In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
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Question: Question: Was Forbes or the Guardian founded first? Passage 1:"The Lazy Song" has received generally mixed reviews from contemporary music critics. Eric Henderson of Slant Magazine noted that in song Mars "paints a portrait of Al Bundy as a young man" and Andy Gill of The Independent classified the song as a "laidback acoustic groove". Tim Sendra of AllMusic said it was one of the tracks from Doo-Wops & Hooligans that captured the laid-back groove. Scott Mervis of the Pittsburgh Post-Gazette described the song as a "Jason Mraz/Sugar Ray-style reggae." Sean Fennessey, a reviewer of The Washington Post, felt the song was written in a "quality that is both endearing and damning". A mixed review came from Digital Spy reviewer Lewis Corner, who commented that the song is a "summery ditty more head-boppable than a Churchill nodding dog, which, given his current state of mind, is probably about all he could muster", giving it three stars out of five. and from Blues & Soul magazine who called it "reggae tinged" and found it to be "somewhat of a filler but for the likes of Peter Andre" is great. Entertainment Weeklys Leah Greenblatt considered that "other modes suit him less well; The Lazy Song is perhaps better left to Jason Mraz". Alexis Petridis of The Guardian, gave the song a negative review, writing that "The Lazy Song" "gets no further than the second verse before Mars – nothing if not keen to keep his fans abreast of his every activity in a world of 360-degree connectivity – announces that he's planning on having a wank". Nick Messitte writing for Forbes criticized the single for copying the "happy-go-lucky meanderings of Jason Mraz's "I'm Yours", but also using the same pattern as Travie McCoy and Mars' "Billionaire" (2011).
 Passage 2:At a meeting between the council of Zaporozhian Cossacks and Vasiliy Buturlin, representative of Tsar Alexey I of the Tsardom of Russia, during the Khmelnytsky Uprising. The "Pereyaslav Council" (Pereyaslavs'ka Rada in Ukrainian) of Ukrainians took place on January 18; it was meant to act as the supreme Cossack council and demonstrate the unity and determination of the "Rus' nation". Military leaders and representatives of regiments, nobles and townspeople listened to the speech by the Cossack hetman Bohdan Khmelnytsky, who expounded the necessity of seeking the Russian protection. The audience responded with applause and consent. The treaty, initiated with Buturlin later on the same day, invoked only protection of the Cossack state by the Tsar and was intended as an act of official separation of Ukraine from the Polish–Lithuanian Commonwealth (Ukrainian independence had been informally declared earlier in the course of the Uprising by Khmelnytsky). Participants in the preparation of the treaty at Pereyaslav included, besides Khmelnytsky, Chief Scribe Ivan Vyhovsky and numerous other Cossack elders, as well as a large visiting contingent from Russia.
 Passage 3:In 1760 the French zoologist Mathurin Jacques Brisson included a description of the purple-throated sunbird in his Ornithologie based on a specimen collected in the Philippines. He used the French name Le grimpereau pourpré des Philippines and the Latin Certhia Philippensis Purpurea. Although Brisson coined Latin names, these do not conform to the binomial system and are not recognised by the International Commission on Zoological Nomenclature. When in 1766 the Swedish naturalist Carl Linnaeus updated his Systema Naturae for the twelfth edition, he added 240 species that had been previously described by Brisson. One of these was the purple-throated sunbird. Linnaeus included a brief description, coined the binomial name Certhia sperata and cited Brisson's work. Linnaeus specified the type location as the Philippines but this was subsequently restricted to Manila. The specific name sperata is Latin for "bride" or "betrothed". The species is now placed in the genus Leptocoma that was introduced by the German ornithologist Jean Cabanis in 1850.


Answer: 1


Question: Question: What year was Schunk's co-star in Beethoven's Fidelio born? Passage 1:From 1979 onwards, he worked as a freelance singer, performing internationally. He appeared at both the Hamburg State Opera and the Vienna State Opera in 1981 as the Emperor in Die Frau ohne Schatten by Richard Strauss. In 1983, he appeared as Max in Weber's Der Freischütz at the Bregenz Festival. The same year, he made his U.S. debut as Erik at the Lyric Opera of Chicago. In 1984 he took part in the Hamburg State Opera's tour of Japan. In 1986 he appeared as Florestan in Beethoven's Fidelio at the Metropolitan Opera, opposite Hildegard Behrens in the title role, returning in 1989 as Siegmund and in 1990 as the Emperor, a role which he had also performed for his 1987 debut at the Royal Opera House. In 1996, he appeared as Loge in Wagner's Das Rheingold at the Opéra de Marseille. In addition to his opera activities, Schunk has also performed successfully in concerts. He recorded the tenor solo in Beethoven's Ninth Symphony in 1986, conducted by Georg Solti with the Chicago Symphony Orchestra & Chorus, alongside Jessye Norman, Reinhild Runkel and Hans Sotin.
 Passage 2:Browntown is the first community that WIS 11 passes through in Green County. WIS 11 then becomes a freeway and circles around Monroe to the north, picking up concurrency with WIS 81 east and Crossing WIS 69 and the terminus of WIS 59 while on the freeway segment. WIS 81 turns southeast toward Beloit two miles (3 km) south of Brodhead while WIS 11 passes through the city and turns east into Rock County. The highway crosses WIS 213 in Orfordville and passes through Footville before beginning its southern bypass of Janesville. The bypass crosses US 51 and then joins I-39 and I-90 for back up north where it turns east toward US 14 and joins it concurrently - the two routes continuing east to Walworth County.
 Passage 3:Chapple served with the regiment in Malaya, Hong Kong and Borneo. He was promoted to captain on 9 February 1957 and to major on 9 February 1964. Appointed a Member of the Order of the British Empire in the Queen's Birthday Honours 1969 and promoted to lieutenant colonel on 31 December, he was appointed Commanding Officer of the 1st Battalion, 2nd Gurkha Rifles in 1970 and made a member of the Directing Staff at the Staff College, Camberley in 1972. After spending much of the year as a services fellow at Fitzwilliam College, Cambridge in 1973, he was posted to the Directorate of Staff Duties at the Ministry of Defence at the end of the year and, having been promoted to colonel on 31 December 1973 and to brigadier on 31 December 1975, was made Commander of the Gurkha Field Force in 1976. He became Principal Staff Officer to the Chief of the Defence Staff in 1978, and having been appointed a Commander of the Order of the British Empire in the Queen's Birthday Honours 1980, he became Commander of British Forces in Hong Kong on 13 June 1980, with the substantive rank of major general from 1 January 1981. He returned to the United Kingdom to be Director of Military Operations at the Ministry of Defence on 19 October 1982.


Answer: 1


Question: Question: How many years had the Ballet Russe de Monte Carlo been doing performances the year that Rudenko signed up with them? Passage 1:In 1938 Rudenko was signed up to the Ballet Russe de Monte Carlo, where, at 17, she was their youngest soloist. Her stage name was Lubov Roudenko, and she was also popularly known as "Spitfire Lu-Lu." She had a can-can sequence in the 1938 ballet Gaîté Parisienne choreographed specially for her by Léonide Massine. She would later reprise this role in the 1941 Oscar-nominated short film The Gay Parisian. Whilst with the Ballet Russes, Rudenko was the subject of several drawings by Henri Matisse in 1939. Four of his portrait sketches of her are now in the Fogg Museum. Matisse also made a drawing of Rudenko in the ballet  Rouge et Noir. While on tour with the Ballet Russe, Rudenko performed the role of the Cowgirl in the 1942 ballet Rodeo until the tour reached New York and Agnes de Mille, the original choreographer, reclaimed the role for herself. Disappointed by this, Rudenko quit the Ballet Russes, and took a better-paid job performing in a Broadway production of The Merry Widow. This production launched at the Majestic Theatre on 4 August 1943, with Rudenko and James Starbuck leading the character dances, including a comic polka and a can-can number. After this, Rudenko played Grisette in Nellie Bly, a short-lived 1946 musical based on the life of Nellie Bly, and then became lead dancer for the 1946-49 Broadway production of Annie Get Your Gun, but following a knee injury, decided to pursue a career in fashion design. She continued performing until 1951, appearing in the 1950-51 Olsen and Johnson revue Pardon our French.
 Passage 2:Bhutia has had limited opportunities in playing overseas. On 30 September 1999, he travelled overseas to play for Bury in Greater Manchester, England. He became only the second Indian footballer to play professionally in Europe after Mohammed Salim. By penning a three-year contract he also became the first Indian footballer to sign for a European club. This followed unsuccessful trials for Bhutia with Fulham, West Bromwich Albion and Aston Villa. He had difficulty obtaining a visa and could not make his debut, until 3 October 1999 against Cardiff City. In that match, he came on as a substitute for Ian Lawson and played a part in Bury's second goal, which was scored by Darren Bullock after Bhutia's volley was deflected into his path. On 15 April 2000, he scored his first goal in the English league in the game against Chesterfield. A recurring knee injury limited him to only three games in his final season at Bury, and he was released after the club was placed in administration. His final appearance was a 3–0 defeat to Swindon Town on 27 August 2001.
 Passage 3:Of the 62 flying fox species evaluated by the IUCN as of 2018, 3 are considered critically endangered: the Aru flying fox, Livingstone's fruit bat, and the Vanikoro flying fox. Another 7 species are listed as endangered; 20 are listed as vulnerable, 6 as near threatened, 14 as least concern, and 8 as data deficient. A further 4 are listed as extinct: the dusky flying fox, the large Palau flying fox, the small Mauritian flying fox, and the Guam flying fox. Over half of the species are threatened today with extinction, and in particular in the Pacific, a number of species have died out as a result of hunting, deforestation, and predation by invasive species. Six flying fox species are believed to have gone extinct from 1864 to 2014: the Guam, large Palau, small Mauritian, dusky, large Samoan, and the small Samoan flying foxes.


Answer:
1