In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: Which of the movies Bob Givens worked on in the early 1980s had a better reception? Passage 1:Cross was the third son born to English-born parents, Theophilus Edwin Cross, builder and architect, and his wife Florence, née Stanbrough, who met in Brisbane, married in Sydney then sought their fortune in the United States. His father hoped to make money there but only found work as a carpenter (he became secretary of the American Carpenters' Union). Cross was born on 3 December 1888 in Los Angeles, California. The family returned to Australia in 1892 when Stan was four years old and settled in Perth, Western Australia. Cross was a gifted student who attended Perth High School on a scholarship. The University of Adelaide offered him a scholarship but Cross turned it down due to his father's ill-health. He left school at sixteen and joined the State Government Railways Department as a clerical cadet. He studied art for a number of years during the evenings at Perth Technical School. In 1912 at the age of twenty four,he resigned from his job and with the financial assistance of his brother he travelled to London to study at Saint Martin's School of Art, during this time some of his cartoons were accepted by Punch. Before sailing for England he exhibited his paintings and pen-and-ink works twice in Perth, the first with the West Australian Society of Arts at their 1913 Annual Exhibition, and the second in March 1914, with another Perth artist, Michael McKinlay. On returning to Perth he contributed freelance drawings to the Western Mail and The Sunday Times, and whilst working as a railways draftsman in 1918, he was offered a job by Ernie Brewer of Smith's Weekly at £5 a week. Cross accepted the position and moved to Sydney in 1919.
 Passage 2:He was called to the Irish Bar in 1805 and practised with great success on the home circuit. Blackburne was nominated a King's Counsel in 1822 and administered the Insurrection Act in Limerick for two years, effectually restoring order in the district. In 1826 he became the King's Third Serjeant-at-law and in 1830 was advanced to the Second Serjeant. A year later, he was appointed Attorney-General for Ireland in the Whig administration of Earl Grey 'though known to be a tory ... with a view to the Irish administration having a broad political base' and on this occasion was sworn of the Privy Council of Ireland. He held the post as Attorney-General until 1834; he was readmitted in 1841 and after serving for a year, became Master of the Rolls in Ireland. As Attorney General he clashed with Daniel O'Connell when he insisted, against O'Connell's wishes, on the appointment of Abraham Brewster as Law Adviser to the Lord Lieutenant of Ireland (in effect, a deputy to Brewster himself). Blackburne's statement that he "would not tolerate a refusal to ratify the appointment", is an indication of the influence which could then be wielded by a strong Attorney General. In 1845, he was chosen Chief Justice of the Court of Queen's Bench. Blackburne was appointed Lord Chancellor of Ireland in February 1852, but was replaced in October. After a break of four years, he became a Lord Justice of Appeal. In 1858 'he was invited by Lord Derby again to become lord chancellor, but he declined on account of his advanced age and failing health. He changed his mind, however, and decided to accept Derby's offer but was told that the position had been offered to and accepted by Joseph Napier.' He was bitterly disappointed, referring to the decision as "a harsh and cruel blow". In 1866, he began a second term as Lord Chancellor, which ended with his death in the next year.
 Passage 3:Givens followed most of the Warner Bros. staffers to new studio DePatie–Freleng Enterprises, while also working with Jones once more on the Tom and Jerry cartoons produced by Jones at Sib Tower 12 Productions. He continued his Looney Tunes association by working at the Warner Bros.-Seven Arts cartoon studio in the late 1960s, remaining with that studio until it shut down. Further spells at DePatie–Freleng and Hanna-Barbera followed during the 1970s, before working at the reformed Warner Bros. Animation studio on Friz Freleng's Looney Looney Looney Bugs Bunny Movie (1981),  (1982) and Daffy Duck's Movie: Fantastic Island (1983). He then had spells at Filmation (whose founder, Lou Scheimer had actually worked under Givens when the two were freelancers in the 1950s) and Film Roman.
3