In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Q: Question: What state was the college from that the Volunteers beat in the SEC Championship game? Passage 1:The 1997 Tennessee Volunteers football team represented the University of Tennessee during the 1997 NCAA Division I-A football season. Quarterback Peyton Manning had already completed his degree in three years, and had been projected to be the top overall pick in the 1997 NFL Draft, but returned to Tennessee for his senior year. The Volunteers opened the season with victories against Texas Tech and UCLA, but for the third time in his career, Manning fell to Florida, 33–20. The Vols won the rest of their regular season games, finishing 10–1, and advanced to the SEC Championship Game against Auburn. Down 20–7, Manning led the Vols to a 30–29 victory. Throwing for four touchdowns, he was named the game's MVP, but injured himself in the process. The #3 Vols were matched up with #2 Nebraska in the Orange Bowl. Had Tennessee won and top-ranked Michigan lost to Washington State in the Rose Bowl, the Vols would have been expected to win the national championship. However, the Vols' defense could not stop Nebraska's rushing attack, giving up more than 400 yards on the ground in a 42–17 loss. As a senior, Manning won numerous awards. He was a consensus first-team All-American and won the Maxwell Award, the Davey O'Brien Award, the Johnny Unitas Award, and the Best College Football Player ESPY Award, among others. However, he did not win the Heisman Trophy, finishing runner-up to Charles Woodson, a CB from Michigan, and the only defensive player ever to win the Heisman Trophy.
 Passage 2:A son of Daud Khan, a Georgian prince and convert to Islam, by a concubine, he was born Khosro Mirza and brought up Muslim at the Persian court by eunuchs alongside young slave recruits. An intelligent and resolute in his decisions, he soon attracted the attention of Shah Abbas I of Safavid who appointed him, in 1618, a darugha (prefect) of the capital Isfahan. From 1625 to 1626, he took part in suppression of the Georgian opposition: he commanded a right flank at the victorious Battle of Marabda and saved part of the Persian troops from a complete disaster at the Battle of Ksani. In 1626, Khosro Mirza was recalled from Georgia and appointed the commander of the Shah's élite gholam corps (qollar-aghasi) three years later. In 1629, Abbas, lying on a deathbed, urged him to protect a grandson and heir Sam Mirza, the future Shah Safi, whom Khosro served faithfully. In 1630, he led a Persian army which defeated the Ottoman forces and captured Baghdad. In the early 1630s, he took part in sidelining and destruction of the Undiladze family, also of Georgian origin, who had dominated the Safavid court for years. Afterwards, he was sent to suppress the opposition of Georgians who had managed to unite the eastern regions of Kartli and Kakheti under Teimuraz I for a brief period of 1630-1633. Teimuraz was joined by a surviving Undiladze, Daud Khan. For his loyalty, Shah Safi appointed him as the new vali of Kartli, and granted him the name of Rostam Khan (Rostom, როსტომი, in Georgian transliteration). Rostom then came to Georgia with a large Persian army commanded by his fellow Georgian Rustam Khan. He soon took control of Kartli and garrisoned all major fortresses with Persian forces, bringing them, however, under his tight control. His willingness to cooperate with his suzerain won for Kartli a larger degree of autonomy. A period of relative peace and prosperity ensued, with the cities and towns being revived, many deserted areas repopulated and commerce flourished. Although Muslim, Rostom helped to restore a major Georgian Orthodox cathedral of Living Pillar (Svetitskhoveli) at Mtskheta, and patronised Christian culture. However, Islam and Persian habits predominated at his court. He ruthlessly crushed an opposition of local nobles, putting to death the catholicos Eudemus I of Georgia, and invaded, in 1648, Kakheti, forcing Teimuraz to flee to Imereti (western Georgia).
 Passage 3:Gradually Clayburgh shifted into being more of a supporting character actress in the 90s, taking on roles as diverse as an antagonistic judge in Trial: The Price of Passion (1992) and the interfering wife of Alan Alda's character in Whispers in the Dark (1992). After appearing in Ben Gazzara's Beyond the Ocean (1990), which was shot in Bali, and the unreleased Pretty Hattie's Baby (1991), she became typecast as an attractive maternal figure: she was the long-missing matriarch in Rich in Love (1992), a wheelchair-bound mom in Firestorm: 72 Hours in Oakland (1993) and Eric Stoltz's single mother in Naked in New York (1993). A review in People magazine felt Clayburgh "[did] her best as the footloose mother" in Rich in Love, while Roger Ebert praised her casting in Naked in New York as "exactly on target". She also played Kitty Menendez who was murdered by her sons in Honor Thy Father and Mother: The True Story of the Menendez Murders (1993), a role which Variety perceived to be "incomplete, but that has more to do with the script than Clayburgh’s performance." She continued to play concerned, protective mothers in For the Love of Nancy (1994), The Face on the Milk Carton (1995), Going All the Way (1997), Fools Rush In (1997), When Innocence Is Lost (1997) and Sins of the Mind (1997), and was in "good form" as the forceful, pushy stage mother in Crowned and Dangerous (1997).


A: 1
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Q: Question: Do any of Lady Gaga's co-writers have a degree in music? Passage 1:"Telephone" was written by Lady Gaga, Rodney Jerkins, LaShawn Daniels, Lazonate Franklin and Beyoncé. Musically, the song has been described as dance-pop. Although constructed as a duet, Beyoncé's first appearance is in the middle verse. She sings her lyrics through a brief interlude, and later backs the chorus during the rest of the song. The song starts off unassumingly, with Gaga singing in a solemn voice over a harp melody, which changes immediately to a pounding beat. Essentially, Gaga is in a club and her boyfriend keeps calling, but she cannot talk as she was drinking and dancing to her favorite song. The chorus runs as follows: "Stop calling, stop calling, I don't want to talk anymore." "Telephone" consists of an expanded bridge, verse-rap and an epilogue where a voice announces that the telephone line is not reachable at that moment. According to the sheet music published at Musicnotes.com by Sony/ATV Music Publishing, the song is set in the time signature of common time, with a tempo of 122 beats per minute. Gaga's vocals range from the low-note of F to the high-note of C. It is set in the key of F Dorian mode, and has a basic sequence of Fm–A–B–Fm as its chord progression.
 Passage 2:During the reign of King Edward the Confessor a lady called Elviva (probably a Latin rendering of the Old English name Ælfgifu), held the manor of Ambrosden. The Domesday Book records that by 1086 she had been replaced by Hugh d'Ivry, butler of William the Conqueror and brother of Roger d'Ivry, who owned several manors in Oxfordshire. Hugh's nephew Roger II d'Ivry inherited Ambrosden and by 1194 it was part of the Honour of St. Valery. Ambrosden thus passed to Edmund, 2nd Earl of Cornwall, who in 1288 gave the manor to Ashridge Priory of the Augustinian order of the Brothers of Penitence. Ashridge Priory retained Ambrosden until the priory was dissolved in 1539 in the Dissolution of the Monasteries.
 Passage 3:The Lakers opened the series with a 115–109 victory at the Boston Garden. In Game 2, the Lakers led 113–111 with 18 seconds left when Gerald Henderson stole a James Worthy pass to score a game tying layup and the Celtics eventually prevailed in overtime 124–121. In Game 3, the Lakers raced to an easy 137–104 victory as Magic Johnson dished out 21 assists. After the game, Larry Bird said his team played like "sissies" in an attempt to light a fire under his teammates. In Game 4, the Lakers had a five-point game lead with less than a minute to play, but made several execution errors as the Celtics tied the game and then came away with a 129–125 victory in overtime. The game was also marked by Celtic forward Kevin McHale's takedown of Laker forward Kurt Rambis on a breakaway layup which triggered the physical aspect of the rivalry. Kareem Abdul-Jabbar would go after Larry Bird later on in the third quarter, and 1981 Finals MVP Cedric Maxwell further antagonized the Lakers by following a missed James Worthy free throw by crossing the lane with his hands around his own neck, symbolizing that Worthy was "choking" under pressure. In Game 5, the Celtics took a 3–2 series lead as Larry Bird scored 34 points. The game was known as the "Heat Game", as it was played under 97 °F-heat, and without any air conditioning at the infamous Boston Garden. In Game 6, the Lakers evened the series with a 119–108 victory. In the game, the Lakers answered the Celtics rough tactics when Worthy shoved Cedric Maxwell into a basket support. After the game, a Laker fan threw a beer at Celtics guard M.L. Carr as he left the floor, causing him to label the series "all-out-war." In Game 7, the Celtics were led by Cedric Maxwell, who had 24 points, eight rebounds, and eight assists as they came away with a 111–102 victory. In the game the Lakers rallied from a 14-point deficit to three points down with one minute remaining, when Maxwell knocked the ball away from Magic Johnson. Dennis Johnson responded by sinking two free throws to seal the Celtics' victory. Larry Bird was named MVP of the series.


A: 1
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Q: Question: Is the city that was captured that enabled Spain to recover East Florida now the capital of the Bahamas? Passage 1:The rivalry with Britain also led him to support the American revolutionaries in their War of Independence despite his misgivings about the example it would set for the Spanish Colonies. During the war, Spain recovered Menorca and British West Florida in military campaigns, but failed to regain Gibraltar. Spanish military operations in West Florida and on the Mississippi River helped the Thirteen Colonies secure their southern and western frontiers from British attack. The capture of Nassau in the Bahamas enabled Spain to also recover East Florida during peace negotiations. The Treaty of Paris of 1783 confirmed the recovery of the Floridas and Menorca, and restricted the actions of British commercial interests in Central America.
 Passage 2:The popularisation of television broadcasting in the UK during the 1950s brought with it both new avenues for animation production and a shift in the demographic orientation of animation to the realms of children's programming. The year 1950 saw the premier of the long-running children's TV series Watch with Mother (1950–74) which would not include animation per se, but would feature several puppet-based segments (such as "Andy Pandy" and "Flower Pot Men") that would later become staples of British children's popular imagery and animation. Such is the case as well with the children's book character Noddy, who has appeared in various iterations and with different means of animation ranging from stop-motion to CGI to this day. The BBC's investment in resources and personnel oriented to children's media during this time would also provide avenues for the service's eventual inclusion of animation—particularly stop-motion animation, which could be derived from some of the same resources and skill-sets as live action puppetry. Puppeteer Gordon Murray for example, would branch off from his work on the "Watch with Mother" segment "The Woodentops" and other live action puppet shows to create several stop motion animated children's series in the 1960s, including "Camberwick Green" (1966), "Trumpton" (1967) and "Chigley" (1969). Modelmaker Peter Firmin and writer Oliver Postgate similarly created several stop-motion animated works for children during this period, including "Pingwings" (1961–1964), "Pogles' Wood" (1966–1967) and "Clangers" (1969–1972). It is during this period that ties between the UK's children's animation and several other British media and literary tendencies consolidated, with shows of this period providing a blueprint for future children's TV focussing on rural communities and day-to-day interpersonal relationships. Within this tendency, strong ties can be seen within children's TV and much older pastoral children's literature, social realist cinema and documentary, and the theatrical comedy of manners. This transition from puppetry to stop-motion also demonstrates the influence of Eastern European animation (such as that of Czech animator Jiří Trnka and his followers), with its own proclivity for wood and felt animation puppets and often static facial features. Trnka's work helped to inspire British production companies, including Pete Bryden and Ed Cookson's BBC-commissioned stop-frame animated children's series Summerton Mill (2005).
 Passage 3:After the D-Day invasion, was reassigned to IX Tactical Air Command (IX TAC) and directed to provide ground support for advancing United States First Army forces in France, attacking enemy targets initially in the Cotentin Peninsula, then supported Operation Cobra, the breakout of Normandy and attacked enemy forces in the Falaise-Argentan Gap. Wing headquarters and subordinate units operated primarily from liberated airfields and newly built temporary Advanced Landing Grounds in France, moved into north-central France, its groups attacking enemy targets near Paris then north-west into Belgium and the southern Netherlands. In December 1944/January 1945, engaged enemy targets on the north side of the Battle of the Bulge, then moved eastward into the Northern Rhineland as part of the Western Allied invasion of Germany.


A:
1
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