Detailed Instructions: In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
Q: Question: Who was older when "Something" won the Ivor Novello Award? Passage 1:From the mid-1970s, DJs in early discothèques were performing similar tricks with disco songs (using loops and tape edits) to get dancers on the floor and keep them there. One noteworthy figure was Tom Moulton who invented the dance remix as we now know it. Though not a DJ (a popular misconception), Moulton had begun his career by making a homemade mix tape for a Fire Island dance club in the late 1960s. His tapes eventually became popular and he came to the attention of the music industry in New York City. At first Moulton was simply called upon to improve the aesthetics of dance-oriented recordings before release ("I didn't do the remix, I did the mix"—Tom Moulton). Eventually, he moved from being a "fix it" man on pop records to specializing in remixes for the dance floor. Along the way, he invented the breakdown section and the 12-inch single vinyl format. Walter Gibbons provided the dance version of the first commercial 12-inch single ("Ten Percent", by Double Exposure). Contrary to popular belief, Gibbons did not mix the record. In fact his version was a re-edit of the original mix. Moulton, Gibbons and their contemporaries (Jim Burgess, Tee Scott, and later Larry Levan and Shep Pettibone) at Salsoul Records proved to be the most influential group of remixers for the disco era. The Salsoul catalog is seen (especially in the UK and Europe) as being the "canon" for the disco mixer's art form. Pettibone is among a very small number of remixers whose work successfully transitioned from the disco to the House era. (He is certainly the most high-profile remixer to do so.) His contemporaries included Arthur Baker and François Kevorkian.
 Passage 2:The USS Essex had been constructed in 1856. She was a 1000-ton river gunboat, converted from her original role as a timberclad ferry named New Era. She was armed with one 32-pounder cannon, three Dahlgren smooth bores, one Dahlgren smoothbore and a 12-pounder howitzer. The USS St Louis was a City class ironclad built in 1861 at Carondelet, Missouri. She was armed with three 8-inch smoothbores, four 42-pounder rifles, six 32-pounder rifles and one 12-pounder rifle at the time of her service at Lucas Bend. Both ships were sent to Cairo, Illinois, early in the Civil War as part of troop transports moving the army into Tennessee. Illinois, a Union state which contributed 250,000 men to the Union Army, a figure surpassed by only New York, Pennsylvania, and Ohio, was a key theater. Cairo, at the confluence between the Mississippi and Ohio rivers, was a key supply point and headquarters for Flag Officer Andrew Hull Foote and General Ulysses S. Grant. It was defended by Fort Defiance. The complex river network provided routes for the Union gunboats into the heart of the Confederate forces; however the water levels – particularly in the Tennessee River – were often not sufficient for gunboats to pass.
 Passage 3:"Something" received the Ivor Novello Award for the "Best Song Musically and Lyrically" of 1969. Harrison subsequently performed the song at his Concert for Bangladesh shows in 1971 and throughout the two tours he made as a solo artist. Up to the late 1970s, it had been covered by over 150 artists, making it the second-most covered Beatles composition after "Yesterday". Shirley Bassey had a top-five UK hit with her 1970 recording, while Frank Sinatra regularly performed the song. Other artists who have covered "Something" include Elvis Presley, Ray Charles, Peggy Lee, James Brown, Tony Bennett, Andy Williams, Smokey Robinson and Ike & Tina Turner. In 1999, Broadcast Music Incorporated named "Something" as the 17th-most performed song of the twentieth century, with 5 million performances. In 2004, it was ranked at number 278 on Rolling Stones list of "The 500 Greatest Songs of All Time", while two years later, Mojo placed it at number 7 in the magazine's list of the Beatles' best songs. A year after Harrison's death in November 2001, McCartney and Eric Clapton performed it at the Concert for George tribute at London's Royal Albert Hall.

A:
3