In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: Who did George Lady Sarah Sophia Fan heir Child & Co. to? Passage 1:Lord Jersey married Lady Sarah Sophia Fane, daughter of John Fane, 10th Earl of Westmorland, on 23 May 1804. She was the eldest grandchild and heiress of Robert Child, principal shareholder of the banking firm Child & Co. Lord Jersey added the surname Child to the Villiers surname by royal licence in 1819. Lady Jersey was one of the great hostesses of English society, a leader of the ton during the Regency era and the reign of George IV, and a patroness of Almack's. Lord Jersey was an ardent fox hunter and a breeder and trainer of horses, owning two Epsom Derby winners, in Mameluke (1827) and Bay Middleton (1836) as well as other notable thoroughbreds such as Glencoe. His wife's numerous love affairs did not trouble him: asked why he had never fought a duel to protect her honour, he replied that he could hardly fight every man in London.
 Passage 2:Blues vocalist and petty criminal "Joliet" Jake Blues is paroled on good behavior grounds from Joliet Correctional Center after serving three years of a five-year sentence, and is picked up by his blood brother Elwood in his Bluesmobile, a battered, decommissioned police car. Elwood demonstrates its capabilities by jumping an open drawbridge. The brothers visit the Roman Catholic orphanage where they were raised, and learn from Sister Mary "the Penguin" Stigmata and old friend Curtis that it will be closed unless $5,000 in property taxes is collected. Jake offers to steal the money, but Sister Mary is offended. During a sermon by the Reverend Cleophus James at the Triple Rock Baptist Church, Jake has another idea: they can re-form their band, the Blues Brothers, which disbanded while Jake was in prison, and raise the money to save the orphanage.
 Passage 3:His colour field paintings show the influence of Rothko and North-American Post-painterly abstraction, especially Barnett Newman, Kenneth Noland and Frank Stella. He reached a post-Bauhaus geometric synthesis rooted in theories concerning visual perception, demonstrating an indebtedness to the geometry and colour of Johannes Itten, Rudolf Arnheim, and Josef Albers. In Paris he became acquainted with a Bauhaus pupil of Paul Klee, Mordecai Ardon, while in Chicago he met Gyorgy Kepes who, together with Moholy-Nagy, founded the New Bauhaus (today the IIT Institute of Design in Illinois). Further encounters with Ola Okuniewska (Ola Wolpe) and Clement Greenberg also impacted his work. His passion for geometry continued throughout his career, right up until the present day. During the mid-70s he started teaching in London. His extensive knowledge of the techniques of painting led to him giving a series of demonstrations at the National Gallery and at several art colleges. In London he founded the Essendine Art Centre, where he taught advanced printmaking, life drawing and techniques of painting to young art college graduates. One of the specialized courses focused on 'The Technique of Icon Painting.' The success of the course led to the commission of a book on this subject, published by Search Press Ltd. It has been translated into seven languages.
1