In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: Who won the challenge where the Roosters played St. Helens? Passage 1:Cayless started his career in the National Rugby League with the Parramatta Eels alongside his older brother, Nathan Cayless, who had already been with the club for three years. In 2001 he made his representative début for New South Wales Country Origin. The following year Cayless moved to the Sydney Roosters and played for them at prop forward in their 2002 NRL Grand Final win over the New Zealand Warriors. Having won the 2002 NRL Premiership, the Roosters traveled to England to play the 2003 World Club Challenge against Super League champions, St. Helens. Cayless played at prop forward in Sydney's victory. He made his international début for New Zealand in 2002 and went on to play in ten Test matches for New Zealand. He played at prop for the Sydney Roosters in the 2003 NRL grand final which was lost to the Penrith Panthers.
 Passage 2:After Antwerp, Albers was engaged as Principal Baritone at the Opéra de Bordeaux and went on to sing at the Royal Opera House in London and the Opéra de Monte-Carlo. He was engaged by the Metropolitan Opera in 1898 and sang with the company both on tour and in New York City. He made his company debut on 8 November 1898 as Mercutio in the Met's touring performance of Roméo et Juliette in Chicago. He remained with the company through 1899, appearing 36 times in eight different operas and tackling his first Wagnerian role, Wolfram in Tannhäuser. On his return to Europe he sang regularly at the Théâtre de la Monnaie in Brussels from 1901 to 1906 and added several more Wagnerian roles to his repertoire: Telramund in Lohengrin; Hans Sachs in Die Meistersinger von Nürnberg; Wotan in Das Rheingold, Siegfried, and Die Walküre; and Kurwenal in Tristan und Isolde. A highly versatile singer, he also appeared in the title roles of La Monnaie's productions of Hamlet, Rigoletto, Hérodiade, and Le roi Arthus, as well as singing Count di Luna in Il trovatore, Iago in Otello, and Baron Scarpia in Tosca.
 Passage 3:The epsilon axe is a type of battle axe named for its similarity to the Greek letter epsilon (ϵ). The epsilon axe was widely used throughout the Middle East, its usage spread from there and grew in popularity to be used in eastern Europe and Russia as well as the Nordic countries. The axe is also depicted in Egyptian hieroglyphics with the warrior carrying both the epsilon axe and a shield thus leaving some to believe that this weapon was used also as a one handed weapon. Bronze examples of the Assyrian design are kept in the British Museum. Some historians have called the epsilon axe the "poor man's" kopesh, it is possible that the epsilon axe would be assigned to less valuable or "irregular" infantry while main forces would be equipped with the kopesh.
1