In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

[EX Q]: Question: What other songs were featured on the Spider-Man 2 soundtrack? Passage 1:The Akademisches Kunstmuseum (English: Academic Museum of Antiquities ) was founded in 1818 and has one of the largest collections of plaster casts of ancient Greek and Roman sculptures in the world. At this time collections of plaster casts were mainly used in the instruction of students at art academies. They were first used in the instruction of university students in 1763 by Christian Gottlob Heyne at University of Göttingen. The Akademisches Kunstmuseum in Bonn was the first of its kind, as at this time collections at other universities were scattered around universities libraries. The first director was Friedrich Gottlieb Welcker, who also held a professorship of archaeology. His tenure was from 1819 until his retirement in 1854. He was succeeded by Otto Jahn and Friedrich Wilhelm Ritschl, who shared the directorship. From 1870 to 1889 Reinhard Kekulé von Stradonitz, nephew of the famous organic chemist Friedrich August Kekulé von Stradonitz, was the director. In 1872 the museum moved to a new building that was formerly used by the department of anatomy. The building was constructed from 1823 to 1830 and designed by Karl Friedrich Schinkel and Hermann Friedrich Waesemann. Other directors of the museum were Georg Loeschcke (from 1889 to 1912), Franz Winter (from 1912 to 1929), Richard Delbrück (from 1929 to 1940), Ernst Langlotz (from 1944 to 1966), Nikolaus Himmelmann (from 1969 to 1994) and Harald Mielsch (since 1994). All directors, with the exception of Friedrich Wilhelm Ritschl held a professorship of archaeology at the university.
 Passage 2:In 1990 the band signed with EMI Records and released their debut album, Strings. Their initial experiments with synthesised sounds and rhythms were not immediately recognised, although Strings sold 20,000 copies during its first week after release. Two years later the band released their second album, 2, which included the critically acclaimed single "Sar Kiye Yeh Pahar". The song was first aired on MTV Asia, and led the band to widespread fame. After the release of 2, the quartet disbanded to focus on their studies and careers. In 2000 Maqsood and Kapadia released Duur, which revived the band's popularity, and followed it with Dhaani in 2003. This album included the single "Najane Kyun", which was part of the soundtrack for the Hollywood film Spider-Man 2. Following Junoon and Nusrat Fateh Ali Khan, Strings went to India (where they found remixes of one of their early songs playing in clubs). In 2008 Strings released their fifth album, Koi Aanay Wala Hai, with the singles "Yeh Hai Meri Kahani" and "Aakhri Alvida" (included on the soundtracks for Bollywood's Zinda and Shootout at Lokhandwala). The album was co-produced by Bollywood actor John Abraham, and was successful in Pakistan and India.
 Passage 3:Penzias was born in Munich, Germany, the son of Justine (née Eisenreich) and Karl Penzias, who ran a leather business. His grandparents had come to Munich from Poland and were among the leaders of the Reichenbach Strasse Shul. At age six, he and his brother Gunther were among the Jewish children evacuated to Britain as part of the Kindertransport rescue operation. Some time later, his parents also fled Nazi Germany for the U.S., and the family settled in the Garment District of New York City in 1940. In 1946, Penzias became a naturalized citizen of the United States. He graduated from Brooklyn Technical High School in 1951 and after enrolling to study chemistry at the City College of New York, he changed majors and graduated 1954 with a degree in physics, ranked near the top of his class.

[EX A]: 2

[EX Q]: Question: Did North Texas State have more total tins in the Southland Conference Men's Basketball Tournament or in the 1988 NCAA Tournament? Passage 1:Born in Medicine Lodge, Kansas, Duryea grew up in Denton, Texas and graduated from Denton High School. Duryea played college basketball first at Pan American University (now the University of Texas Rio Grande Valley) with the Broncs in the 1984–85 season, then transferred to North Texas State University (now the University of North Texas) and played for the Mean Green from 1986 to 1988. A guard at both schools, Duryea was a team captain as a senior and helped North Texas State win the Southland Conference Men's Basketball Tournament, which qualified the team for the 1988 NCAA Tournament. Duryea graduated from North Texas State in 1988 with a degree in business administration.
 Passage 2:Born in Blackburn, Lancashire, Bell started his career with hometown club Blackburn Rovers at the age of 10 and signed a professional contract in February 2001 after nearly a decade in the youth system. He had a trial at Wycombe Wanderers in April 2003 and after being released by Blackburn in the summer he signed for Wycombe on a month-to-month contract in September, making his debut and scoring both goals in a 5–2 defeat to Oldham Athletic. His contract was extended until 29 February in January, before being released and joining York City on trial. He signed for York on non-contract terms on 1 March and made his debut in a 0–0 draw at Oxford United. His only goal for York came in a 3–1 defeat to Scunthorpe United, after he scored into an empty goal from a Stuart Wise long ball. He finished the 2003–04 season with 10 appearances and one goal for York as they were relegated to the Conference National.
 Passage 3:For his previous album, Irthes, Rouvas collaborated almost exclusively with Dimitris Kontopoulos, who was also commissioned to write all three of Rouvas' candidate songs for his participation in the Eurovision Song Contest 2009, as well as the composer and producer of his album, with the exception of one track. Working namely with one main composer is something that Rouvas had not done since Kati Apo Mena (1998) and not completely exclusively since Tora Arhizoun Ta Dyskola (1996). For Parafora, Rouvas reverted to using several songwriters and producers. The majority of the songwriters and producers are new collaborators and recent hit makers relatively new to the music industry. Kontopoulos, who first collaborated with Rouvas for To Hrono Stamatao (2003), resumed his role as a composer, producer, arranger, programmer, and instrumentalist, with eight contributions to the album, including the singles "Spase To Hrono" and the title track. Others who have never previously collaborated with Rouvas include Playmen, Beetkraft, Antonis Skokos, Greek-German Leonidas "Freakchild" Chantzaras, who composed "Nekros Okeanos" and produced "Emena Thes", and Dimitris Fakos who wrote both its music and lyrics. Songwriters who exclusively contributed lyrics to the album include Natalia Germanou, who first collaborated with Rouvas on Min Andistekese (1992), Pigi Konstantinou and Giannis Rentoumis who first collaborated with the artist on Irthes, and new collaborators Sunny Baltzi, Vagia Kalantzi, and Nikos Kostidakis, who wrote "Parafora".

[EX A]: 1

[EX Q]: Question: What were the dates of the event where Andromache hid the child in Hector's tomb?   Passage 1:The left-side Al-Zawraa player is capable of playing in defence, as well as midfield. Yassir has been one of the Iraqi league's top defenders for the past four years, having played for Al-Defaa Al-Jawiya (now Al-Esteqlal), Al-Shorta, Al-Zawraa and now Arbil FC. He was first selected for the Olympic team by Wathik Naji in October, 2002. The former Iraqi national coach picked a squad of twenty-four players from a list of 217 players; A month later, German coach Bernd Stange took over the team and Yassir made his international debut for Iraq in the 2-2 draw with Bahrain in Doha. At the end of the war, Yassir played at the 2003 Arab Club Championship in Cairo, where he played against Kuwait SC, Al-Jaish and Zamalek, which would be one of his last appearances for the Police Club before he moved to Al-Zawraa. He was recalled by coach Adnan Hamad and played a part in the side’s 5-1 demolition of Al-Nasr at the Emir Abdullah Al-Faisal Cup in Abha, the team reached went all the way to the final where they beat Morocco 1-0. He was used sparely by coach Hamad making only two appearances in the Qualifiers for the 2004 Summer Olympics in Athens, as well as giving him a starting place in the friendly against South Korea in Seoul in April.
 Passage 2:During the Trojan War, Andromache hid the child in Hector's tomb, but the child was discovered. His fate was debated by the Greeks, for if he were allowed to live, it was feared he would avenge his father and rebuild Troy. In the version given by the Little Iliad and repeated by Pausanias (x 25.4), he was killed by Neoptolemus (also called Pyrrhus), who threw the infant from the walls. Another version is given in Iliou persis, in which Odysseus kills Astyanax. It has also been depicted in some Greek vases that Neoptolemus kills Priam, who has taken refuge near a sacred altar, using Astyanax's dead body to club the old king to death, in front of horrified onlookers. In Ovid's Metamorphoses, the child is thrown from the walls by the Greek victors (13, 413ff). In Euripides's The Trojan Women (719 ff), the herald Talthybius reveals to Andromache that Odysseus has convinced the council to have the child thrown from the walls, and the child is in this way killed. In Seneca's version of The Trojan Women, the prophet Calchas declares that Astyanax must be thrown from the walls if the Greek fleet is to be allowed favorable winds (365–70), but once led to the tower, the child himself leaps off the walls (1100–3). For Hector's mother, Hecuba, Astyanax was the only hope and consolation, and his death's announcement was a terrible climax of the catastrophe. Other sources for the story of the Sack of Troy and Astyanax's death can be found in the Bibliotheca (Pseudo-Apollodorus), Hyginus (Fabula 109), Tryphiodorus (Sack of Troy 644–6).
 Passage 3:Tasman is most well known for his time-lapse photography piece completed in 2009. Here he made a Polaroid instant film self-portrait every day for ten years and one day—3,654 consecutive days beginning on July 24, 1999. He decided to continue this practice for 10 years because of the significance of a decade and the common practice in popular media of reflecting on the passing of decades. Tasman admits he chose Polaroid film for its ease of use and lack of photographic processing to attain an image. However, there were other challenges in creating the work, especially in archiving the material body of self-portraits, such as remembering to write the dates on the back, to make sure that stacks of photos were not knocked over or disarrayed, the cost of the film, and the expense of digitizing thousands of photographs. Tasman discussed with Mark Metcalf how the medium also seemed fitting to when dealing with conceptual issues of memory and storytelling. After concluding the ten years and one day period, and having digitally scanned the images, Tasman created a video from all of these Polaroids. Dick Gordon, host of the radio program, The Story with Dick Gordon, on American Public Media suggested that Tasman's project that began in 1999, illuminates the dramatic transformation that imaging technology and it social uses have undergone. "The funny thing is that the idea of a widely shared YouTube video was something that Marc could not even have conceived of—the technology wasn't there."

[EX A]:
2