Detailed Instructions: In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
Q: Question: Who is the oldest Scharwenka brother? Passage 1:Mother 3 was originally developed for the Super Famicom (Super Nintendo Entertainment System) beginning in 1994. Shigeru Miyamoto, head of Nintendo Entertainment Analysis & Development and Mother 3 producer, said that Mother 3 was "a commercial decision", since Mother 2 (EarthBound outside Japan) had sold well. By this point, Mother series creator Shigesato Itoi had worked on the series' earlier games and Itoi Shigesato no Bass Tsuri No. 1 and was experienced at pitching video games, so Miyamoto provided a team willingly. The Mother 2 development team carried over to the new game's development, though several people left and the team grew in size. They forewent the usual prototyping phase and went straight into development expecting to create something unprecedented. Itoi said he wanted to make the game like a Hollywood film. In September 1994, he predicted that Mother 3 development would end around 1996 with a release on Nintendo's then-upcoming console. The team was inspired by Super Mario 64 and felt that they too could creatively flourish by making a 3D world without restrictions. Their early technical specifications exceeded the capabilities and memory limits of the platform. About halfway through development, the team attempted to scale back its large scope and changed its development platform to the 64DD, a Nintendo 64 expansion peripheral. At E3 in June 1997, Miyamoto speculated that Mother 3 would be one of the four titles for the then-expected 1998 launch of the Japan-only peripheral, but the game was instead converted to a Nintendo 64 cartridge-only format upon the commercial failure of the repeatedly delayed 64DD.
 Passage 2:In October 1987, the American Soccer League announced that it had awarded a franchise to Joe Robbie which would be located in Fort Lauderdale, Florida. Robbie, who owned the Minnesota Strikers of the Major Indoor Soccer League announced his intentions of resurrecting the name Fort Lauderdale Strikers and hired Wim Suurbier to coach the team. The team played their home games in Lockhart Stadium. In their first season, the Strikers stormed the ASL, finishing with a 14-6 record, best in the league, before falling to the Washington Diplomats in the finals. In 1988, Robbie later sold his share in the team to Noel Lemon. In January 1989, Suurbier resigned as coach to be replaced by Thomas Rongen. In their second season the Strikers did almost as well, finishing the season at 12-8. They went on to defeat the Boston Bolts for the 1989 championship. This qualified them for the 1989 National Pro Soccer Championship, the first American national outdoor soccer championship since the collapse of the North American Soccer League in 1984. On September 9, 1989, the Strikers defeated the San Diego Nomads of the Western Soccer League, 3–1, to win the title. Following that game, the ASL merged with the WSL to form the American Professional Soccer League. They played five more years in that league. For the 1990 season seven home games were played at Pompano Beach Municipal Stadium and five at the Royal Palm Polo Club in Boca Raton, after the Broward School Board denied the team access to Lockhart Stadium. In January 1991, the Strikers merged with the Orlando Lions. The combined team retained the Strikers name, uniforms and staff. Soon after Lemons sold the team to Bryan Lockwood.
 Passage 3:He was born in Breslau, Prussia (now the Polish city of Wrocław), into a wealthy Polish-Jewish family whose parents had come to Breslau from Pilica, near Zawiercie, in 1854. He was an ardent Jew at a time when many Jews downplayed their Jewishness. He showed early talent from a very tender age, beginning his musical training at home until 1865, when his family moved to Dresden. There he continued his piano studies at the conservatory. He moved to Berlin in 1869 to continue his studies first at the Julius Stern's Conservatory, where he studied piano with Eduard Franck and composition with Friedrich Kiel, and then at Theodor Kullak's Neue Akademie der Tonkunst, where he studied composition with Richard Wüerst and orchestration with Heinrich Dorn. There he became close friends with the Scharwenka brothers, Xaver and Philipp. In 1871 he accepted Kullak's offer to become a teacher in his academy; as he was also a more than competent violinist, he sometimes played first violin in the orchestra.

A:
3