Q: In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
Question: Which was the older of the two players who found the net in the Double-Headed Eagle of the North in the sixth final for PAOK? Passage 1:John Wemyss was knighted in 1618 and created a Baronet of Nova Scotia in 1625. This included a charter to the barony of New Wemyss in that province of Canada. He was later advanced to the title of Earl of Wemyss and the patent was presented to him at Dunfermline personally by Charles I of England. John Wemyss was also a Privy Councillor, High Commissioner to the General Assembly of the Church of Scotland, and one of the Committee of the Estates. John Wemyss died in 1649 and was succeeded by his only son, David Wemyss, 2nd Earl of Wemyss. David Wemyss, the second earl spent a lifetime nurturing the resources of his estate, in particular his salt and coal mines. He also built a large harbour at Methil, Fife and greatly extended Wemyss Castle where he entertained Charles II of England in 1650 and 1651. He died in 1679 and was predeceased by his son so the estates fell to his daughter, Margaret Wemyss, 3rd Countess of Wemyss. Margaret married her cousin, James Wemyss, Lord Burntisland. Their son was David Wemyss, 4th Earl of Wemyss who succeeded his mother in 1705.
 Passage 2:The first domestic title PAOK won, was the 1971–72 Greek Cup. PAOK eliminated Pierikos, Aias Salamina, local rivals Aris in the quarter-finals with a 2–1 victory at Kleanthis Vikelidis Stadium and progressed to the final with their semi-final victory over Lamia. This time PAOK would face league champions Panathinaikos who also reached the 1971 European Cup Final. The final was played once again in Athens at Georgios Karaiskakis Stadium. PAOK players had 10,000 fans on their side and they vowed that it was about time to return with the trophy at Thessaloniki. It was the sixth final for the Double-Headed Eagle of the North and the fifth time that they traveled to Athens for the trophy match. PAOK won the game 2–1 with Koudas scoring both goals. In the second half, a magnificent bicycle kick of Matzourakis found the net, but the goal was surprisingly disallowed by referee Michas. PAOK triumph and 1st Greek Cup title was widely celebrated by the fans at Thessaloniki.
 Passage 3:The present, stone church, was built from 1741 to 1749 by the neimars (builders) Teodor Kosta and Nikola Krapić. It was built in the Morava architectural school style of Serbo-Byzantine architecture and patterned after Manasija and Ravanica. In 1758, Empress Maria Theresa issued a document which set the monastery's estate. By the imperial privilege, the land was strictly divided between the monastery and the nearby settlement of Koviljski Šanac. The establishment of the Šajkaš Battalion in 1763, Serbian settlements surrounding the monastery were repopulated and preserved, which also influenced the prosperity of the monastery. Forerunner of the modern Serbian historiography, Jovan Rajić, became a priest in Kovilj and was appointed the archimandrite of the monastery in 1772, where he died in 1801. During the Hungarian Revolution of 1848, the rebels used the monastery as their base in 1849 which forced the monks to move across the Danube, into the Syrmia region. When they returned after the collapse of the rebellion, the monastery was looted and burned, and many historical treasures have been lost. The new church damaged inside while the old one was almost completely ruined, so it was demolished in 1850. Since 1850, the monks began to collect funds for the restoration. Some of it was secured by the Austrian state, some by the donations of the population and some was help from Russia. Young painter Aksentije Marodić has painted the new iconostas in the 1880s, including the scenes from the life of Christ and replicas of the most famous paintings from that period which Marodić copied from the galleries in Vienna, Munich, Paris, Rome, Venice, and Naples. The walls themselves are not painted. Woodworks and carvings are work of Jovan Kisner, while the gold plating and marble work were done by Ludvig Tauš. The work on the interior turned out to be quite lengthy, as it lasted until 1891/92.

A:
2