In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: How many people were employed by NASA the year Kepler was launched? Passage 1:The Kepler spacecraft is a NASA telescope equipped with photometric equipment. Launched in 2009, Kepler continuously watches 156,000 stars in a small area. A team of astronomers, hoping to learn more about hot jupiter planets and brown dwarfs, selected four F-type stars from the Kepler Input Catalog flagged as host to a Kepler Object of Interest (a transiting object that could possibly be a planet). Using three quarters of Kepler's data, the science team conducted a follow-up investigation in using the SOPHIE échelle spectrograph at the Haute-Provence Observatory in southern France, observing stars Kepler-40, Kepler-39, KOI-552 and KOI-410. Of these, conclusive evidence of a planet orbiting KOI-410 could not be found, and KOI-552 was found to be a binary star with an M-type companion. The Hot Jupiter KOI-428b was the first of these four to be confirmed.
 Passage 2:After publishing the plays Weekend (1968) and An Evening With Richard Nixon (1972) and the novel Two Sisters: A Novel in the Form of a Memoir (1970), Vidal concentrated upon the essay and developed two types of fiction. The first type is about American history, novels specifically about the nature of national politics. About those historical novels, the critic Harold Bloom said that "Vidal's imagination of American politics ... is so powerful as to compel awe". The historical novels formed the seven-book series, Narratives of Empire: (i) Burr (1973), (ii) 1876 (1976), (iii) Lincoln (1984), (iv) Empire (1987), (v) Hollywood (1990), (vi) Washington, D.C. (1967) and (vii) The Golden Age (2000). Besides U.S. history, Vidal also explored and analyzed the history of the ancient world, specifically the Axial Age (800–200 B.C.), with the novel Creation (1981). The novel was published without four chapters that were part of the manuscript he submitted to the publisher; years later, Vidal restored the chapters to the text and re-published the novel Creation in 2002.
 Passage 3:Born into the Bhatt family, she is the daughter of filmmaker Mahesh Bhatt and actress Soni Razdan. After making her acting debut as a child in the 1999 thriller Sangharsh, Bhatt played her first leading role in Karan Johar's teen drama Student of the Year (2012). She went on to establish herself with starring roles in several films produced by Johar's studio Dharma Productions, including the romances 2 States (2014), Humpty Sharma Ki Dulhania (2014), and Badrinath Ki Dulhania (2017); and the coming-of-age drama Dear Zindagi (2016). Bhatt won the Filmfare Critics Award for Best Actress for playing a kidnapping victim in the road drama Highway (2014), and two Best Actress awards at the ceremony for playing a Bihari migrant in the crime drama Udta Punjab (2016) and a spy in the thriller Raazi (2018). The latter emerged as one of Hindi cinema's biggest-earning female-led films, and her highest-grossing release came with the musical drama Gully Boy (2019).

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Question: How much did the only film Brandon Lee made in Hong Kong make at the box office? Passage 1:Lee got his first leading film role later that year in the Hong Kong action crime thriller Legacy of Rage in which he starred alongside Michael Wong, and Regina Kent. In the film Lee plays the character of Brandon Ma who is a regular young man who works two jobs to support his life with his girlfriend May (Kent) and save up to buy his dream of motorcycle. His best friend, Michael Wan (Wong), is an ambitious and murderous drug dealer who eventually blames one of his crimes on him. For which he spend time in jail and vows vengeance on Wan. It also featured a cameo appearance by Bolo Yeung who appeared in his father's film Enter the Dragon. Made in Cantonese and directed by Ronny Yu, it was the only film Lee made in Hong Kong. He was also nominated for a Hong Kong Film Award for Best New Performer in this role. In May of the following year, it was a critical success at the Cannes Film Festival and commercial one in Japan. On the 16th of July, the film got his cinematic release in the Philippines by Pioneer Releasing, under the title of Dragon Blood. The film was number one in the country for its first five days and became a local success. At one point between its original release and the making of Lee's first lead an American Studio film the action thriller Rapid Fire (1992), producer Robert Lawrence screened Legacy of Rage and saw Lee's potential to be an action leading man in Hollywood, which led to their collaboration. After Lee's passing in 1993, in the US the film was released directly to Home media in 1998 and 1999 in Australia. The Hong Kong action film is described to be a stylistic, fast-paced, with a good performance by Lee. While some didn't think it was up to par with its lead's final film, most of them consider it to be a good and his best genre film.
 Passage 2:Atlético Madrid reached their third European Cup final after defeating Bayern Munich on away goals (2–2 on aggregate). Their previous two European Cup finals in 1974 and 2014 both ended in defeats, to Bayern Munich and Real Madrid respectively. Atlético Madrid had also played in three Cup Winners' Cup finals (winning in 1962, and losing in 1963 and 1986) and two Europa League finals (winning in 2010 and 2012), with their most recent Europa League triumph in 2012 led by current coach Diego Simeone, widely attributed as having brought Atlético Madrid back to glory, but had yet to win a Champions League. He had the chance to join fellow Argentinians Luis Carniglia and Helenio Herrera as the only non-European coaches to win the European Cup/Champions League. More importantly, Atlético Madrid were seeking revenge for the 2014 final, which they lost 4-1 against Real Madrid after extra-time. If they would win the Champions League, they would join Juventus, Ajax, Bayern Munich and Chelsea as clubs to have won the three main European club competitions. On the other hand, if they were to lose, they would become the first team to lose their first three European Cup finals.
 Passage 3:McCulloch was born in Bonnybridge, Stirlingshire, Scotland, to Agnes (née Morrison) and Thomas McCulloch. He left school at an early age to work as a coal miner, and then later enlisted in the British Army. He served in Africa and Europe during World War I, holding the rank of battalion sergeant major, and was both mentioned in despatches and awarded the Military Medal. After the war's end, McCulloch returned to coal mining. He emigrated to Western Australia in 1928, and settled in Kalgoorlie, working as a truck driver and municipal employee. He served as secretary of the local trades hall from 1943 to 1949. McCulloch entered parliament at the 1949 Hannans by-election, caused by the death of David Leahy. He was re-elected at the 1950 and 1953 state elections. He left parliament when his seat was abolished prior to the 1956 election, and died in Perth in March 1971, aged 77. McCulloch had married Agnes Burt Montgomery in 1921, with whom he had two children.

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Question: Who was the leader of the Royal Green Jackets in 1966? Passage 1:Davis won Emmys in 1990 for Beauty and the Beast and 1995 for SeaQuest DSV. He wrote scores mostly for television series up until 1995, in which he wrote a few of the cues for the animated Disney motion picture A Goofy Movie. He continued to score television series until the two then young directors, the Wachowskis, hired him to score their neo-noir film Bound. It was reasonably successful at the box office. Bound was the film which led Davis into becoming the composer for the entire Matrix trilogy. Subsequently, Davis has composed scores for films such as Jurassic Park III (recommended to the filmmakers by John Williams, the composer of the scores for the first two films in the series), House on Haunted Hill, Behind Enemy Lines, and The Unsaid. In 2004, he produced the music score for the BBC science fiction documentary series Space Odyssey: Voyage to the Planets, released as Voyage to the Planets and Beyond in the United States.
 Passage 2:Roger Ebert of the Chicago Sun-Times gave the film three stars out of four and wrote that "the musical scenes are the best rock coverage since 'Woodstock.' The sound is first rate, for one thing, and director Pierre Adidge has some idea of why Cocker electrifies a crowd." Vincent Canby of The New York Times called the film a "most satisfying, record-album of a movie" which "patronizes neither its audience nor its stars ... It is uncluttered, one of the best concert films so far." A review in Variety said, "Considerable technical expertise has gone into this production, and though the objective may be clear, it just hasn't turned out to be another 'Woodstock,' possibly because Joe Cocker's personality isn't all that endearing." Gene Siskel of the Chicago Tribune rated the film three stars out of four and wrote, "'Mad Dogs' is distinguishable from other 'rockumentaries' because it deals almost exclusively with the musician and his music. There are few side trips to cultural comments." Robert Hilburn of the Los Angeles Times stated, "As a film, 'Mad Dogs and Englishmen' is a good concert. For much of the picture's 114 minutes, the camera is on Joe Cocker, by most standards the best and most exciting singer in rock music ... But 'Mad Dogs and Englishmen,' unfortunately, fails in the end to rise above this interesting, but clearly limited historical summary of the Cocker tour. As a film, it doesn't establish its own importance." A negative review by Tom Zito of The Washington Post advised readers to "Forget the film and try the record," explaining, "What emerges from all this is roughly two hours of footage that looks terrible on the screen and sounds almost as bad. The film is projected in an annoying square format, except for the moments when the screen area is broken up into some poorly coordinated split-screen effects. The camerawork is often sloppy ... the whole thing winds up looking and sounding like a cheap, imitation (indoor) 'Woodstock.'" James D. White of The Monthly Film Bulletin declared that "The music itself is excellent," but "The film's information content is minimal; and one's heart sinks as the screen is split into a double image for the first number and as the mandatory shots—of excited fans, of joint-rolling in a hotel bedroom, of an interview with a vacuous groupie—are inevitably wheeled out."
 Passage 3:The King's Royal Rifle Corps was an infantry rifle regiment of the British Army that was originally raised in British North America as the Royal American Regiment during the phase of the Seven Years' War in North America known as 'The French and Indian War.' Subsequently numbered the 60th Regiment of Foot, the regiment served for more than 200 years throughout the British Empire. In 1958, the regiment joined the Oxfordshire and Buckinghamshire Light Infantry and the Rifle Brigade in the Green Jackets Brigade and in 1966 the three regiments were formally amalgamated to become the Royal Green Jackets. The KRRC became the 2nd Battalion, Royal Green Jackets. On the disbandment of the 1st Battalion, Royal Green Jackets in 1992, the RGJ's KRRC battalion was redesignated as the 1st Battalion, Royal Green Jackets, eventually becoming 2nd Battalion, The Rifles in 2007.
3