TASK DEFINITION: In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
PROBLEM: Question: How many copies of Palliser's novel had sold by the time he took the post of Writer in Residence at the University of Poitiers? Passage 1:Born in New England, Palliser is an American citizen but has lived in the United Kingdom since the age of three. He went up to Oxford in 1967 to read English Language and Literature and took a First in June 1970. He was awarded the BLitt in 1975 for a dissertation on Modernist fiction. From 1974 until 1990, Palliser was a Lecturer in the Department of English at the University of Strathclyde in Glasgow. He was the first Deputy Editor of The Literary Review when it was founded in 1979. He taught creative writing during the Spring semester of 1986 at Rutgers University in New Jersey. In 1990, he gave up his university post to become a full-time writer when his first novel, The Quincunx, became an international best-seller. He teaches occasionally for the Arvon Foundation, the Skyros Institute, the University of London, London Metropolitan University, and Middlesex University. He was Writer in Residence at the University of Poitiers in 1997.
 Passage 2:In 1976, led by coach Dragan Bojović, the club won the second league and again provides a placement in the elite, thanks to the four goals by Jovica Škoro, three by Milomir Jakovljević and one by Dragiša Ćuslović, which brought the decisive 8–2 victory over Rad Belgrade, but they relegated again in the same season. In the season 1978–79, they joined the Yugoslav First League, and in that season, Yugoslav powerhouse Partizan suffered a sensational 3–0 home defeat from Napredak. In the season 1979–80, led by coach Tomislav Kaloperović, Napredak finished the championship as 4th and this in front of several Yugoslav top clubs, and qualified finally for the first time for a European competition, the 1980–81 UEFA Cup season, but they were eliminated already in the first round by Eastern Germany's club Dynamo Dresden. It got even worse, because in the same season the club finished the league unexpectedly in the last place and relegated to the Yugoslav Second League and competed there until 1988. In the season 1987–88, Napredak won the East Division of the second league and was promoted to the top tier, but the club could not keep in the first league and relegated for the third time in its history again in the debut season. Napredak remain in the second league until the season 1991–92, the last season of the Socialist Federal Republic of Yugoslavia, and was one of the clubs, which were member of the newly founded First League of the Federal Republic of Yugoslavia. In 1993, Napredak achieved a good six place, but the subsequent 1993–94 season, they relegated to the second league.
 Passage 3:His good results continued in 2016 as he won the title at the Brisbane International in January with John Peers. On April–May they won the BMW Open together. At the 2016 Wimbledon Championships he reached quarterfinals of the men's doubles tournament together with Peers and the final of the mixed doubles with Heather Watson, which they won in straight sets. On July Kontinen and Peers won the German Open Tennis Championships. On August Kontinen won the Winstom-Salem Open playing with Guillermo García-López. It was Kontinen's 10th doubles title in his career. He took the victory of St. Petersburg Open with Dominic Inglot. Kontinen and Peers had a successful end for the year as they won their first Masters title at Paris Masters and the season ending ATP World Tour Finals title. Kontinen reached the top 10 in rankings as a first Finnish tennis player ever.


SOLUTION: 1

PROBLEM: Question: What role did Dick Van Dyke play in Mary Poppins? Passage 1:Viewtiful Joe is a 2.5D side-scrolling action-platformer, released on June 26, 2003. The title character is a parody of tokusatsu superheroes and is trying to save his girlfriend, who has been trapped in "Movieland" by a group of supervillains known as Jadow. To complete his quest, Joe must use his Viewtiful Effects Powers, which are based on camera tricks and special effects used in films. These include "Slow", which simulates bullet time; "Mach Speed", allowing Joe to attack all enemies with his afterimages; and "Zoom In", which triggers a camera close-up and unlocks special attacks. Internally, Capcom treated the game as a "staff-focused project" with the goal of increasing the skills of director Hideki Kamiya. The game achieved a Metacritic score of 93 and won GameCube Game of the Year awards from numerous publications including IGN, GMR, and USA Today. The game sold out its initial shipment of 100,000 to achieve a lifetime total of 275,000 units. Producer Atsushi Inaba considered the game a success, achieving his goals of training staff, keeping a small budget, and selling well. However, these numbers were lower than Capcom expected, prompting the publisher to port Viewtiful Joe to PlayStation 2 in 2004, with expanded features. This version sold 46,000 copies with a slightly lower Metacritic score of 90 owing to the lack of progressive scan and frame rate slowdown generated by the porting process.
 Passage 2:Fioretti, who wanted to sound less Italian, started to use the name Feury, and began to be artistic in many ways. Although Dyslexic, he authored several screenplays, began painting for the first time in 1966, and began producing tightly budgeted B-Movies in the early 1970s. Since the 1980s, he was the home producer of the feature film productions of his wife Lee Grant. With the 1986 published and by Grant staged documentation on homelessness in the US under President Ronald Reagan, Down and Out in America, for which Feury and with his co-producer Milton Justice received an Academy Award for Best Documentary Feature the following year. Going on to produce a number of documentary films as well as TV Movies based on the documentaries. The socially engaged documentary film project: his production  Baghdad ER  took a look at the activities of US military surgeons in the Iraq war zone. Baghdad ER, produced in conjunction with DCTV, HBO, and his longtime collaborators Roberta Morris Purdee and wife Lee Grant. The film went on to win four Emmys, a Peabody, and the Dupont-Columbia. 
 Passage 3:Walt Disney engaged O'Malley to provide voices for animated films such as the Cockney coster in the "Supercalifragilisticexpialidocious" sequence in Mary Poppins (1964); Cyril Proudbottom, Winkie, and a policeman in The Adventures of Ichabod and Mr. Toad (1949); and the role of Colonel Hathi and the vulture Buzzie in The Jungle Book (1967). His voice can be heard in Alice in Wonderland (1951), in which he performs all the character voices in "The Walrus and the Carpenter" segment (besides Alice), including Tweedledum and Tweedledee, the Walrus, the Carpenter, and Mother Oyster. O'Malley also provided the voice of Br'er Fox in Song of the South (1946) when James Baskett was unavailable. Actor Dick Van Dyke has said that O'Malley was his dialect coach on Mary Poppins, attributing his infamous Cockney accent in that film to O'Malley.


SOLUTION: 3

PROBLEM: Question: Which producer who worked on Daylight Crossing is the oldest? Passage 1:Cantor appears in caricature form in numerous Looney Tunes cartoons produced for Warner Bros., although he was often voiced by an imitator. Beginning with I Like Mountain Music (1933), other animated Cantor cameos include Shuffle Off to Buffalo (Harman-Ising, 1933) and Billboard Frolics (Friz Freleng, 1935). Eddie Cantor is one of the four "down on their luck" stars (along with Bing Crosby, Al Jolson, and Jack Benny) snubbed by Elmer Fudd in What’s Up, Doc? (Bob McKimson, 1950). In Farm Frolics (Bob Clampett, 1941), a horse, asked by the narrator to "do a canter", promptly launches into a singing, dancing, eye-rolling impression. The Cantor gag that got the most mileage, however, was his oft-repeated wish for a son after five famous daughters. Slap-Happy Pappy (Clampett, 1940) features an "Eddie Cackler" rooster that wants a boy, to little avail. Other references can be found in Baby Bottleneck (Clampett, 1946) and Circus Today (Tex Avery, 1940). In Merrie Melodies, The Coo-Coo Nut Grove Cantor's many daughters are referenced by a group of singing quintuplet girls. In Porky’s Naughty Nephew (Clampett, 1938) a swimming Cantor gleefully adopts a "buoy". An animated Cantor also appears prominently in Walt Disney's "Mother Goose Goes Hollywood" (Wilfred Jackson, 1938) as Little Jack Horner, who sings "Sing a Song of Sixpence".
 Passage 2:Charley and Hattie collaborated with Jeff Trott (Sheryl Crow, Aimee Mann), Mike Elizondo (Dr. Dre, Fiona Apple), and Steve Booker (Duffy) on material that would become their album Daylight Crossing. Two years later they returned to the UK, where they worked with Universal Records sister company Mercury Records for the album's release. Daylight Crossing was produced by Steve Lipson and Youth, recorded at Sarm Hook End, Abbey Road and Olympic Studios. The album featured musicians Simon Tong and Simon Jones from the band The Verve and Steve Gadd and Pino Palladino. Daylight Crossing was released in June 2006 and became the 'Record of the Week' and 'Album of the Week' at BBC Radio 2, reaching No. 2 on UK's TV music video airplay chart. iTunes chose Daylight Crossing as 'Album of the Week' and singled out the song "Torches" as its 'Single of the Week' during its release week. The Webb Sisters performed on The Sharon Osbourne Show and toured in support of Jamie Cullum (for whom their brother Brad has played drums), Jason Mraz, James Morrison and Kubb, alongside band Leya and Joe Echo. Their song "Still The Only One" was played on the TV show Cane on CBS.
 Passage 3:Schneemann began her art career as a painter in the late 1950s. Her painting work began to adopt some of the characteristics of Neo-Dada art, as she used box structures coupled with expressionist brushwork. These constructs share the heavily textural characteristics found in the work of artists such as Robert Rauschenberg. She described the atmosphere in the art community at this time as misogynistic and that female artists of the time were not aware of their bodies. These works integrated influence by artists such as post-impressionist painter Paul Cézanne and the issues in painting brought up by the abstract expressionists. Schneemann chose to focus on expressiveness in her art rather than accessibility or stylishness. She still described herself as a formalist however, unlike other feminist artists who wanted to distance themselves from male-oriented art history. She is considered a "first-generation feminist artist", a group that also includes Mary Beth Edelson, Rachel Rosenthal, and Judy Chicago. They were part of the feminist art movement in Europe and the United States in the early 1970s to develop feminist writing and art. Schneemann became involved with the art movement of happenings when she organized A Journey through a Disrupted Landscape, inviting people to "crawl, climb, negotiate rocks, climb, walk, go through mud". Soon thereafter she met Allan Kaprow, the primary figure of happenings in addition to artists Red Grooms and Jim Dine. Influenced by figures such as Simone de Beauvoir, Antonin Artaud, Maya Deren, Wilhelm Reich, and Kaprow, Schneemann found herself drawn away from painting.


SOLUTION:
2