Instructions: In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
Input: Question: What city is home to the library that deemed the film "culturally, historically, or aesthetically significant?" Passage 1:The Italian is a 1915 American silent film feature which tells the story of an Italian gondolier who comes to the United States to make his fortune but instead winds up working as a shoeshiner and experiencing tragedy while living with his wife and child in a tenement on New York's Lower East Side. The film was produced by Thomas H. Ince, directed by Reginald Barker, and co-written by C. Gardner Sullivan and Ince. The film stars stage actor George Beban in the title role as the Italian immigrant, Pietro "Beppo" Donnetti. In 1991, this film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in the National Film Registry.
 Passage 2:Methodios Fouyias (; 12 September 1924 in Corinth – 7 July 2006) served as Greek Orthodox Archbishop of Thyateira and Great Britain (concomitantly apokrisiarios of the Ecumenical Patriarch to the Archbishop of Canterbury) from 1979 to 1988. After studies in the Theological Faculty of the University of Athens and parochial responsibilities in Munich, he served in various positions within the Patriarchate of Alexandria culminating in that of Metropolitan of Axum covering Ethiopia and the Horn of Africa. Fouiyas' studies and encounters led to a favourable understanding of the Church of England which he saw in some respects as a continuator of the Saxon Church before the Norman Conquest, the Gregorian Reform and most importantly the East–West Schism of 1054. He was thus seen as the ideal candidate for the post of archbishop in London. Several years experience however of deepening division within Anglicanism led him openly to suggest (in an article in The Times) that the road to unity for Anglicans lay in submission to the discipline of the Roman Catholic church. As his post involved close relations with Lambeth it was judged expedient that he should be recalled. Methodios assumed the title of Pisidia and continued his studies (notably on Bessarion) in Greece.
 Passage 3:Howells was born in 1962 in his grandmother's house in Bapchild, Kent in the South of England. He was raised in nearby Sittingbourne, and attended Minterne County Junior School and Borden Grammar School. In the 1970s, he participated in youth theatre companies including Kent County Youth Theatre and Sittingbourne Youth Theatre. From 1981-84 he attended Bretton Hall College in West Yorkshire, graduating with a bachelor's degree in Drama and English. After working as a jobbing actor and director in provincial productions of plays and pantomimes, in 1990 Howells joined the Citizens Theatre Company in Glasgow, Scotland as an assistant director to Giles Havergal (one of the company's three pioneering directors, alongside Philip Prowse and the late Robert David MacDonald). While working at the Citizens Theatre, Howells met Stewart Laing, and Laing cast Howells alongside the drag performers Leigh Bowery and Ivan Cartwright in a production of Copi's scatological play The Homosexual or the Difficulty of Sexpressing Oneself (1971) -- Laing's first directorial production (co-directed with Gerrard McArthur). The play toured to Glasgow, London and Manchester in 1993-94. Howells recalled that Time Out described it as a hymn to tastelessness. I blacked up and was an Asian transsexual with a Carry on up the Khyber accent.’ Bowery was a profound influence on Howells and the two were close friends until Bowery's premature death in late 1994.

Output:
1