asserted his claim to be both Head of the House of Bourbon and Legitimist claimant to the throne of France and the Co-Principality of Andorra. As such, he took the title "Duke of Anjou", and on 19 September 1981 gave Louis Alphonse the title Duke of Touraine.
 Passage 2:Sargis II Jaqeli () (1271 – 1334) was a Georgian prince (mtavari) and ruler of Principality of Samtskhe from 1306 to 1334. He was a son of Prince Beka I Jaqeli. During his father's reign Sargis participated in many campaigns. In 1290s Azat Mousa, leader of the Anatolian Turkoman tribes, attacked Samtskhe. Beka Jaqeli appointed Sargis as a commander of army and ordered him to stop Turks near village Vashlovani. Around 1303, Sargis defeated Turkoman tribes and expelled them from Meskhetian lands. In 1306, after his father's death, Sargis ascended the Atabeg's throne. He was made Amirspasalar by his nephew, King George V "the Brilliant". After Sargis II's death, his son Qvarqvare became a new Prince of Meskheti, also the vassal of Georgian kingdom.
 Passage 3:The line-up was Ian H. (Ian Michael Hodgson, vocals), Ewan Butler (guitar), John Baulcombe (Keyboards),Jos Murphy (bass guitar), and Mark McVitie (drums). The band's debut single, "Skin Storm" was released in 1988, and had the distinction of being the first independently financed recording to be released on compact disc. They followed this with "Tattered, Tangled & Torn" before signing to Midnight Music, although their only release for the label, a self-titled mini-LP, was withdrawn. The band were then signed to Smiths producer Stephen Street's Foundation label. Street produced the major share of Bradford's material during their two-year association before the band signed with Sire Records/Warner Bros. Records. The band opened for Morrissey at his first post-Smiths concert at Wolverhampton Civic Hall. 1989 saw two further singles, both hits on the UK Indie Chart, and an album, Shouting Quietly, produced by Stephen Street and released on Sire Records label in the United States followed in 1989, reissued in 1990. Sales of the album were disappointing, and the band were dropped by Sire. An album collecting tracks from their early singles was also issued. In 1991, Morrissey recorded a cover version of "Skin Storm", released as a B-side on his "Pregnant for the Last Time" single and also featured on the "My Love Life" and "The CD Singles '88-91'" albums.

answer:
3


question:
Question: Which school that Blonski taught Polish literature at was found first? Passage 1:Błoński finished his Polish studies at the Jagiellonian University in 1952 during the darkest years of Stalinist terror in Poland. In 1953, he participated in the defamation of Catholic priests from Kraków, three of whom were condemned to death by the Communist government during the Stalinist show trial of the Kraków Curia – he was one of several signatories of an open letter from ZLP to Polish authorities supporting the persecution of Catholic religious leaders groundlessly accused of treason and imprisoned by the Ministry of Public Security – their death sentences were not enforced although Father Józef Fudali died in unexplained circumstances while in prison. Błoński obtained a position with the Institute of Literary Studies of the Polish Academy of Sciences in 1959–62 (after the Polish October). From 1970 he was employed at the Jagiellonian University. He was a vice-rector for didactic affairs (1981–84), director of the Institute of Polish Studies (1988–91), director of the Department of the Theatre (1977–1980) and the Department of the 20th Century Polish Literature (1995–97). As professor, he also lectured Polish literature at the University of Sorbonne, the University of Clermont-Ferrand and the Paris University IV. He died on 10 February 2009 in Kraków.
 Passage 2:A bricklayer by profession, Ciampa also worked in the entertainment business throughout the late 1940s and early 1950s, starring in Larry Sunbrock's Rodeo and Thrill Circus in New York City and then traveling with the circus to various U.S. and Canadian cities. Notably, his act did not include the typical, tightly choreographed feats of circus acrobatics such as trapeze swinging or trampolining, but rather improvised climbing and leaping stunts making use of scaffolding and circus rigging. Spectators were frequently alarmed by the apparently ad libbed and obviously dangerous nature of his performances. In 1947 Ciampa was arrested for having scaled the exterior of the Astor Hotel as a publicity stunt for the Sunbrock Circus, concerning onlookers who feared that he might have been attempting suicide. 
 Passage 3:Edwin Bergstrom studied architecture at the Massachusetts Institute of Technology and at Yale University. He began his architectural practice in New York City in 1899 and then moved to Los Angeles in 1903. He partnered with John Parkinson soon after arriving in Los Angeles. After leaving the partnership with Parkinson, Bergstrom oversaw a successful solo practice. In the 1920s and 1930s, Bergstrom was associated with the Pasadena architectural firm of Bennett and Haskell. He won a design competition in 1923 to design the City of Pasadena Civic Auditorium, which anchors the south end of the city's civic center. In the late 1920s, Bergstrom was one of five prominent Los Angeles architects, organized as the Allied Architects of Los Angeles, involved in designing the Los Angeles County/USC Medical Center General Hospital (1933), an architectural monument in East Los Angeles. Bergstrom was commissioned as the chief consulting architect for the United States War Department in 1941. In this capacity, he served as the chief architect for the Pentagon in Washington, D.C. (1941–43). Bergstrom was also actively involved in the American Institute of Architects (AIA), serving as the national organization's treasurer for over 40 years and as president in 1939 and 1940. During their partnership, Parkinson & Bergstrom became the dominant architectural firm hired to design major buildings in Los Angeles. This prominent partnership designed over 25 buildings in the 10 years of their collaboration, with the majority located in the city's burgeoning downtown. Besides the Metropolitan Building, there are four other Parkinson & Bergstrom buildings located within the boundaries of the Broadway Commercial and Entertainment Historic District. As is evidenced in the Metropolitan Building, Parkinson & Bergstrom commercial buildings typically reflect influences of the Beaux Arts or Classical Revival styles popular at the turn of the century with exterior use of glazed terra cotta, decorative spandrel panels, low relief sculptural ornamentation, and large projecting cornices.

answer:
1